Most novels on war usually perceive only one side in the realm. An author like Timothy Findley can make a novel less about war but more about the physiological impact on ones mind because of war. The Wars is a very powerful and disturbing book with plenty of linguistic contexts. Timothy Findley’s Governor General's Award-winning novel of the First World War tells the story of Robert Ross, a young Canadian who enlists himself in the army after the death of his sister, Rowena. Robert has to cope with challenges of war, and make the transition into manhood and develop new beliefs in order to survive the war. Robert encounters numerous challenges along his journey that forces Robert to re-evaluate the truths that serve as the foundation of his life. This is what exemplifies deconstructive criticism; the moment one questions their truths, and realizes that there is no one central truth, instead, many linguistic oppositions of the same event that changes according to one’s perspective. With the title of Timothy Findley’s novel being The Wars, many false interpretations are suggested as it is just another book about World War I; however, The Wars, by Timothy Findley, digested through a lens of Deconstructive Criticism, one is able to surpass this barrier to find the ambiguities and contradictions of the internal battles illustrated in the novel: the psychological battle of sanity and insanity, the distinction of friend and enemy, and the illusion and reality of the war itself.…