Project
13-8 Hip Mask Representing An Iyoba (“Queen Mother”)
The exquisiteness of the material and the sophistication of the carving indicate that it was created by the exclusive guild of royal ivory carvers for the king. This exquisite piece is made out of ivory, iron and cooper. This piece also contains pieces of inlaid metal and elaborate coral carvings. The piece dimensions are as followed; H. 9 3/8 x W. 5 x D. 3 1/4 in. (23.8 x 12.7 x 8.3 cm). The mask is a sensitive human idealized portrait, depicting its subject with softly modeled features. This piece is framed with an elegant tiara-like coiffure and openwork collar. The pupils were inlaid with iron metal, the forehead has carved scarification marks and also she is wearing bands of coral beads below the chin. In the necklace you can see miniature motifs that represent heads of the Portuguese soldiers depicted with beards and flowing hair. In the crown tiara-like coiffure are carved more Portuguese heads alternated with figures of stylized mudfish, which symbolizes Olokun, the Lord of the Great Waters. You can see that some of the necklace portion is damage or missing and this could be due to the age and fragility of the coral.
This piece is from early African art also known as “Queen Mother Pendant Mask: Iyoba”. Today, you can find this piece at the Metropolitan Museum of Art in New York. Although images of women are very rare this piece has come to symbolize the legacy of a dynasty that continues to the present day. In many of the African cultures the head is a very important, powerful and symbolic piece. The head was consider to be the symbolic center of a person’s intelligence, wisdom, and ability to succeed in this world and/or to be a tool to be able to communicate with spiritual forces in the ancestral world. In Art of History, published in 2011, both Professor Marilyn Stokstad and Michael W. Cothren claim that “one of the honorifics used for the king is the “Great Head”. The head leads the
The exquisiteness of the material and the sophistication of the carving indicate that it was created by the exclusive guild of royal ivory carvers for the king. This exquisite piece is made out of ivory, iron and cooper. This piece also contains pieces of inlaid metal and elaborate coral carvings. The piece dimensions are as followed; H. 9 3/8 x W. 5 x D. 3 1/4 in. (23.8 x 12.7 x 8.3 cm). The mask is a sensitive human idealized portrait, depicting its subject with softly modeled features. This piece is framed with an elegant tiara-like coiffure and openwork collar. The pupils were inlaid with iron metal, the forehead has carved scarification marks and also she is wearing bands of coral beads below the chin. In the necklace you can see miniature motifs that represent heads of the Portuguese soldiers depicted with beards and flowing hair. In the crown tiara-like coiffure are carved more Portuguese heads alternated with figures of stylized mudfish, which symbolizes Olokun, the Lord of the Great Waters. You can see that some of the necklace portion is damage or missing and this could be due to the age and fragility of the coral.
This piece is from early African art also known as “Queen Mother Pendant Mask: Iyoba”. Today, you can find this piece at the Metropolitan Museum of Art in New York. Although images of women are very rare this piece has come to symbolize the legacy of a dynasty that continues to the present day. In many of the African cultures the head is a very important, powerful and symbolic piece. The head was consider to be the symbolic center of a person’s intelligence, wisdom, and ability to succeed in this world and/or to be a tool to be able to communicate with spiritual forces in the ancestral world. In Art of History, published in 2011, both Professor Marilyn Stokstad and Michael W. Cothren claim that “one of the honorifics used for the king is the “Great Head”. The head leads the
Cited: Nzegwu, Nkiru. "Iyoba Idia: The Hidden Oba of Benin." JENDA: A Journal of Culture and African Women Studies, Issue 9 (2006) Web. 25 Nov. 2012. Stokstad, Marilyn, and Michael W. Cothren. “Art History”. 4th ed. Upper Saddle River, N.J: (Pearson Prentice Hall, 2011), 402 to 422. Print. "The Metropolitan Museum of Art." Web. 25 Nov. 2012. .