After the murder of Agamemnon and Cassandra, Clytemnestra attempts to justify her actions in a response to the accusations of the chorus. The aggressive stance that Clytemnestra takes in the beginning of this passage is clearly a reversal of genders. It shows the strength of her character as well as the duality. Explaining her reason for murdering Agamemnon, she logically questions the chorus, asking how they dare judge her, especially because Agamemnon has killed more people than she has killed. She then falls back into the traditional role of a Greek woman by acting like a mother, revealing the necessity of the actions she committed as a man. Her ability to move between the characteristics of both male and female emphasizes the duality of her character, as shown in her speech. Without this section of the play Aeschylus’s representation of reversed gender roles would not be very significant.…
In addition, the narrator was use the symbolic light and darkness illustrates the painful nature of reality…
Thus Orestes interprets the prophecy as him killing his mother as revenge for his father’s death. Cassandra had foreseen this in Agamemnon, and it has come true in The Libation Bearers, as evidenced by Clytaemnestra’s dream and Orestes’ return and subsequent murder of his mother. Again, the prophecies from Agamemnon and The Libation Bearers are shown to be integral to the plot.…
In the state of liminality, Agamemnon is given the choice of returning Chryseis back to the priest of Apollo, Chryses, who offered a ransom for his kidnapped daughter. The king of Mycenae is aware of the choices he makes: in one way if he returns Chryseis to her father he will be looked down as a coward who lost empowerment of beauty and in the other hand if he does so, he would become a good leader by not endangering the lives of his soldiers. However due to his character and pride, Agamemnon decides to keep the crucible of beauty as he believes nothing is more powerful than empowerment. His ugly decision showed that he wasn’t making any contributions to the community, which follows to the second phase of the king’s rite of passage.…
A cycle of murder and death spurs from the curse on the House of Atreus in Aeschylus’ The Oresteia but transforms from justice as vengeance to justice as fairness and forgiveness through the wisdom of Athena, establishing a new cycle of growth and life. The curse upon the House of Atreus was brought forth through the event of Zeus’ eagles devouring a pregnant hare which angered Artemis for she is the goddess of young animals and creatures. The big black bird swoops down and “plunged their claws in a hare, a mother bursting with unborn young—the babies spilling, quick spurts of blood-cut off the race just dashing into life!” and instantly this brings forth the curse (A 122-124). The death of the hare’s unborn babies directly relates to the curse on the House of Atreus where children were abruptly killed, hindering growth and fertility for generations. Agamemnon is unable to escape his deathly net of fate once he was ordered by Artemis to kill his own daughter, Iphigenia. The Furies are fueled by this and thus go after Agamemnon which traps him in a fate which he can never escape. At this point, “Justice turns the balance scales, sees that we suffer and we suffer and we learn” (A 250-252). From the “an eye for an eye” perspective, justice is vengeance and it sustains balance and fairness. When King Agamemnon returns home to Argos from the war in Troy, the herald begins to speak of his actions and how “He hoisted the pickaxe of Zeus who brings revenge, he dug Troy down, he worked her soil down, the shrines of her gods and the high altars, gone! –and the seed of her wide earth he ground to bits” (A 516-519) out of admiration. Agamemnon accomplishes a great feat by conquering Troy and is highly praised, but while doing so he kills the seeds of life and plants death in its place, emphasizing his proclamation that he will “burn the cancer at the roots.” (A 836). By burning the cancer at the roots Agamemnon is declaring that he will purify…
Imagine having no authority over your own fate. Not being able to exchange your fate for another. We will discover and unravel the life of a girl name Antigone. In the play called “Antigone” this book explains the fate of Antigone and her family. This is a tragic and emotional fate that this girl goes through by the cause of a curse. These three themes will transform and revolve around her during her life period. In the play Antigone by Sophocles, the main theme is fate, and love conquers and religion and Gods are supporting themes.…
The events surrounding Hamlet’s life are far more explored than those in Agamemnon. Though we learn that Agamemnon’s family members are traitors, Hamlet’s family members have sadder, more twisted intentions that we learn about in more detail. We don’t know that Agamemnon was a generally ‘good’ person because we do not delve into his personality the way we do with Hamlet. It is clear that Hamlet was indeed a ‘good’ person who had love for his father. The surrounding events where Claudius, his uncle, kills Hamlet’s father for power and his mother marries Claudius were alone enough to watch our protagonist’s quick and sudden downfall commence. As any ‘good’ person would, Hamlet’s responses to these events surrounding his life were painful, mad, and full of self-doubt.…
The death of a child is traumatic especially for a parent. The pain and devastation they feel is overwhelming, as immediate emotions all come together. In the play, Agamemnon, Agamemnon makes this experience a reality. He has two options and he had to choose one: he either had to sacrifice his daughter, Iphigenia and if he didn’t do this, all his troops on board would die. In order to save the life of his troops on board, “he dared to sacrifice his daughter, a first offering to bless the fleet, to fight that woman-revenging war” (Agamemnon 225-7). Although Iphigenia pleaded to his father not to harm her he took the action and got his men to hang her up on the altar, like a goat about to get sacrificed. Agamemnon thought this was the best decision…
Dark and light continually show importance in the story; they are constant symbols. Dark and light throughout the book show they are enemies, and in the end, the battle between them proves the light to be triumphant.…
A great significance of the light and dark imagery would be in this novel. This will be shown throughout the book in multiple places. The light and dark both are described in detailed imagery. The light is used as a symbol of hope, beauty, goodness, and God's acceptance. The dark is used to be a symbol of ugliness, evilness, the devil, and sin.…
Then during Lady Macbeth’s sleep walking, the only source of light comes from the candle that she keeps by her at night. In fact, Lady Macbeth is very afraid of darkness because it makes her remember of all the deeds that happened during the night. (Here, light has a positive reassuring role.) In this scene, she reveals all the crimes that her husband committed with her support.…
It has been said that Agamemnon is the most unfortunate character in the Odyssey, but truthfully, Clytemnestra had to witness her husband’s death, and suffer the consequences for the murder her lover…
The play exemplifies the love that a family can protect each other with, and how this can connect an audience to the characters. Antigone’s love and respect for her brother was unlike any other character in an ordinary story. Her sacrifice of her life for her family makes her a true tragic hero, especially because she does not hesitate to bury her brother’s body. The emotions of fear, love, pity, and more are aroused from the play and entice the reader further into the story. Antigone is a true classic example of tragedy, and the tragic qualities found in this play can assist the audience in analyzing other tragedies as…
Due to the previous actions of Oedipus had lead his family to have a curse, and now it is has reflected onto his children. The first conversation of the play is between Ismene and her sister Antigone and we see that they both discuss the “heavy hand of god is upon us” that has been placed on their family. Antigone wants to change the town’s people’s minds on how they see and think of their family by trying to do the right thing by the God’s and have a burial for her brother Polyneices like everyone at that point in history should have been. Sophocles tries to persuade the readers by making the prologue of the play the conversation between the two sisters by showing us that Antigone is doing the right thing by wanting the burial to take place and he always shows how Ismene is a perfect example of the role and attitude of many of the women in ancient Greece “we are women; it’s not for us to fight against men” and showing that she is afraid to do anything in case she is looked at by people like her father was. Whilst Antigone was wandering city to city with her father Oedipus she…
Clytemnestra, a very prevalent character in Aeschlyus’ play Agamemnon, stands as a center point among the most famous speeches in the history of Greek literature. Breaking with the traditions of other plays written during this time period, Clytemnestra wields considerable political power during the time period in which women were sidelines from affairs of the state. Possessing a “male strength heart,” as stated by the watchmen in the beginning of the play, Clytemnestra not only is able to attain political control but she also has the ability to deceive those that surround her. The chorus makes the queen’s deceiving ways apparent to the audience when noting to the Herald not to take everything Clytemnestra says at face-value, for they have learned…