STUDY GUIDE FOR TEST 1 (Prehistoric - Roman) FORMAT All questions will be multiple choice. Some will be accompanied by images while others will rely on your use of your knowledge without visual reference points. COVERAGE Visual Material: Selected from the works of art and architecture we have studied - see list below. These have all been discussed IN CLASS AS WELL AS IN THE TEXTBOOK or other readings. (If we do not cover all the works listed below in class‚ you will not be responsible for them on
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pottery consists of drinking vessels such as amphorae‚ kraters (bowls for mixing wine and water)‚ hydria (water jars)‚ libation bowls‚ jugs and cups. Painted funeral urns have also been found. Miniatures were also produced in large numbers‚ mainly for use as offerings at temples. In the Hellenistic period a wider range of pottery was produced‚ but most of it is of little artistic importance. Metal vessels Especially during the Geometric and Archaic phases‚ the production of large metal vessels
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home” is a black figure Volute Krater similar in shape to the Black-figure Volute Krater made by an Anonymous Greek painter between 525 and 500 BC. The Pot shares many resemblances with the one used in Herakles writes home which lets me make the assumption that the shape of the pot in the lithograph is a Volute Krater. Both of their middle body pieces are the in shape with large top which gets smaller the further towards the bottom it goes but Black figure Volute Krater has more of a slant to where
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The lekythos shown on the title page was found in the University of Pennsylvania’s Museum of Archaeology and Anthropology. It is titled “Attic White Ground Lekythos” ca. 460 BC and was painted by the “Achilles Painter.” Its dimensions are H. 0.385 m.‚ D. 0.12 m. It was possibly found in Athens‚ and is from the Attica region and is labeled as early classical. The image shown on the lekythos is of two women‚ one a maid and one a mistress. The mistress is seated on the right side‚ in a chair‚ weaving
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I am Ales Hero! I know that I am the strongest and attractive man here. With a few years behind me‚ I have become wise and handsome. In public I must painstakingly compose myself in the certain manner that we are required to do so. Tonight is a different story! I shall show everyone who I truly am! I am a warrior‚ a lover‚ and a leader! Tonight‚ I will show every man and woman in this room who the real hero is‚ and that is Ales Hero! This symposium is the best even of the year for us men. The experiences
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01.15.2014 B.C.E. = C.E. B.C = A.D. Form - the visual aspects of art and architecture‚ line‚ shape‚ color‚ light‚ texture‚ space‚ math‚ volume‚ and composition. Style – the combination of form and composition that makes a work distinctive. Content – includes subject matter or meaning and a work of art. School of artists – a group of artist usually working at the same time and sharing similar style influences and ideas Iconography – identify and studying and subject matter and conventional
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Period Lion Gate‚ Citadel at Mycenae‚ c.a. 1500-1300 B.C.E. Funerary Mask (gold)‚ possibly of Agamemnon‚ c.a. 1500 Greek: Archaic Period Funerary Krater with “Geometric” Decoration‚ c.a. 750 B.C.E. Calf-Bearer‚ ca. 575-550 B.C.E. Achilles and Ajax Playing Dice‚ black-figured amphora‚ c.a. 530 B.C.E. Death of Sarpedon‚ red-figure krater‚ ca. 515 B.C.E. Greek: Classical Period Kritios Boy‚ c.a. 480 Doryphorus (Spear-Bearer)‚ by Polycleitus‚ 450-440 B.C.E Zeus‚ c.a. 460 B.C.E. Aphrodite
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Chapter 5 Greek Art (1) Name:___________________________ Matching a. main chamber of a temple holding a cult statue b. fifth century Athenian statesman c. half man half horse d. god of wine e. grooved member of Doric Frieze alternating with metopes f. black figure vase painter g. triangular space formed by roof and cornice h. warrior goddess‚ protectress of Athens i. slight convex curve of a column j. lowest division of the entablature of a temple k. architects of the Parthenon
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you have studied." This essay focuses on the opportunities and challenges that Greek vase painters may have encountered when painting scenes of conflict on their vases. Also included in this essay are examples of these vases. The Euphronios Calyx Krater‚ a red-figure vase painted by Euphronios (Paris G103‚ 510-500BCE) depicts Herakles fighting the Lybian giant Antaios. This scene has provided Euphronios with the opportunity to show Emotional realism. Pain and despair can be clearly seen on the faces
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Museum Paper I went to the Cantor Center for Visual Arts on Stanford Campus on 2/28/13. I saw a lot of sculptures and vases there. They are very beautiful and interested. The most interested one I think was Kleophon Painter‚ “Volute Krater”‚ ca. 430 BCE‚ Greece‚ red-figure terra cotta vase‚ size 26’ ¾” * 19’ *19’. Hazel D. Hansen Fund‚ 12‚ 1972 Cantor Arts Center at Stanford University. This vase is located in the Iris & B Gerald Cantor Center from the classical period between 479-323 BCE
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