script which has to be followed‚ but it has enough scope for improvisation as well. Though the emphasis of Raslila is on ’darshan’ or the visual appeal‚ it is important to capture the ’bhava’ or the sentiment. This is done through music‚ dance and drama enacted by the actors. The various ’raasas’ or dramatic flavors like friendship‚ conjugal love‚ parental love‚ amazement‚ compassion‚ humour‚ chivalry‚ fury‚ fear and dread are expressed through this traditional folk form. The range of the
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of view‚ it had soft colors in its palette‚ free brushstrokes and complex surfaces. Created for rich patrons‚ Rococo concentrated on portraits of aristocrats and mythological themes‚ often performed in a plyful and erotic manner. Greuze’s moral dramas (one of which is the Broken eggs) reacted against Rococo. By pronouncing feelings and emotion they were also opposed by the rational and science-oriented representatives of Enlightenment. It puts Greuze’s creations exactly along with other artists
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intelligent and better informed than the members of the audience. false 11. How did Stanislavsky contribute to realist theatre? He brought realist acting to realist plots 12. If you were to join a discussion about macaronic drama‚ you would be chatting about plays that include speeches in different languages. 13. In describing dramatic space as "psycho-plastic‚" which "scenographer"
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1. Describe some of the major themes that are present in Equus by Peter Shaffer. One theme that can be easily seen in Equus by Peter Shaffer is sanity and insanity. We can see examples of this theme in the sessions between Dysart and Alan. The reader can see the behavior changes of Alan and as well as Dysart’s. Another theme that can be seen is freedom‚ when Alan blinds the horses and “frees” himself from them. Also the theme of worship and loyalty can be spotted throughout the play in Alan. 2
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The reason is because the book had more details; therefore‚ everything made more sense and was easier to understand. It was also far more interesting than the movie. The book had a bit of romance‚ mystery‚ drama‚ and never bored me. On the other hand‚ the movie was boring‚ had no suspense or drama and I couldn’t fully concept what was going on. In conclusion‚ The Hiding Place helped me realize how truly blessed I am. This story
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2003 interview with his biographer‚ Christopher Bigsby‚ about the inherent structure of his plays‚ Arthur Miller explained‚ "It ’s all about the language" (Bigsby‚ "Miller"). Miller ’s declaration about the centrality of language in the creation of drama came at the end of his almost seventy-year career. He had completed his final play‚ Finishing the Picture‚ and a little more than a year later‚ he became ill and subsequently died in February 2005. Thus Miller ’s statement can be seen as a final avowal
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THE CONCEPT OF IMITATION IN PLATO AND ARISTOTLE Abstract Plato and Aristotle argue that artist (Demiurge) and poet imitate nature‚ thus‚ a work of art is a reflection of nature. However‚ they have different views on the functions of imitation in art and literature. Plato believes in the existence of the ideal world‚ where exists a real form of every object found in nature. A work of art –which reflects nature is twice far from the reality it represents. Aristotle‚ on the other hand‚ does not
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public speaking is present and also helps with the child’s reading level as the develop expression and better understanding in their reading. Choral speaking is turning a text or reading into performance this is done through the use of the elements of drama. The reader
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Backstabbing “friends”‚ in my opinion‚ shouldn’t even be considered friends. They are bad influences and they often take advanatage of you. Once your back is turned‚ they become a whole different person. “Friends” that are like this is greedy and will hurt you time and time again if they are forgiven. These kinds of friends should definitely not be forgiven! I remember being in sixth grade. I had the greatest and sweetest friend around. We shared many fun moments together but‚ after entering grade
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example of a slightly less idiotic humour was concerning Jocasta’s red scarf; throughout the play she had it around her neck‚ and once‚ while walking up the stairs Teiresias stepped on it. So‚ at first the queen uttered only a cry‚ and then by making a drama out of it‚ as if the scarf had literally chocked her to death‚ she exclaimed‚ ‘All day long this scarf is strangling me...‚’ and one day ‘it will be the death of me’. Another example of a silly humour is in the Act I where Jocasta first appeared
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