Preview

media

Better Essays
Open Document
Open Document
54242 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
media
Counterfactual Thinking and Shakespearean Tragedy:
Imagining Alternatives in the Plays

Amir Khan

Thesis submitted to the
Faculty of Graduate and Postdoctoral Studies in partial fulfillment of the requirements for a doctoral degree in English Literature

Department of English
Faculty of Arts
University of Ottawa

© Amir Khan, Ottawa, Canada 2013

Library and Archives
Canada

Bibliothèque et
Archives Canada

Published Heritage
Branch

Direction du
Patrimoine de l 'édition

395 Wellington Street
Ottawa ON K1A 0N4
Canada

395, rue Wellington
Ottawa ON K1A 0N4
Canada
Your file Votre référence
ISBN:

978-0-494-98517-5

Our file Notre référence
ISBN:

NOTICE:

978-0-494-98517-5

AVIS:

The author has granted a nonexclusive license allowing Library and
Archives Canada to reproduce, publish, archive, preserve, conserve, communicate to the public by telecommunication or on the Internet, loan, distrbute and sell theses worldwide, for commercial or noncommercial purposes, in microform, paper, electronic and/or any other formats. L 'auteur a accordé une licence non exclusive permettant à la Bibliothèque et Archives
Canada de reproduire, publier, archiver, sauvegarder, conserver, transmettre au public par télécommunication ou par l 'Internet, prêter, distribuer et vendre des thèses partout dans le monde, à des fins commerciales ou autres, sur support microforme, papier, électronique et/ou autres formats.

The author retains copyright ownership and moral rights in this thesis. Neither the thesis nor substantial extracts from it may be printed or otherwise reproduced without the author 's permission.

L 'auteur conserve la propriété du droit d 'auteur et des droits moraux qui protege cette thèse. Ni la thèse ni des extraits substantiels de celle-ci ne doivent être imprimés ou autrement reproduits sans son autorisation.

In compliance with the Canadian
Privacy Act some supporting forms may have



Bibliography: Adams, Barry B. Coming-To-Know: Recognition and the Complex Plot in Shakespeare. New York: Peter Lang Publishing, Inc., 2000 New York: Routledge, 1992. Print. Aristotle. The Poetics. Ed. T.A. Moxon. New York: E.P. Dutton & Co., Inc., 1934. Print. Armstrong, Paul B. "The Conflict of Interpretations and the Limits of Pluralism." PMLA 98.3 (1983): 341-52 Artaud, Antonin. The Theatre and its Double. Trans. Mary Caroline Richards. New York: Grove Press, 1958 Auerbach, Erich. Mimesis: the Representation of Reality in Western Literature. 1953. Princeton, N.J.: Princeton UP, 1968. Print. Stanford: Stanford UP, 1982. Print. Bates, Jennifer Ann. Hegel and Shakespeare on Moral Imagination. Albany: SUNY Press, 2010 Bayley, John. Shakespeare and Tragedy. London: Routledge, 1981. Print. Bazin, André. What is Cinema? Trans. Timothy Barnard. Montreal: Caboose, 2009. Print. New York: Meuthen, 1985. Print. —. Why Shakespeare? New York: Palgrave Macmillan, 2007. Print. Booth, Stephen. King Lear, Macbeth, Indefinition, and Tragedy. New Haven: Yale UP, 1983. Bradley, A.C. Shakespearean Tragedy. Ed. Robert Shaughnessy. 1904. New York: Palgrave Macmillan, 2007 Bristol, Michael. Big-time Shakespeare. London: Routledge, 1996. Print. —. Shakespeare and Moral Agency. Ed. Michael Bristol. London: Continuum, 2010. Print. Brooke, Nicholas. Shakespeare 's Early Tragedies. 1968. London: Meuthen, 1973. Print. Bushnell, Rebecca. Tragedy: a Short Introduction. Malden: Blackwell, 2008. Print. Callaghan, Dympna. Woman and Gender in Renaissance Tragedy. Hemel Hempstead: Harvester Wheatsheaf, 1989 Carroll, Noël. The Philosophy of Motion Pictures. Oxford: Blackwell, 2008. Print. Cave, Terence. Recognitions: A Study in Poetics. Oxford: Clarendon Press, 1988. Print. Cavell, Stanley. Cities of Words. Cambridge, Mass.: Harvard Belknap Press, 2004. Print. —. Disowning Knowledge in Seven Plays of Shakespeare. 1987. Cambridge, MA: Cambridge University Press, 2003 —. Must We Mean What We Say? Cambridge: Cambridge UP, 1976. Print. —. Philosophy the Day after Tomorrow. Cambridge, MA: Harvard Belknap Press, 2005. Print. —. The World Viewed. Cambridge, Mass.: Harvard UP, 1971. Print. Toronto: University of Toronto Press, 1988. Print. Conant, James. "On Bruns, on Cavell." Critical Inquiry 17.3 (1991): 616-34. Print. Cunningham, J.V. Woe or Wonder: The Emotional Effect of Shakespearean Tragedy. 1951. Chicago: The Swallow Press Inc., 1964. Print. Cunningham, James. Shakespeare 's Tragedies and Modern Criticial Theory. Madison: Fairleigh Dickinson UP, 1997 Danson, Lawrence. Tragic Alphabet: Shakespeare 's Drama of Language. New Haven: Yale UP, 1974 Derrida, Jacques. Margins of Philosophy. Chicago: University of Chicago Press, 1982. Print. —. Of Grammatology. Trans. Gayatri Spivak. Baltimore: John Hopkins UP, 1976. Print. —. Writing and Difference. Trans. Alan Bass. 1978. London: Routledge, 2001. Print. Dollimore, Jonathan. Radical Tragedy. 1984. New York: Palgrave Macmillan, 2004. Print. Drakakis, John, ed. Alternative Shakespeares. London: Meuthen, 1985. Print. —. Shakespearean Tragedy. Ed. John Drakakis. New York: Longman, 1992. Print. Dusinberre, Juliet. Shakespeare and the Nature of Women. London: Macmillan, 1975. Print. Eagleton, Terry. After Theory. New York: Basic Books, 2003. Print. —. Sweet Violence: the Idea of the Tragic. Oxford: Blackwell, 2003. Print. —. William Shakespeare. New York: Blackwell, 1986. Print. Eliot, T.S. "Hamlet and his Problems." The Sacred Wood. London: Meuthen, 1948. Print. XX. Else, Gerald F. Aristotle 's Poetics: The Arguement. Cambridge, MA: Harvard UP, 1957. Print. Eshelman, Raoul. Performatism, or, the End of Postmodernism. Aurora, CO: Davies Group, 2008 Evans, Bertrand. Shakespeare 's Tragic Practice. Oxford: Clarendon Press, 1979. Print. Evans, Malcolm. Signifying Nothing: Truth 's True Contents in Shakespeare 's Text. 1986. Brighton: Harvester, 1989. Print. Ferguson, Niall. Virtual History. New York: Basic Books, 1999. Print.

You May Also Find These Documents Helpful

  • Better Essays

    Media

    • 1104 Words
    • 5 Pages

    “Struggling with autism in a small town” is not a common fantasy type seen in cinema films, which makes What’s Eating Gilbert Grape unique. Arnie, a character who displays symptoms of autism, is important to the overall meaning of the film. Arnie’s disorder not only pulls his family closer together, but it also shows the audience how someone with this communication disorder is viewed in a small town. His character development, as well as his family’s, is an inspiration. They are able to turn something that is usually seen as weakness into strength. The film was able to capture stereotypes concerning autism, such as frustration and annoyance. Also, Arnie’s character presented some misleading information of the portrayal of autism. By choosing to have a character with autism in the film, the audience was able learn about the communication disorder in an entertaining fashion through the development of the characters. Also, the audience was able to see different ways of handling the disorder through the characters of Gilbert and Ellen. Gilbert is more concerning and Ellen is more self-indulged and cares more about the views of others. The disorder was necessary to the film in order to develop characters, portray stereotypes, and shape the views of the audience.…

    • 1104 Words
    • 5 Pages
    Better Essays
  • Powerful Essays

    Mass Media

    • 1509 Words
    • 7 Pages

    There has always been a definitive struggle to define culture as it is so complex and means something different to each individual. Culture affects all of us in different ways resulting in multiple definitions of culture. Culture had previously been seen as a way of improvement and growth, helping us to understand our place in society and guiding us towards a better understanding of ourselves. Over the previous number of decades our society and culture has changed significantly without us even realising that this can have a number of effects on the way we live our daily lives. The major changes in our society such as industrialisation, modernisation and a move to a postmodernist era means that there has been a emergence of a new mass culture.…

    • 1509 Words
    • 7 Pages
    Powerful Essays
  • Powerful Essays

    Golden, Leon, trans. Aristotle 's Poetics. With Commentary by O. B. Hardison, Jr. New Jersey:…

    • 3232 Words
    • 13 Pages
    Powerful Essays
  • Powerful Essays

    Aristotle. “Poetics” in Dramatic Theory and Criticism: Greeks to Grotowski. Bernard .F. Dukore. New York: Holt, Rinehart and Winston, Inc., 1974. 31-55.…

    • 1578 Words
    • 7 Pages
    Powerful Essays
  • Good Essays

    Cited: Roberts, W. Rhys. Aristotle: Rhetoric and Poetics. Oxford, Ohio: Random House Inc, 1958. Print.…

    • 1094 Words
    • 5 Pages
    Good Essays
  • Powerful Essays

    Final Draft Research Paper

    • 2029 Words
    • 9 Pages

    Sue, Rebecca. "The Curious Incident of the Dog in the Nightime." Suite101.com. Suite 101, 16…

    • 2029 Words
    • 9 Pages
    Powerful Essays
  • Powerful Essays

    media

    • 2248 Words
    • 7 Pages

    References: Castells, Manuel. "The Culture of Real Virtuality: The Integration of Electronic Communication ." The rise of the network society. Malden, Mass.: Blackwell Publishers, 1996. pp.220-255. Print.…

    • 2248 Words
    • 7 Pages
    Powerful Essays
  • Powerful Essays

    Doubt in Hamlet

    • 1256 Words
    • 6 Pages

    In Shakespeare’s play Hamlet, doubt is one of the most important themes. In fact, the whole play is based on the story of a ghost who claims to be Hamlet’s father, and nobody can be sure if what he says is the truth. In this essay, I am going to focus on the theme of doubt throughout the play. I will first speak about the opening scene, and then I will talk about the ghost, which is a supernatural element used by Shakespeare to create doubt in the play. I will also analyse the passage in which Hamlet declares his love to Ophelia. Finally, I will briefly discuss Hamlet’s sanity.…

    • 1256 Words
    • 6 Pages
    Powerful Essays
  • Powerful Essays

    Was Macbeth a Tragic Hero?

    • 1099 Words
    • 5 Pages

    Cited: Aristotle. Poetics. Trans. Gerald F. Else. Ann Arbor: U of Michigan P, 1967. Dorsch, T. R., trans. and ed. Aristotle Horace Longinus: Classical Literary Criticism. New York: Penguin, 1965. Ley, Graham. The Ancient Greek Theater. Chicago: U of Chicago P, 1991. Reinhold, Meyer. Classical Drama, Greek and Roman. New York: Barrons, 1959.…

    • 1099 Words
    • 5 Pages
    Powerful Essays
  • Best Essays

    Media

    • 2153 Words
    • 9 Pages

    Scott Rosner and Kenneth Shropshire. 2004. “The Business of Sports”. Jones and Bartlett Publishers. Print. (Accessed: November 2012).…

    • 2153 Words
    • 9 Pages
    Best Essays
  • Powerful Essays

    Shakespeare or Fakespeare?

    • 1316 Words
    • 6 Pages

    Bethell, TomWright, DanielAnderson, Mark K.Sobran, JosephWhalen, Richard F.Paster, Gail KernGarber, MarjorieMatus, IrvinBloom, HaroldBate, Jonathan. "The Ghost Of Shakespeare." Harper 's Magazine 298.1787 (1999): 35. MasterFILE Premier. Web. 8 Dec. 2011.…

    • 1316 Words
    • 6 Pages
    Powerful Essays
  • Good Essays

    Oedipus Rex and Aristotle

    • 889 Words
    • 4 Pages

    Cited: Aristotle. "Poetics." (2000). MagillOnLiterature Plus. EBSCO. Jackson State Community College. 27 Apr. 2008 <http://search.ebscohost.com.ezproxy.jscc.edu/>.…

    • 889 Words
    • 4 Pages
    Good Essays
  • Best Essays

    Bibliography: 1 (Aristotle), Aristotle Complete Works: The Revised Oxford Translation, edited by Jonathan Barnes, Princeton University Press, Princeton NJ, 1984; two volumes (Cited in text with name of Aristotelian text and Bekker number)…

    • 4289 Words
    • 18 Pages
    Best Essays
  • Good Essays

    media

    • 1247 Words
    • 4 Pages

    Today’s society is centered on media rather it be broadcasting media, print media, mass media, or social media. Media is the center of it all. The media is our way of staying up to date on the latest news, passing and receiving information, basically keeping our lives in motion. The media has the ability to create social norms. One social norm that rubbed writer/director of the documentary “Miss Representation” Jennifer Seibel Newsom the wrong way was the misrepresentation of women in the media. The main claim or argument behind “Miss Representation” is that woman now days are being judged only on their appearance rather then their knowledge, achievement, and or power.…

    • 1247 Words
    • 4 Pages
    Good Essays
  • Powerful Essays

    Poetics

    • 15621 Words
    • 63 Pages

    THE POETICS OF ARISTOTLE trans. S. H. Butcher is a publication of the Pennsylvania State Univer-…

    • 15621 Words
    • 63 Pages
    Powerful Essays

Related Topics