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    Analysis of Othello by William Shakespeare A brief synopsis of the plot The play opens on a street in Venice‚ Italy. In the opening scene Iago‚ Othello’s ensign‚ and Roderigo‚ the suitor of Desdemona‚ decide to tell senator Brabantio that his daughter Desdemona has left to marry Othello without her father’s permission. Brabantio confronts Othello‚ but finally he is convinced by Othello and Desdemona that they love each other and gives them permission. At the same time Turkish invasion is reaching

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    An indepth look at “Othello” Act 2. sc. 1. Lines 308-314 IAGO That Cassio Loves Her‚ I do well believe’t. That she loves hom‚ ‘tis apt and of great credit. The Moor‚ howbeit that I endure him not‚ Is of constant‚ loving‚ noble nature‚ And I dare think he’ll prove to Desdemona A most dear husband. Now‚ I do love her too‚ Not out of absolute lust (though preadventure I stand accountant for as great a sin) But partly led to diet my revenge For that i do suspect the lusty Moor Hath leaped

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    this cliche in the 1600s when he writes Othello. Establishing many forms of both the angel and demon‚ the tragedy exemplifies the cliche well by representing the mind of the protagonist Othello in a betraying macrocosm between Emilia and Iago. When Emilia betrays Iago by revealing the truth‚ Shakespeare illustrates the constant internal struggle between honesty and deceit. Since Emilia speaks the truth‚ she symbolizes honesty. This is especially recognizable when Emilia notices a villain is at fault

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    during an argumentative conversation between Roderigo and Iago—the villain. The conversation touched base on what their next move would be now that Roderigo’s love—Desdemona‚ has married the protagonist dubbed as Othello. Therefore Iago is more than willing to help Roderigo separate the two of them for personal issues that are not yet mentioned at the beginning of the story. This evidently led to an evil plot stemming from the mind of Iago.

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    then eventually lead the characters to failure when the obsessions become a goal‚ instead of something that occupies their mind. The transitions from an obsession to a goal can be seen through the actions of Othello‚ Iago‚ and Desdemona. Othello’s path to obsession begins with Iago planting seeds of doubt into his mind‚ which convinces Othello that Desdemona is being unfaithful. He says to himself‚ “She is gone. I am abused‚ and my relief/Must be to loathe her” (3.3.283-84)‚ and later claims that

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    Danger of Isolation

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    strengths and weaknesses in society. The villain‚ Iago is fascinating for his most terrible characteristic: his utter lack of convincing motivation for his actions. Iago is often funny‚ especially in his scenes with Roderigo‚ which serve as a showcase of Iago’s manipulative abilities. It is Iago’s talent for understanding and manipulating the desires of those around him that makes him both a powerful‚ evil and interesting character. I think that Iago represents those in society who desire power and

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    and Contrast In the play Othello the Moor of Venice by William Shakespeare.‚ there are two prominent women that grab and hold our attention. One is the wife of the play’s heroic character Othello; the other is engaged to an untrustworthy man named Iago. The women are part of‚ but yet serve as a small piece of what goes on in the play and which is how the conflict of the play finally comes to an agreement. These two feminine figures of the play can be compared and contrasted in more than one way

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    Othello: The Tragic Hero

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    demonstrates the difficulty in being certain of what we perceive‚ by observing the actions of others or by introspection. By placing importance of the traits such as trust and honesty‚ Othello is blinded by Iago’s manipulation of reality. The ease with which Iago manipulates Othello’s perception of reality is accentuated through the use of dramatic irony in “My lord you know I love you.” The use of dramatic irony emphasises that Iago’s appearance as a loving‚ loyal servant to Othello is nowhere near the reality

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    Othello: Jealousy

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    causes everything to move and causes the entire scheme. Iago is driven by the jealousy of Cassio having taken a position he rightly believed was his. Othello is lead to believe Desdemona having an affair with Cassio and is acting as a jealous lover. Roderigo is jealous of Othello for being Desdemona’s husband and feels like he should have her instead. The green-eyed monster is the one pulling the strings in this play‚ with little regard to life. Iago is the first one to fall under jealousy’s hold and

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    Three characters—Roderigo‚ Othello‚ and Iago—let passion override reason‚ with disastrous results. Roderigo’s infatuation with Desdemona prevails over his common sense. At the onset of the play‚ Roderigo is a wealthy young Venetian who had previously failed to woo Desdemona. When he learns of her marriage to Othello‚ Roderigo is heartbroken‚ and he irrationally threatens to “incontinently drown [himself] (I.iii.305)”. Taking advantage of this weakened state‚ Iago‚ under the premise of assisting in the

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