Preview

Bessie Smith Analysis

Good Essays
Open Document
Open Document
1246 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Bessie Smith Analysis
BESSIE SMITH
1894 – 1937

Bessie Smith, known as “Empress of the Blues”, was born on April 15 1894 in Chattanooga, Tennessee. She was one of seven children to a part-time Baptist preacher and his wife. However, by the time Bessie was nine years old both of her parents were dead. Bessie and her brother Andrew were already singing on the streets of Chattanooga for spare change. Bessie’s older brother Clarence had joined a travelling vaudeville1 show as a comedian and dancer and in 1912 he arranged an audition for Bessie with the Moses Stokes Company. She joined as a dancer and working alongside established star Ma Rainey, rose to be a featured singer. By 1920 she had established herself as leading artist on the TOBA (Theatre Owners’ Booking Association) packing in crowds for every show. By 1921, having been married and widowed, Bessie moved to Philadelphia in an attempt to get a recording career underway, initially with little success. After various touring shows, Clarence Williams sought out Bessie to record together in New York and in 1923 the song Down Hearted Blues (with Clarence on piano) was recorded with great success, selling more than 80,000 copies in 1923. Between 1923 and 1933 Bessie recorded more than 150 for Columbia Records, making her one of the most prolific artists of her time. She is reported to have earned around $2,000 per week at the height of her career. Bessie’s recordings ranged from uproarious vaudeville songs to slow blues. She customarily refused to work with a drummer, determinedly setting her own, usually slow tempos. On some recordings, after an instrumental opening by her accompanists, her entrance noticeably slows the tempo. In 1929 she made her only film appearance, alongside James P Johnson in St Louis Blues. However it was during this time that Bessie’s personal problems began to affect her recording career. A drinking problem, fighting and relationship issues were the beginnings of her downfall. Also in



References: Burkholder, J, Grout, D & Palisca, C 2006, A history of Western music, 7th edn, W. W. Norton & Company, NY, London Kernfeld, B (ed.) 1994, The new grove dictionary of jazz, 2nd edn, Macmillan Press Ltd, London Larkin, C (ed.) 1993, The Guinness who’s who of blues, Guinness Publishing, England Wald, E 2004, Escaping the delta, HarperCollins Publishers, New York Wyman, W & Havers, R 2001, Bill Wyman’s blues odyssey: a journey to music’s heart and soul, Dorling Kindersley Ltd, London

You May Also Find These Documents Helpful

  • Good Essays

    Maya Angelou has become widely known for her poetry and literary works. She has written several autobiographies and numerous volumes of poetry. One volume of poetry was And Still I Rise, in this collection of poems the poem “Still I Rise” is a famously known one.…

    • 563 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Considering to be one of the finest contraltos of her time, Marian Anderson became the first African American to perform with the New York Metropolitan Opera in 1955. She also performed at the Lincoln Memorial in 1939. After 2 years of studying the Boghetti, Anderson won a chance to sing at the Lewisohn Stadium in NY. Born February 27, 1897, in Philadelphia, Marian Anderson displayed vocal talent as a child, but her family could not afford to pay for formal training. Members of her church congregation raised funds for her to attend a music school for a year, and in 1955 she became the first African American singer to perform as a member of the Metropolitan Opera in New York City.…

    • 564 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Susan was born in Brooklyn to Sylvanus and Anne Smith on March 18th, 1847. She was the seventh out of ten children and was of European, Shinnecock Indian, and African heritage. Her parents were successful porn merchants and were considered to be elite in their black community. As a child she learned how to plan the organ from Henry and John Zundel and preformed at Bridge Street African Methodist Episcopal Church and Brooklyn's Siloam Presbyterian Church. Susan was not the only success story in her family however because her sister, Sarah J. Garrett was the first African-American female principal in the New York City public school system.…

    • 649 Words
    • 3 Pages
    Good Essays
  • Satisfactory Essays

    Native American had a big influence on Jazz music in America. Mildred Bailey was one of the most prominent Native American women in Jazz music. Bailey began singing at the age of Sixteen. Her mother inspired her to sing on a trip to her reservation in Idaho. When her family moved to Spokane, Washington Mildred and her brother began working with Bing Crosby. She began singing at the age of sixteen, then in the 1920s she traveled to Los Angeles to further her musical career. After moving to Los Angeles, Mildred Bailey was introduce to Paul Whitman with who she joined his band. Around this time, she also began her recording with one of her most popular songs, “Rockin’ Chair.” At the bottom of this slide, you can listen to Rockin’ Chair.…

    • 132 Words
    • 1 Page
    Satisfactory Essays
  • Good Essays

    Bio on Bessie Smith

    • 999 Words
    • 4 Pages

    Bessie Smith was a rough, crude, violent woman. She was also the greatest of the classic Blues singers of the 1920s. Bessie started out as a street musician in Chattanooga. In 1912 Bessie joined a traveling show as a dancer and singer. The show featured Pa and Ma Rainey, and Smith developed a friendship with Ma. Ma Rainey was Bessie's mentor and she stayed with her show until 1915. Bessie then joined the T.O.B.A. vaudeville circuit and gradually built up her own following in the south and along the eastern seaboard. By the early 1920s she was one of the most popular Blues singers in vaudeville. In 1923 she made her recording debut on Columbia, accompanied by pianist Clarence Williams. They recorded "Gulf Coast Blues" and "Down Hearted Blues." The record sold more than 750,000 copies that same year, rivaling the success of Blues singer Mamie Smith (no relation). Throughout the 1920s Smith recorded with many of the great Jazz musicians of that era, including Fletcher Henderson, James P. Johnson, Coleman Hawkins, Don Redman and Louis Armstrong. Her rendition of "St. Louis Blues" with Armstrong is considered by most critics to be one of finest recordings of the 1920s. Bessie Smith was one of the biggest African-American stars of the 1920s and was popular with both Whites and African-Americans, but by 1931 the Classic Blues style of Bessie Smith was out of style and the Depression, radio, and sound movies had all damaged the record companies' ability to sell records so Columbia dropped Smith from its roster. In 1933 she recorded for the last time under the direction of John Hammond for Okeh. The session was released under the name of Bessie Smith accompanied by Buck and his Band. Despite having no record company Smith was still very popular in the South and continued to draw large crowds, although the money was not nearly as good as it had been in the 1920s. Bessie had started to style herself as a Swing musician and was on the verge of a comeback when her life was…

    • 999 Words
    • 4 Pages
    Good Essays
  • Good Essays

    Elizabeth Bessie Coleman

    • 1047 Words
    • 5 Pages

    Elizabeth Bessie Coleman was born on January 26, 1892 in Atlanta, Texas, the tenth of thirteen children to sharecroppers George, who was part Cherokee, and Susan Coleman. When Coleman was two years old at that time her family moved to Waxahachie, Texas, where she lived until age 23. Coleman began attending school in Waxahachie at age six and had to walk four miles each day to her segregated, one-room school, where she loved to read and established herself as an outstanding math student. She completed all eight grades of her one-room school. Every year, Coleman's routine of school, chores, and church was interrupted by the cotton harvest. In 1901, Coleman's life took a dramatic turn: George Coleman left his family. He became fed up with the racial barriers that existed in Texas. He returned to Oklahoma or Indian Territory as it was then called, to find better opportunities, but Susan and the children did not go with him. At age 12, she was accepted into the Missionary Baptist Church. When she turned eighteen, Coleman took her savings and enrolled in the Oklahoma Colored Agricultural and Normal University (now called Langston University) in Langston, Oklahoma. She completed one term before her money ran out, and returned home. Bessie returned to Waxahachie after her year of college, working as a laundress. In 1915, at the age of 23, she moved to Chicago, Illinois, where she lived with her brothers and she worked at the White Sox Barber Shop as a manicurist, where she heard stories from pilots returning home from World War I about flying during the war. She could not gain admission to American flight schools because she was black and a woman. No black U.S. aviator would train her either. Robert S. Abbott, founder and publisher of the Chicago Defender, encouraged her to study abroad. Coleman received financial backing from…

    • 1047 Words
    • 5 Pages
    Good Essays
  • Good Essays

    Bessie Coleman

    • 1376 Words
    • 6 Pages

    Elizabeth "Bessie" Coleman was born on January 26, 1892 to Susan and George Coleman who had a large family in Texas. At the time of Bessie's birth, her parents had already been married for seventeen years and already had nine children, Bessie was the tenth, and she would later have twelve brothers and sisters. Even when she was small, Bessie had to deal with issues about race. Her father was of African American and Cherokee Indian decent, and her mother was black which made it difficult from the start for her to be accepted. Her parents were sharecroppers and her life was filled with renter farms and continuous labor. Then, when Bessie was two, her father decided to move himself and his family to Waxahacie, Texas. He thought that it would offer more opportunities for work, if he were to live in a cotton town.…

    • 1376 Words
    • 6 Pages
    Good Essays
  • Better Essays

    Loretta Lynn

    • 1093 Words
    • 5 Pages

    In 1964, Loretta scored a string of top 10 country hits, including "Wine, Women, and Song" and "Blue Kentucky Girl." Soon, recording her own material, Loretta told the stories about all sorts of relationships. She had a talent for capturing the everyday struggles all the wives and mothers in her songs, while injecting them with…

    • 1093 Words
    • 5 Pages
    Better Essays
  • Good Essays

    Lena Horne Biography

    • 525 Words
    • 3 Pages

    A long run at the Savoy-Plaza Hotel nightclub in 1943 gave Horne’s career a boost. She was featured in Life magazine and became the highest-paid black entertainer at the time. After signing a seven-year contract with MGM Studios, she moved to Hollywood, where she filmed movies like Stormy Weather and Cabin in the Sky. Producers quickly realized that she was a difficult woman to cast,…

    • 525 Words
    • 3 Pages
    Good Essays
  • Better Essays

    Scott Joplin

    • 1072 Words
    • 5 Pages

    Bibliography: The New Grove Dictionary of Music and Musicians, ed. Stanley Sadie, 20 vols. (London: Macmillan, 1980)9: 708-709…

    • 1072 Words
    • 5 Pages
    Better Essays
  • Good Essays

    Lena Horne Bio

    • 1594 Words
    • 7 Pages

    In 1937, Lena married Louis J. Jones. Exactly 11 months later her daughter Gail was born. Lena later stated that she married Louis to escape the show business life. She was quickly forced to go back to work because of financial problems, Lena landed a leading role in the all black musical "The Duke is Tops". Lena appeared on Broadway in the musical revue Leslie's Blackbirds of 1939. A year later in February she gave birth to her 2nd child Edwin "Teddy". Lena's marriage to Louis Jones ended by the end of 1940. Upon returning to New York after breakup of her marriage, Lena became a vocalist with Charlie Barnet's band. It was a well known white band and Lena toured and made a few of her first recording with them.…

    • 1594 Words
    • 7 Pages
    Good Essays
  • Good Essays

    Racism in Having Our Say

    • 862 Words
    • 4 Pages

    Bessie always made her point known, she was never quiet about standing up for herself and people of her kind and she always stood up against racism and to white people. Once when she was walking back from a hotel a drunk white man came up to her and grabbed her arm and she yelled at him and told him to back off or she would get the police. Sadie may have ignored the man or removed his arm and kept walking. Though it is a serious case where she may have reacted in a similar way. Another time when Bessie was in a…

    • 862 Words
    • 4 Pages
    Good Essays
  • Good Essays

    Music Appreciation

    • 561 Words
    • 3 Pages

    “Lost your Head Blues” was written and performed by Bessie smith, known as the “Empress of the Blues.” She lived from 1894-1937. The songs Smith sang along with her performances allowed her the opportunity to become popular in the 1920’s. While the songs she sang were revolved around her life, and not that of the community, many folks said that the stories were relatable to them. “Lost Your Head Blues” in particular was a sad love song that became a popular hit in the 1920’s, specifically 1926. Due to how the man was treating her with such disrespect, Smith sings about leaving the man she loves. Her music was considered to be classical blues based on the African American blues genre. Long before Smith’s time, this type of music with its sad and negative tone was already being played. For instance, “Flow My Tears” was written around the 1600’s which was during the Renaissance period. This was considered popular during Shakespeare’s time. It was produced by John Downland, who was a well-known English composer in Europe. He lived from 1563-1626. It was derived from a poem perhaps previously written by Downland. Downland is well-known for his pieces which represent sadness. In that, it portrays one’s happiness coming to an end—similarly to that of “Lost Your Head Blues.”…

    • 561 Words
    • 3 Pages
    Good Essays
  • Better Essays

    Ethel Waters

    • 1697 Words
    • 7 Pages

    Ethel Waters was born in Chester, Pennsylvania on October 31, 1896. She had a hard life in which she faced rejection from her mother and poverty. Waters ' love of singing began as a child when she sang in church choirs but her childhood was cut short when at thirteen she married an abusive man, dropped out of sixth grade, and was divorced a year later. Shortly thereafter, she began working as a maid until two vaudeville producers discovered her while she was singing in a talent contest in 1917. She toured with vaudeville shows, and was billed as "Sweet Mama Stringbean" because of her height and thinness. In 1919, she left the vaudeville circuit and performed in Harlem nightclubs. Two years later she became one of the first black singers to cut a record on the Black Swan Record label with her release of "Down Home Blues" and "Oh, Daddy".…

    • 1697 Words
    • 7 Pages
    Better Essays
  • Powerful Essays

    Lena Horne

    • 9265 Words
    • 38 Pages

    Singer/actress Lena Horne's primary occupation was nightclub entertaining, a profession she pursued successfully around the world for more than 60 years, from the 1930s to the 1990s. In conjunction with her club work, she also maintained a recording career that stretched from 1936 to 2000 and brought her three Grammys, including a Lifetime Achievement Award in 1989; she appeared in 16 feature films and several shorts between 1938 and 1978; she performed occasionally on Broadway, including in her own Tony-winning one-woman show, Lena Horne: The Lady and Her Music in 1981-1982; and she sang and acted on radio and television. Adding to the challenge of maintaining such a career was her position as an African-American facing discrimination personally and in her profession during a period of enormous social change in the U.S. Her first job in the 1930s was at the Cotton Club, where blacks could perform, but not be admitted as customers; by 1969, when she acted in the film Death of a Gunfighter, her character's marriage to a white man went unremarked in the script. Horne herself was a pivotal figure in the changing attitudes about race in the 20th century; her middle-class upbringing and musical training predisposed her to the popular music of her day, rather than the blues and jazz genres more commonly associated with African-Americans, and her photogenic looks were sufficiently close to Caucasian that frequently she was encouraged to try to "pass" for white, something she consistently refused to do. But her position in the middle of a social struggle enabled her to become a leader in that struggle, speaking out in favor of racial integration and raising money for civil rights causes. By the end of the century, she could look back at a life that was never short on conflict, but that could be seen ultimately as a triumph.…

    • 9265 Words
    • 38 Pages
    Powerful Essays

Related Topics