During the Renaissance‚ many exquisite arts and inventions were created. This includes the famous statue‚ Crucifix‚ by Filippo Brunelleschi. Made in 1410‚ Crucifix reflects the numerous changes of the Renaissance‚ like symmetry and realism‚ through cleverly placed features giving the statue balance. The way the curve of the eyebrows and nose perfectly align with the belly button and big right toe seems to almost split the statue in two. Symmetry and balance were important back during the Renaissance
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more adult concerns on his mind other than ‘stiff statues’. • Someone’s coming in a few days. So no fuss and no whining – Sergio is coming • If Felice comes and finds it‚ he’ll figure it out – Michele is worried that Felice will find the bread as Filippo won’t give it back • Are you my guardian angel? • I’m dead – Filippo’s reasoning as to why he has been left in the hole‚ why have his parents left him there? • Hide him and stay cool – Sergio’s instructions to his fellow kidnappers – power • They
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Discourse: Ellen Lupton’s Deconstructivist Theory Key concepts from Ellen Lupton’s A Post-Mortem on Deconstruction? * Deconstruction is part of a broader field of criticism known as “post-structuralism‚” whose theorist have included Jacques Derrida‚ Roland Barthes‚ Michel Foucault‚ Jean Baudrillard‚ among others. Each of these writers has looked at modes of representation – from alphabetic writing to photojournalism – as culturally powerful technologies that transform and construct “reality”
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Before this passage Michele comes to the realization that the boy in the hole had been kidnapped and put there by his friends and family. In chapter four Michele sees Felice Natale’s brown 127 car when he was visiting the boy at the farm house. This was one of the first indications to Michele that his friends and family was involved. The theory had entered Michele’s mind but he had not thought into great detail about it until he sees his father‚ mother‚ and the fathers of the village all sitting
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3 major changed in ballet during the 18th century: - Professional dancers of both genders emerged. Their innovations in developing ballet separated it into a singular art form. - Different styles of ballet were developed (opera-ballet‚ ballet pantomime‚ ballet d’action) - Female dancers changed the game and norms of performing ballet Francoise Prevost – Showed a glimpse of the dramatic direction French ballet would later take. TEACHER OF MARIE COMARGO AND MARIE SALLE Marie Comargo – quick
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I’m not scared Narration Numerous books have been written in a first-person narration‚ yet fewer movies have been directed from that same perspective. Nicollo Ammaniti’s I’m not scared does the job beautifully in the novel form‚ and thankfully‚ it tackles the challenge in the film adaptation as well; the director’s smartest move was to film the proceedings solely from the perspective of Michele. He does so by focusing primarily on Michele throughout the film‚ his emotions‚ reactions‚ and even the
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make witty jokes to keep himself entertained. Sandro Botticelli was originally trained as a Goldsmith (someone who makes gold articles) by his older brother‚ then he entered a studio in Florence‚ Italy and was taught painting by Fra Filippo Lippi (Artble). Fra Filippo Lippi was an Italian painter of the 15th century. Working with Lippi gave Botticelli greater opportunities in the future because he knew very many important people. In 1470 Botticelli became known as an independent
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Fear is one of the most incapacitating and destructive emotions I’m Not Scared demonstrates. As well as the human potential to do evil things in life for self-gain. Ammaniti shows us this through characters in the text that commit cruel and violent acts. He also shows us that not all men can be cruel and selfish‚ through the character of Michele‚ who shows bravery‚ compassion and goodness. From the very beginning of the novel we are alerted to the fact that humans can be very cruel‚ yet equally
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artists and writers initiated a provocative series of exhibitions‚ poetry readings‚ and performances designed to take place in a frenetic and chaotic atmosphere. Many of their most outrageous activities were influenced by the Futurists‚ particularly Marinetti‚ who introduced "noise music"- a chorus of rattles and pot covers‚ kettledrums and typewriters- to simulate the "bruitism" of the real world. (In his book Dada: Art and Anti-art‚ the artist and writer Hans
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portrayed by scholars (W.R. Rearick‚ 23). Titian’s two most famous pieces inspired by religion are "Ecce Homo" and "Christ Mocked" (Filippo Pedrocco‚ 188). Titian made profit as an artist because he was well known and commissioned to compose at least three paintings on the subject of religion causing him to enter into relations with the Court of Urbino (Filippo Pedrocco‚ 190). He was inspired by the episode of the Passion‚ when Christ was mocked by soldiers and crowned with thorns and uses this
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