Thing Fall Apart

About Things Fall Apart
Chinua Achebe's college work sharpened his interest in indigenous Nigerian cultures. He had grown up in Ogidi, a large village in Nigeria. His father taught at the missionary school, and Achebe witnessed firsthand the complex mix of benefit and catastrophe that the Christian religion had brought to the Igbo people. In the 1950s, an exciting new literary movement grew in strength. Drawing on indigenous Nigerian oral traditions, this movement enriched European literary forms in hopes of creating a new literature, in English but unmistakably African. Published in 1958, Things Fall Apart is one of the masterpieces of 20th century African fiction.
Things Fall Apart is set in the 1890s, during the coming of the white man to Nigeria. In part, the novel is a response and antidote to a large tradition of European literature in which Africans are depicted as primitive and mindless savages. The attitudes present in colonial literature are so ingrained into our perception of Africa that the District Commissioner, who appears at the end of the novel, strikes a chord of familiarity with most readers. He is arrogant, dismissive of African "savages," and totally ignorant of the complexity and richness of Igbo life. Yet his attitude echoes so much of the depiction of Africa; this attitude, following Achebe's depiction of the Igbo, seems hollow and savage.
Digression is one of Achebe's most important tools. Although the novel's central story is the tragedy of Okonkwo, Achebe takes any opportunity he can to digress and relate anecdotes and tertiary incidents. The novel is part documentary, but the liveliness of Achebe's narrative protects the book from reading like an anthropology text. We are allowed to see the Igbo through their own eyes, as they celebrate the various rituals and holidays that mark important moments in the year and in the people's live.
Achebe depicts the Igbo as a people with great social institutions. Their culture is rich and impressively civilized, with traditions and laws that place great emphasis on justice and fairness. The people are ruled not by a king or chief but by a kind of simple democracy, in which all males gather and make decisions by consensus. Ironically, it is the Europeans, who often boast of bringing democratic institutions to the rest of the world, who try to suppress these clan meetings in Umuofia. The Igbo also boast a high degree of social mobility. Men are not judged by the wealth of their fathers, and Achebe emphasizes that high rank is attainable for all freeborn Igbo.
He does not shy from depicting the injustices of Igbo society. No more or less than Victorian England of the same era, the Igbo are deeply patriarchal. They also have a great fear of twins, who are abandoned immediately after birth to a death by exposure. Violence is not unknown to them, although warfare on a European scale is something of which they have no comprehension.
The novel attempts to repair some of the damage done by earlier European depictions of Africans. But this recuperation must necessarily come in the form of memory; by the time Achebe was born, the coming of the white man had already destroyed many aspects of indigenous culture.

Things Fall Apart Summary
The bulk of the novel takes place in Umuofia, a cluster of nine villages on the lower Niger. Umuofia is a powerful clan, skilled in war and with a great population, with proud traditions and advanced social institutions.
Okonkwo has risen from nothing to a high position. Through hard work, he has become a great man among his people. He has taken three wives and his barn is full of yams, the staple crop. He rules his family with an iron fist.
One day, a neighboring clan commits an offense against Umuofia. To avoid war, the offending clan gives Umuofia one virgin and one young boy. The girl is to become the offended party's new wife. The boy, whose name is Ikemefuna, is to be sacrificed, but not immediately. He lives in Umuofia for three years, and during that time he lives under Okonkwo's roof. He becomes like a part of Okonkwo's family. In particular, Nwoye, Okonkwo's oldest son, loves Ikemefuna like a brother. But eventually the Oracle calls for the boy's death, and a group of men take Ikemefuna away to kill him in the forest. Okonkwo, fearful of being perceived as soft-hearted and weak, participates in the boy's death. He does so despite the advice of the clan elders. Nwoye is spiritually broken by the event.
Okonkwo is shaken as well, but he continues with his drive to become a lord of his clan. He is constantly disappointed by Nwoye, but he has great love for his daughter Ezinma, his child by his second wife Ekwefi. Ekwefi has born ten children, but only Ezinma has survived. She loves the girl fiercely. Ezinma is sickly, and sometimes Ekwefi fears that Ezinma, too, will die. Late one night, the powerful Oracle of Umuofia brings Ezinma with her for a spiritual encounter with the earth goddess. Terrified, Ekwefi follows the Oracle at a distance, fearing harm might come to her child. Okonkwo follows, too.
Later, during a funeral for one of the great men of the clan, Okonkwo's gun explodes, killing a boy. In accordance with Umuofia's law, Okonkwo and his family must be exiled for seven years.
Okonkwo bears the exile bitterly. Central to his beliefs is faith that a man masters his own destiny. But the accident and exile are proof that at times man cannot control his own fate, and Okonkwo is forced to start over again without the strength and energy of his youth. He flees with his family to Mbanto, his mother's homeland. There they are received by his mother's family, who treat them generously. His mother's family is headed by Uchendu, Okonkwo's uncle, a generous and wise old man.
During Okonkwo's exile, the white man comes to both Umuofia and Mbanto. The missionaries arrive first, preaching a religion that seems mad to the Igbo people. They win converts, but generally the converts are men of low rank or outcasts. However, with time, the new religion gains momentum. Nwoye becomes a convert. When Okonkwo learns of Nwoye's conversion, he beats the boy. Nwoye leaves home.
Okonkwo returns to Umuofia to find the clan sadly changed. The church has won some converts, some of whom are fanatical and disrespectful of clan custom. Worse, the white man's government has come to Umuofia. The clan is no longer free to judge its own; a District Commissioner judges cases in ignorance. He is backed by armed power.
During a religious gathering, a convert unmasks one of the clan spirits. The offense is grave, and in response the clan decides that the church will no longer be allowed in Umuofia. They tear the building down. Soon afterward, the District Commissioner asks the leaders of the clan, Okonkwo among them, to come see him for a peaceful meeting. The leaders arrive, and are quickly seized. In prison, they are humiliated and beaten, and they are held until the clan pays a heavy fine.
After a release of the men, the clan calls a meeting to decide whether they will fight or try to live peacefully with the whites. Okonkwo wants war. During the meeting, court messengers come to order the men to break up their gathering. The clan meetings are the heart of Umuofia's government; all decisions are reached democratically, and an interference with this institution means the end of the last vestiges of Umuofia's independence. Enraged, Okonkwo kills the court messenger. The other court messengers escape, and because the other people of his clan did not seize them, Okonkwo knows that his people will not choose war. His act of resistance will not be followed by others. Embittered and grieving for the destruction of his people's independence, and fearing the humiliation of dying under white law, Okonkwo returns home and hangs himself.

Major Themes
Memory/Documentary
Digression is one of Achebe's main tools. The novel is the story of Okonkwo's tragedy, but it is also a record of Igbo life before the coming of the white man. The novel documents what the white man destroyed. The reader learns much about Igbo customs and traditions; depicting this world is a central part of the novel.
Social disintegration
Towards the end of the novel, we witness the events by which Igbo society begins to fall apart. Religion is threatened, Umuofia loses its self-determination, and the very centers of tribal life are threatened. These events are all the more painful for the reader because so much time has been spent in sympathetic description of Igbo life; the reader realizes that he has been learning about a way of life that no longer exists.
Greatness and ambition
Okonkwo is determined to be a lord of his clan. He rises from humble beginnings to a position of leadership, and he is a wealthy man. He is driven and determined, but his greatness comes from the same traits that are the source of his weaknesses. He is often too harsh with his family, and he is haunted by a fear of failure.
Fate and free will
There is an Igbo saying that when a man says yes, his chi, or spirit, says yes also. The belief that he controls his own destiny is of central importance to Okonkwo. Later, several events occur to undermine this belief, and Okonkwo is embittered by the experience. As often happens with tragedy, the catastrophe comes through a complex mix of external forces and the character's choices.
Masculinity
Masculinity is one of Okonkwo's obsessions, and he defines masculinity quite narrowly. For him, any kind of tenderness is a sign of weakness and effeminacy. Male power lies in authority and brute force. But throughout the novel, we are shown men with more sophisticated understanding of masculinity. Okonkwo's harshness drives Nwoye away from the family and into the arms of the new religion.
Fear
For all of his desire to be strong, Okonkwo is haunted by fear. He is profoundly afraid of failure, and he is afraid of being considered weak. This fear drives him to rashness, and in the end contributes to his death.
Tribal belief
Particularly since one of the threats to Igbo life is the coming of the new religion, tribal belief is a theme of some importance. Igbo religious beliefs explain and provide meaning to the world; the religion is also inextricable from social and political institutions. Achebe also shows that Igbo religious authorities, such as the Oracle, seem to possess uncanny insights. He approaches the matter of Igbo religion with a sense of wonder.
Justice
Justice is another powerful preoccupation of the novel. For the Igbo, justice and fairness are matters of great importance. They have complex social institutions that administer justice in fair and rational ways. But the coming of the British upsets that balance. Although the British claim that local laws are barbaric, and use this claim as an excuse to impose their own laws, we soon see that British law is hypocritical and inhumane. The final events leading up to Okonkwo's death concern the miscarriage of Justice under the British District Commissioner.

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