Walker was brought up by two sharecroppers in the deep south where she experienced “double vision” (Baughman 2) on the discrimination occurring around her. This vision was further explained in her work Our Mother’s Gardens, where she expressed blacks southers were “capable of knowing, with remarkably silent accuracy, the people who make up the larger world that surrounds and suppresses his own” (2). With this the racial situation and jobs her parents held largely influenced the characters in her novels. In her novel, The Third Life of Grange Copeland, it followed the lives of generations of sharecroppers and made Walker a “skillful recorder of the Southern character” (Callahan 1). Despite this obvious support of African Americans in America, Walker received criticisms for her most famous piece The Color Purple, from groups as prominent as the NAACP for portraying black men in a negative light. In this piece, a young black women is horribly abused by her father and husband both of whom were African American. This made some “denounced the film for racism” (“Alice Walker” 4). However, the book was intended to be a commentary on “a history of oppression and abuse suffered at the hands of the men” (4). Perhaps Walker’s most personal story dealing with racial discrimination came at the height of the civil rights movement, where she fell in love with a white man, and became “first legally married mixed-race couple in Jackson” (2). This was followed with the novel, The Way Forward Is with a Broken Heart which depicted a “marriage set in the Deep South during the early years of the civil rights movement” (Baughman 5). Alice Walker’s experience as an African American living in America influenced her works in major ways however, her experiences as a woman had a larger
Walker was brought up by two sharecroppers in the deep south where she experienced “double vision” (Baughman 2) on the discrimination occurring around her. This vision was further explained in her work Our Mother’s Gardens, where she expressed blacks southers were “capable of knowing, with remarkably silent accuracy, the people who make up the larger world that surrounds and suppresses his own” (2). With this the racial situation and jobs her parents held largely influenced the characters in her novels. In her novel, The Third Life of Grange Copeland, it followed the lives of generations of sharecroppers and made Walker a “skillful recorder of the Southern character” (Callahan 1). Despite this obvious support of African Americans in America, Walker received criticisms for her most famous piece The Color Purple, from groups as prominent as the NAACP for portraying black men in a negative light. In this piece, a young black women is horribly abused by her father and husband both of whom were African American. This made some “denounced the film for racism” (“Alice Walker” 4). However, the book was intended to be a commentary on “a history of oppression and abuse suffered at the hands of the men” (4). Perhaps Walker’s most personal story dealing with racial discrimination came at the height of the civil rights movement, where she fell in love with a white man, and became “first legally married mixed-race couple in Jackson” (2). This was followed with the novel, The Way Forward Is with a Broken Heart which depicted a “marriage set in the Deep South during the early years of the civil rights movement” (Baughman 5). Alice Walker’s experience as an African American living in America influenced her works in major ways however, her experiences as a woman had a larger