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Why L.A. Used as Setting for Most Disaster Movies.

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Why L.A. Used as Setting for Most Disaster Movies.
HENOS WOLDE
Instructor: STARR GOODE
English 1
Essay 3
10/29/2012

Why L.A. used as setting for most disaster movies. Through decades of disaster films, Los Angeles has been targeted by aliens, toppled by temblors, sunken by tsunamis, leveled by lava, and a rogue tornado once took out the Hollywood sign. Even though in real life los angels is not such a disastrous it nonetheless faces constant destruction in movies, on television, and in books; in the collective imagination, the city burns and burns. Los angels is used as a setting for most disastrous movies because the city is home to Hollywood and the movie business, so the artists who write about, direct and execute mass destruction in Los Angeles are often intimately familiar with the territory and find it convenient to destroy los angels in their films. Los Angeles is a popular disaster movie locale because it is home of the entertainment capital of the world Hollywood, its famous landmarks, and its geography. Los Angeles is home to the entertainment capital of the world Hollywood, which explains why L.A. is often used as a setting for most disaster movies. To destroy a big city in movies takes a lot of time and work. It would make it even harder to travel far away to shoot these movies. To make the destruction look realistic, Hollywood movie makers have to work extra hard and film non stop making sure they get every little detail right. It would make it very challenging to film these movies far away from the studio. For these reason Hollywood apparently wants to destroy all of Los Angeles. For example, the city is going down in flames in DEMOLITION MAN, turned into an island in ESCAPE FROM L.A., and obliterated in THE BIG ONE: THE GREAT LOS ANGELES EARTHQUAKE. Perhaps Hollywood has no particular malice toward Los Angeles but simply destroys it cinematically because “it’s there,” at hand, nearby, easy to drive to and blow up, burn down, and shake apart while the

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