The color remains dark throughout the painting until you focus on Mary and Gabriel.
Their clothing is bright, unlike that of Joseph and the couple. Gabriel’s wings are glowing with a yellow color outlined in dark brown. You can also see that Mary’s bible is being held with a white cloth. All of these details put emphasis on Mary and Gabriel and make them stand out greatly! This artwork is also very symmetrical with the panels and lines. It is separated into panels, mainly focusing on the central panel. The left and right-hand panels balance one another out because of the actions of the people. The entering of the couple to the left is balanced out by Joseph’s carpentry work to the right. The central panel is balanced because a table is placed in the middle to separate Gabriel from Mary. These two figures equal out one another out by color, size, and
action.
Due to all of the content that refers to the Bible, this artwork is a representational piece. It conveys the story told in Luke 1:26-38. This is the story of Gabriel, the Archangel, proclaiming to Mary that she is blessed and highly favored by God. He goes on to tell her that she has been chosen to conceive and give birth to the Son of God! The seven rays of light portray this perfectly in this artwork. The rays are reflected onto Mary’s abdomen, one of which has a tiny Christ carrying a cross. I think that Campin was signifying the Messiah entering Mary’s body. This painting is very powerful to me because it conveys the story of Christ and could potentially lead others to God!
Robert Campin did a very good job of giving this immaterial artwork form. He revealed hidden or universal truths, spiritual forces, and personal feelings. He explained the story of the savior of the universe. This gives a very personal feeling for Christians who view this piece.