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Compare the form in Anthem For Doomed Youth and The Send Off

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Compare the form in Anthem For Doomed Youth and The Send Off
'Anthem For Doomed Youth' is written in the style of a sonnet, traditionally a style of poetry used to express love, here it is used as an elegy. On the other hand, 'The Send Off' is written in four cinquains, these fragmented stanzas give the poem a question and answer format with the three line stanzas providing the narrative and the two line stanzas that follow allowing Owen to express his opinions. 'Anthem For Doomed Youth' also uses questions, both of the two stanzas start with a question, this engages the reader and evokes powerful feelings of inadequacy towards the way the soldiers were treated. The question marks at the end of each of the questions are powerful in themselves. The pause the reader takes contrasts the lack of pausing and the fact there is no pause or change after the death of a solider, this juxtaposition causes strong irony, further fuelling the powerful feelings that the soldiers did not get a proper send off. In this way the two poems are linked. In 'The Send Off' Owen asks 'Shall they return to beatings of great bells in wild train loads?' illustrates that the soldiers will not be celebrated and that Owen believes they deserve to hear their parish church bells ring on their arrival home.

Both poems contain lines of iambic pentameter, in fact in 'The Send Off' lines one three and four of each stanza are written in iambic pentameter. This gives the poem a constant rhythm, much like that of the train the soldiers are traveling in on their way to France. This makes the images of the men being sent of and rushed away secretly stronger for the reader. In contrast, the lines of iambic pentameter in 'Anthem For Doomed Youth' are used in contrast to lines such as 'What passing-bells for these who die as cattle?' which has eleven syllables instead of the usual ten and the line 'Only the monstrous anger of the guns', a trochee, almost the complete opposite of an iambic pentameter. Owen includes many of these variations throughout the poem. He does this to unsettle the reader so they do not grow too comfortable with these rituals of grief either wise they may miss, or feel fewer of the powerful emotions Owen is portraying.

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