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Regardless of Emilia being the voice of reason in Othello, even she succumbs to Iago’s deceptions. In Act 3: Scene 3 Emilia finds Desdemona’s handkerchief, “I am glad I have found this napkin/This was her first remembrance from the Moor” yet despite knowing its importance, she gives it to her husband (Iago). Emilia doesn’t know what Iago will do with Desdemona’s precious handkerchief nonetheless she yields, “I nothing but to please his fantasy”. Upon receiving it from his wife he dismisses her and her questions with, “Be not acknown on’t; I have use for it. Go, leave me,” he uses high…
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| Iago ‘only loves’ Desdemona out of revenge and jealously of Othello as he believes he has slept with his wife. The ‘infidelity’ that is occurring behind is back is eating him alive and so he plans to manipulate Othello in beliving Desdemona is having an affair with Cassio. ‘Deception’ aids him to accomplish this task…
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In Shakespeare’s Othello, A play about a group of military men and their families including their wife’s and their friends and family who are all connected to each other and the jealousy one has (Iago) of the Most important character (Othello) to tear Othello and his wife Desdemona apart in the hope to gain power with it .Shakespeare in this play uses trust/honesty to show the fault in humanity to believe in what they are told without proof that it is true. Shakespeare shows this trust and honesty through the interaction and relationships between Othello and Iago, Iago and Cassio, and the interaction between Brabantio and Iago/ Rodriego. This is not only shown as a hidden trust between two characters but also with the use of the word trust and honesty within the text.…
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Othello is a story of tragedy; a failed marriage between a Moor and the white daughter of a political figure. Through jealousy and deception, Othello and Desdemona’s, his wife, marriage goes from a love story to two tragic and preventable deaths. Othello is a highly respected general in the defense forces of Venice; his charismatic and intelligent demeanor allows him to gain power and status in a majority white atmosphere. Desdemona is the daughter of a high ranking chauvinistic political figure. Desdemona is nothing like her father, she believes in true love which is why she falls in love with Othello even though during the 16th century, interracial relations are frowned upon. The Great…
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Through extensive critical study of William Shakespeare’s play Othello, taking into account the countless productions of the play over the years, which reaffirms its status as an enduring valued text, it becomes distinctly evident that part of its ability to continually engage readers is drawn from its treatment of themes universal to the human experience , such as verisimilitude and jealousy. Society’s constant struggle with what is real and what is not in our modern world, coupled with our everlasting battle with human emotions such as jealousy, give the play textual integrity, ensuring that the play is reputable of critical study. This can be specifically realised through the close analysis of Act 3 Scene 3, Act 1 Scene 1, and Scene 3 in which Shakespeare utilises his art to replicate life and verisimilitude to confront the audience’s perception of reality and jealousy. Close examination of these pivotal scenes in regards to the key thematic concerns not only accentuates the interpretation of the play as an Aristotelian tragedy, but also draws attention to why Othello continues to engage and enthral contemporary audiences.…
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In Othello, Shakespeare exposes Iago’s true self to the audience, or what we think of as his true self. During the last passage in Act I Scene III, Iago is alone on stage and delivers his first soliloquy, where the character shares his inside thoughts. When Iago shares his thoughts concerning Othello, his character starts to come out more. Shakespeare characterizes Iago as someone who wants revenge on Othello and plans a scheme to quench his thirst for vengeance. Shakespeare shows us how vengeful Iago is through his tone, figures of speech and diction.…
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Depending on cultural differences and upbringing a text will have different impacts on the audience. Like any great piece of literature, William Shakespeare’s plays deal with timeless concerns that have the ability to be adapted and presented to remain relevant for modern audiences. Shakespeare’s Othello is a Jacobean play written in a time of racist attitudes towards foreigners and sexist attitudes to women. This revenge tragedy follows the protagonist Othello, a black army general who is manipulated by his ensign Iago. For me the way that race and colour is presented in contrast to the stereotypical portrayal highlights the prejudice apparent in not only the Jacobean society but our own as well. This is portrayed through Iago’s racist depiction of Othello and the opposing imagery of black and white. The play can also be viewed as having a strong feminist theme. The two heroines are portrayed as capable and steadfast individuals. Both women are the only characters that remain justified throughout in their loyalty to their husbands.…
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Question: How is the issue of conflict used by composers to express and change within and between characters?…
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Ladies and Gentlemen of the Jury, I've come here today to present you with a man who wants to justify the murder of his wife. I will show you how unjustified his act and his thoughts were in this not so spontaneous crime. Othello is on trial for murder and I would like to remind you that he has admitted full and absolute blame for this and you should not heed that lightly. Under the circumstances his mental state will come into account, but do not be bewildered by his claims of psychosis as any man could have had these thoughts befallen upon him and not taken action.…
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Shakespeare's "Othello" exhibits the demise of man via jealousy and rumor. The work showcases perhaps the gravest villain in literary times, Iago, whose evil cunning and masterful manipulation steamrolls the demise of honorable reputations; the destruction of intimate relationships, both brotherly and romantic; and finally, breaks down the sanity and conviction of stable men due to excessive need to protect ego and preserve personal pride.…
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“O, beware, my lord, of jealousy! / It is the green-eyed monster, which doth mock/ The meat it feeds on” (Shakespeare III. iii. 195-197). Everyone has the capacity for jealousy. It can change how people think as well as how they act. In the play Othello by William Shakespeare, jealousy is nurtured within the minds of multiple characters, and this jealousy is what ignites the want to make multiple misconceptions arise in order to create havoc and inflict suffering upon others and in some cases, upon themselves. To start off, Iago illustrates how jealousy can cause one to want to inflict pain upon others. Secondly, Roderigo shows how jealousy can make one become easily persuaded into doing wrong things. Lastly, Othello is a fine example of how jealousy can cloud somebody’s mind and cause them to see things as something else and inflict suffering on themselves and on others.…
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Emilia and Desdemona reactions towards their husband’s actions contrast. Desdemona is loyal to Othello and lives under his control. After Othello smothers Desdemona, she has the opportunity to expose Othello, but she does not take advantage of it, “Nobody; I myself. Farwell. Command me to my kind lord.” (5.2.125-126). Like many Venetian women, Desdemona is brainwashed into believing that it is her obligation to be obedient to her husband, regardless of the circumstances. Desdemona is conditioned by…
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“In the transformation process Othello and O deal with the same issues and ideas, but do so in different ways.”…
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ADMIRABLE is the preparation, so truly and peculiarly Shakspearian, in the introduction of Roderigo, as the dupe on whom Iago shall first exercise his art, and in so doing display his own character. Roderigo, without any fixed principle, but not without the moral notions and sympathies with honour, which his rank and connections had hung upon him, is already well fitted and predisposed for the purpose; for very want of character and strength of passion, like wind loudest in an empty house, constitute his character. The first three lines happily state the nature and foundation of the friendship between him and Iago, the purse,as also the contrast of Roderigo's intemperance of mind with Iago's coolness,the coolness of a preconceiving experimenter. The mere language of protestation…
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Naivety and ignorance is shown constantly by Othello when he foolishly accepts Iago’s ‘proofs’ of Desdemona’s infidelity without question. He is so enraged and jealous at the notion of his wife sleeping with someone else that he looses his sense of judgement and rationality. This could be considered a relatively natural reaction to such a situation, but it ultimately shows a weakness in the human psyche. Again Othello shows poor judgement by not confronting Desdemona about these claims and instead contents himself with Iago’s word. He convinces himself that he is acting in Desdemona’s best interests and wrongfully assumes her to be the “cunning whore of Venice”.…
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