Agamemnon is the husband of Clytemnestra, father of three and the leading general in the Trojan War. The prophet Calchas approaches Agamemnon and tells him that sacrifice of a virgin will send wind to allow his troop’s ships to get off to battle. Agamemnon decides to sacrifice his daughter, Iphigenia, to get…
Before concluding with how the gods did not serve the mortal in a just way, and establishment needs to be made on what the mortal wanted. In the Oresteia, Aeschylus began with the homecoming of Agamemnon from the Trojan War. There, he acquired a concubine, Cassandra. Upon bringing her home, his wife, Clytemnestra and her lover, Aegisthus, plotted their murder. This prompted the return of Orestes from his years of exile from Argos to avenge his father’s death. Ultimately he killed both Clytemnestra and Aegisthus. This lead the Furies to drove him into madness and both Apollo and Athena had to be brought in to stop the tutor. In this play, the motives for each of the killings was justified by the killers because they did it for the justice of another person. For Orestes, he wanted to avenge his father to the best of his abilities. Clytemnestra said that she wanted Agamemnon dead was because of the death of their daughter Iphigenia. She was sacrifice after Agamemnon offended the goddess Artemis and could not set…
I believe that Agamemnon is a protagonist character with selfish intentions in the play, Agamemnon. Although, he does make a few errors in his period of ruling. Overall, I believe he is a hubris person as he holds great pride in himself, his actions and his decisions. I believe that his intentions of his actions are only meant for his own benefit and that he believes no one else’s value should be more than his value. He has very little effect but, a very important role in the storyline. He could not have changed or effected any actions that occur from the moment of his victory from Tory to his death because of the mistakes he had committed early in his life, such as the sacrifice of his daughter. Despite his previous mistakes, he continued to make decisions for his personal advantage, such as bringing Cassandra as his Trojan princess.…
A cycle of murder and death spurs from the curse on the House of Atreus in Aeschylus’ The Oresteia but transforms from justice as vengeance to justice as fairness and forgiveness through the wisdom of Athena, establishing a new cycle of growth and life. The curse upon the House of Atreus was brought forth through the event of Zeus’ eagles devouring a pregnant hare which angered Artemis for she is the goddess of young animals and creatures. The big black bird swoops down and “plunged their claws in a hare, a mother bursting with unborn young—the babies spilling, quick spurts of blood-cut off the race just dashing into life!” and instantly this brings forth the curse (A 122-124). The death of the hare’s unborn babies directly relates to the curse on the House of Atreus where children were abruptly killed, hindering growth and fertility for generations. Agamemnon is unable to escape his deathly net of fate once he was ordered by Artemis to kill his own daughter, Iphigenia. The Furies are fueled by this and thus go after Agamemnon which traps him in a fate which he can never escape. At this point, “Justice turns the balance scales, sees that we suffer and we suffer and we learn” (A 250-252). From the “an eye for an eye” perspective, justice is vengeance and it sustains balance and fairness. When King Agamemnon returns home to Argos from the war in Troy, the herald begins to speak of his actions and how “He hoisted the pickaxe of Zeus who brings revenge, he dug Troy down, he worked her soil down, the shrines of her gods and the high altars, gone! –and the seed of her wide earth he ground to bits” (A 516-519) out of admiration. Agamemnon accomplishes a great feat by conquering Troy and is highly praised, but while doing so he kills the seeds of life and plants death in its place, emphasizing his proclamation that he will “burn the cancer at the roots.” (A 836). By burning the cancer at the roots Agamemnon is declaring that he will purify…
After the murder of Agamemnon and Cassandra, Clytemnestra attempts to justify her actions in a response to the accusations of the chorus. The aggressive stance that Clytemnestra takes in the beginning of this passage is clearly a reversal of genders. It shows the strength of her character as well as the duality. Explaining her reason for murdering Agamemnon, she logically questions the chorus, asking how they dare judge her, especially because Agamemnon has killed more people than she has killed. She then falls back into the traditional role of a Greek woman by acting like a mother, revealing the necessity of the actions she committed as a man. Her ability to move between the characteristics of both male and female emphasizes the duality of her character, as shown in her speech. Without this section of the play Aeschylus’s representation of reversed gender roles would not be very significant.…
Clytemnestra appears as a strong, fearless woman. She described as a “male strength heart” woman. After she killed her husband she is angry at the Chorus for being shocked of her murder. She does not understand how they judge her not her husband when he sacrificed their daughter. She has no fear or guiltiness for what she done. Nobody will make her pay for her murder, only if God wishes it. Only after her murder we can feel how much pain and how much she sacrificed in her life. All her life she wanted revenge, she could not forget and forgive her husband for sacrificing their daughter. Finally, at the end when she killed her husband, she says: “A sweet new taste of joy that know no fear”. By killing her husband she wanted release her pain. She feels joy that she had her revenge.…
Clytaemestra first employs her art of deception as she convinces Agamemnon, her husband, to traipse on the holy tapestries that are meant only for the gods. Although Agamemnon retains the dominant masculine role in their relationship, Clytaemestra’s subterfuge of words connotes that she truly possesses the power in their marriage. After her husband initially refuses her…
The first type of woman, the bad, disrespectful woman is portrayed through two characters. Clytemnestra is the unfaithful wife of Agamemnon, and Melantho, is the disloyal maidservant of Penelope. The story of Clytemnestra is repeated numerous times throughout the poem. When Odysseus travels to the underworld, the Kingdom of the Dead, he meets Agamemnon, the dead husband of Clytemnestra. He is describing his story to Odysseus when he says, “…she turned her back on me, well on my way to Death—she even lacked the heart to seal my eyes with her hand or close my jaws…—what a monstrous thing she plotted, slaughtered her own lawful husband!” (Homer 11. 481-487) Clytemnestra is referred to as a monster, and a woman with no heart, because of her ability to kill her own husband for her own good. Melantho the…
Clytemnestra, after Agamemnon was at war for a few years, began to cheat on Agamemnon with his cousin, Aegisthus. When the two got word of Agamemnon's return from Troy they began to plot against Agamemnon. Clytemnestra prayed to the Gods to let Agamemnon make it home because she wanted to punish him herself. Even though most of the other ships did not make it home after the storms, Agamemnon's did. Many believe this is because of the prayer that was prayed by Clytemnestra.…
It has been said that Agamemnon is the most unfortunate character in the Odyssey, but truthfully, Clytemnestra had to witness her husband’s death, and suffer the consequences for the murder her lover…
Imagine having no authority over your own fate. Not being able to exchange your fate for another. We will discover and unravel the life of a girl name Antigone. In the play called “Antigone” this book explains the fate of Antigone and her family. This is a tragic and emotional fate that this girl goes through by the cause of a curse. These three themes will transform and revolve around her during her life period. In the play Antigone by Sophocles, the main theme is fate, and love conquers and religion and Gods are supporting themes.…
Clytemnestra is one of the most ruthless characters in “The Odyessey”. She is a representation of someone who is disloyal and is conceded. For the most part she is Agamemnon’s no good wife. She has an affair while her husband is gone and kills Agamemnon when he finally comes home. Her aldiltry is shameful and reckless “she has distroyed the reputation of her whole sex, virtuous women and all ”(24.199-202).She displays no guilt what so ever and believes that her crime was done for a good reason. in contrast, she is also a sympathetic character in many regards, but unfortunate this is foreseen due to the severity of her crime. Cassandra, describes Clytemnestra as a disgrace to womankind in this quote she explains her perception of Clytemnestra…
The play exemplifies the love that a family can protect each other with, and how this can connect an audience to the characters. Antigone’s love and respect for her brother was unlike any other character in an ordinary story. Her sacrifice of her life for her family makes her a true tragic hero, especially because she does not hesitate to bury her brother’s body. The emotions of fear, love, pity, and more are aroused from the play and entice the reader further into the story. Antigone is a true classic example of tragedy, and the tragic qualities found in this play can assist the audience in analyzing other tragedies as…
Although Euripides play Medea creates feelings of fear in the audience, it also creates feeling of pity in the audience as well. Medea is firstly portrayed as a pitiful woman whose problem is much bigger than her own life. Facing the fact that she will be exiled very soon and the fact that she has nowhere to go, combined with her abhorrence towards her enemies, she starts to devise a plan that not only will set her free from her problems but also will cost a fortune to her enemies. But the audience is later shocked by the way she does her revenge. Her revenge is horrendous and brutal. It now shows a totally different character of Medea – she is no longer a woman to be pitied, but she is now a monster to be feared – because she breaches normative values that the society holds dear by murdering her enemies in an inhumane way to even murdering her own children as a way to hurt her enemy even though she herself is also hurt.…
Due to the previous actions of Oedipus had lead his family to have a curse, and now it is has reflected onto his children. The first conversation of the play is between Ismene and her sister Antigone and we see that they both discuss the “heavy hand of god is upon us” that has been placed on their family. Antigone wants to change the town’s people’s minds on how they see and think of their family by trying to do the right thing by the God’s and have a burial for her brother Polyneices like everyone at that point in history should have been. Sophocles tries to persuade the readers by making the prologue of the play the conversation between the two sisters by showing us that Antigone is doing the right thing by wanting the burial to take place and he always shows how Ismene is a perfect example of the role and attitude of many of the women in ancient Greece “we are women; it’s not for us to fight against men” and showing that she is afraid to do anything in case she is looked at by people like her father was. Whilst Antigone was wandering city to city with her father Oedipus she…