How Far She Went Essay: An Analysis

Authority and inferiority, uprising and submission, noncompliance and sanction have a rivalry within all humans and engage in combat when an outside force disagrees with one’s emotions. Coming the dawn of adulthood, teens often find hindrance in rebelling against the legal guardians that have trespassed against the teenager’s ideas. By creating a sense of self-need and revolution, Jing Mei, Dubus and the Granddaughter shine a light upon inferiority—declaring themselves not wholly free spirits but now connected with humanity all the more so. Jing Mei from Amy Tan’s “Two Kinds” will shock her family. Dubus from Andre Dubus’ “Digging” shall challenge the desires of his father. The Granddaughter from Mary Hood’s “How Far She Went” ends up scaring the grandmother-
On behalf of Jing Mei in Amy Tan’s “Two Kinds”, uprising leads to a shocking and heartrending outburst that ultimately stuns her mom to her core. Young Jing Mei easily convinces herself as not one born talented, yet her mother thinks otherwise, and pushes her around, as a millionaire would do with a show dog. As a child, Jing Mei actually started out agreeing with Mother, imagining her mother and father would adore her, Jing would be “beyond reproach” (Page 1). Such impressions often shadow grade schoolers, for they button down on the idea that any opportunity that involves a camera could make a child famous, possibly a celebrity. But as time moseys along, and several tests for talents have come, the tipping point comes in the form of a mucked-up talent show. Consequent to the embarrassing piano recital, Jing Mei wants nothing more to do with piano, but when her mom makes her get back to work, upheaval arises, and when physical actions come into play, Jing Mei clamors the wish of, like all of mothers’ other babies in China, being “dead! Like them!” (Tan 7). Jing’s adverse shout leaves her mother frozen, and the