Preview

Foreign Folk Dance

Good Essays
Open Document
Open Document
1889 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Foreign Folk Dance
Tarantella
In Italian culture, the word “tarantella” evokes images of a frenzied spinning dance traditionally played at weddings. However, this popular native dance of Southern Italy has a history and myth spanning several centuries.
The dance, originally an Italian folk dance of the lower- and middle-classes, has been labeled as a dance to cure sickness and as a dance of courtship. In the courtship version of the dance, the woman uses rapidity and liveliness to excite the love of her partner. In turn, the man tries to charm her with his agility, elegance and demonstrations of tenderness. The dance is one of unity and separation, which sees dancers flying into each other’s arms only to bound away again
Steps of Tarantella
Facing front, cross your right foot in front of the left. Cross your left foot in front of the right. Step your right foot to the side, step your left foot to the side. Repeat this while the woman shakes the tambourine in a clockwise circle in front of her body.
Place your hands on your hips, kick the right foot out to the front keeping it low to the ground, then step on the right foot putting weight on it, slightly in front of the left foot. Touch the ball of your left foot to the ground (without putting your full weight on it) then step in place with the right foot. This sequence is called the tarantella step. Repeat this sequence beginning with a left-foot low, front kick. Repeat again beginning right, then repeat once more beginning with the left. Perform this sequence three more times, traveling backward slightly.
Face your partner. The woman hits the tambourine to her left shoulder, her left hip, then her right hip.
The man holds the tambourine in his left hand and kneels on his right knee, tapping the tambourine for seven counts of music on his right hip. On count eight, tap it twice. The man continues to kneel for eight more counts of music. Meanwhile, the woman places her hands on her hips and dances eight tarantella steps in place.
The

You May Also Find These Documents Helpful

  • Good Essays

    The collaborative dance piece is a creative fusion of Stephen Page and Bernadette Walong’s traditional and contemporary movements. The traditional Aboriginal movements are overtly shown throughout the piece and are evident when the women appear to be dancing with a broken leg. This movement is shown where the foot is flexed and the knee is bent representing the animalistic nature of Aboriginal culture. Throughout the section ‘Black’ the symbolism of heroism and authority of the male spirit are represented by the instinctive hunting style of the man and the movement of wiping of ochres across the forehead. Additionally the contemporary technique is represented in the section ‘Red’ by the use of parallel feet and contractions and release, used throughout the entire piece of Ochres. To this day, the unique fusion of…

    • 610 Words
    • 3 Pages
    Good Essays
  • Satisfactory Essays

    Jardi Tancat Essay

    • 750 Words
    • 3 Pages

    Another shape performed throughout the dance is the use of circles. This movement is manipulated by using the arms, legs, turns and lifts. For example, in the section where the dancers perform in partners, the first couple shows the circular shapes. Both the male and female turn (similarly to a passe turn). The right foot is pointed, then weight is transferred to the right leg (demi pointe). The left leg is raised towards the back and bent at the knee. Both legs are parallel during the turn. The arms are bent to the elbow, hands are clasped together and move in a circular motion above the head.…

    • 750 Words
    • 3 Pages
    Satisfactory Essays
  • Good Essays

    Now, you see 12 silhouettes with slow movement emphasizing the connection between their slow movements and the low piano music playing setting up the ritual tone of the piece. Then the six female dancers moved towards the dark up stage and watch the six male dancers under the light performed slow fighting movements with the swords in harmony with the low music. Following, all 12 dancers performed together then five duets faced up stage, and the light dimmed. An individualized duet under a bright light danced with the sword in hand. All the 12 dancers are again under the light and perform in unison. In the end, under a bright light, one duet performs a solo down stage dancing without the sword, while under dimmed light the second duet watched down stage. The second duet performed while the first duet moved up stage with the rest of the dancers under the…

    • 629 Words
    • 3 Pages
    Good Essays
  • Good Essays

    In “‘Tarantella’ from August Bournonville’s Napoli” the graceful movements of the dancers portrayed the story of people courting their lovers. The dancers extended their legs with pointed toes, progressing forward with every step; they landed in a fast, fluid motion. The partners engaged in old fashioned partner dances, circling around each other. They separated,…

    • 1004 Words
    • 5 Pages
    Good Essays
  • Good Essays

    The six dancers move in unison working together to again prove that this work requires everyone’s help, Duato choreographs the dancers to move into a canon working in a linear pattern across the stage to reinforce the work that needs to be done in the fields and how it takes ‘all hands’ to complete this arduous task. The group then pairs up and begins to work in male/female duos. Each duo represents different ages of the group. Starting with the older, more respected elders of the community, their movement is very tender, supportive and loving towards each other. The man lifts the woman tenderly and shows what would be a lifetime of love and support. Their costumes are similar in colour and simplistic in nature to show they are a paired couple and to…

    • 1333 Words
    • 6 Pages
    Good Essays
  • Good Essays

    Inside Joseph Schloss’s book, Foundation: B-Boys, B-Girls and Hip-Hop Culture in New York shows and analyses the hip-hop cultures origins whilst remaining predominately specific to “B-Boys.” He does this by going through the history and origins of B-Boys and B-Girls from 2003 to 2008 in New York. Joseph G. Schloss shows the progression and evolution of cultural differences from different regions by showing the varying differences in experiences of dancers. Although Hip-Hop has been given negative connotations by pop culture, Schloss believes that Hip-Hop and B-Boys in particular displays cultural origins and traditions, such as “battle tactics, acrobatic power and Afro-diasporic competitive dance” that can be found in African-American and Latin-American…

    • 981 Words
    • 4 Pages
    Good Essays
  • Good Essays

    Bachata Dance Research

    • 506 Words
    • 3 Pages

    The leading is done like in most other social dances, with a “pushing and pulling” hand and arm communication. The original dance style from the Dominican Republic in the Caribbean is a basic dance arrangement in a full 8 count moving within a square. Others in the Western dancing world later developed a more simple style and pattern, which incorporated dance elements from other dances as well. The basic is also in a full 8 count, but with a side to side motion. Both of these styles consist of 3 normal steps and then a tap step, which is often accompanied by a “pop” of the hips, and can sometimes be substituted with syncopations. The music has an accent rhythm at every 4th count, this is normally when the dancers will tap-step and pop their hips- this is called dancing Bachata to the basic rhythm of music. Bachata can be danced to other music as well if the dancers just focus on a particular instrument. The early slow style of the 50s was danced only closed, like the Bolero. The Dominican style of Bachata is danced today all over…

    • 506 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Other dances that were performed are the ‘Fallen Feather’ dance, the Two-Step dance and the ‘Social Dance’. Out of all these dances,…

    • 697 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Origin of Pattin’ Juba One of the many topics that interested me throughout this semester of World Dance was the Juba dance/hambone/Pattin Juba. It especially interested me because of the different beats that could be made by hitting harder or lighter and different places of the body. My interest was furthered when I learned that this became a dance when slave owners feasages across with drums, so they had to make all rhythms/dances with their own music without rhythmic instruments. In this research paper I will look into the origins of Pattin’ Juba and how it has spread across the world today.…

    • 1149 Words
    • 5 Pages
    Good Essays
  • Good Essays

    Kayla &Kupono - Addiction

    • 624 Words
    • 3 Pages

    This dance is a very emotional dance. It really connects with people in many different ways. You can interpret this dance in so many ways. It is intended to be based on addiction and this message comes across so well through this dance. The movements really show that the girl is struggling with the boy (‘the drug.’)…

    • 624 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Dancing is an art. It is a creative way for people to express their feelings through movements and rhythm. From the 19th century to the 21st, dancing has evolved from the traditional modern dancing featuring the waltz, to urban dancing including all pop, hip-hop, and freestyle dancing. During the twentieth century in America, dance became the main type of entertainment. Dance has been used to help keep many Americans gleeful during the country’s crises, economically and technologically. To express their reactions to these changes, Americans danced. As the society changed during the decades, so did the type of dance, creating new forms of entertainment that are now a part of our American history.…

    • 1271 Words
    • 6 Pages
    Good Essays
  • Good Essays

    Paper 1

    • 594 Words
    • 3 Pages

    The movement that Jiri Kylian chose to put on these dancers was meant to give off the idea of a petite mort. The men start out the piece with fencing swords, protection against women. The women later dance with blood red gowns on wheels giving them the appearance of gliding and elegance, a trait women were supposed to have in the 16th century. These dresses are also playing the part also as armor against the swords of the men. The duets of the women and men have no swords or dress armor to protect them from each other leaving them exposed. The movement of each duet is that of intertwining limbs and thrusting pelvises. All six duets although different in…

    • 594 Words
    • 3 Pages
    Good Essays
  • Good Essays

    As Craig Peters describes the routine in Chants ,Cheers and Jumps ‘’The flyer steps up onto the base's thigh with both feet and does a high v remembering to keep her feet together. The base wraps her right arm behind the flyer's knees and rests her hand just above the flyer's right knee to provide extra support.’’ Even Though this stunt can be very dangerous if not performed right it still one of the safest stunts that is performed in cheerleading.…

    • 411 Words
    • 2 Pages
    Good Essays
  • Good Essays

    All six dances in the ‘black and white’ ballets are based on sexuality. The male dancers in ‘Sarabande’ are dancing about masculinity, whereas the girls in ‘Falling angels’ are dealing with the issue of body image and pregnancy. ‘Petite mort’ is about sexual intercourse, the name ‘Petite mort’ translating into English as orgasm. The way the girls are lifted in all the dances represents at times the control men have over women like in ‘six dances’ and ‘sweet dreams’, ‘no more play’, and at other times, the relationship between male and female. Not only is the theme of sexuality a motif throughout the series of dances, it is also a defining characteristic of Jiri Kylian’s contemporary style.…

    • 797 Words
    • 4 Pages
    Good Essays
  • Satisfactory Essays

    Physical Readiness Training

    • 3127 Words
    • 13 Pages

    Today’s task is to conduct 4 For the Core, Military Movement Drills 1 & 2, and AGR IAW TC 3-22.20.…

    • 3127 Words
    • 13 Pages
    Satisfactory Essays