Southern Idiom of Zora Neale Hurston Zora Neale Hurston‚ scholar‚ novelists‚ folklorist‚ and anthropologist‚ was a major figure of the Harlem Renaissance. Her writing career elaborated the rich black vernacular from her southern upbringing and also of her anthropology training from the prestigious Barnard College (Slawson 209). Hurston grew up in Eatonville‚ Florida. It was one of the first all-black towns to be formed after the Emancipation Proclamation in 1863‚ and is thought to heavily influence
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	Zora Neale Hurston was an astounding Afro-American author who was recognized not for being the first Afro-American writer‚ but rather for her ability to bring forth her cultural language and imagery. If not for Zora’s pioneering effort as a female black writer‚ the world of modern literature would have never seen the cultural insights of the African American culture in such a candid way. 	Zora’s date of birth is said to be in January of 1891‚ however her actual date of birth is debated today
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shaped his behavior. The author chose to use the response approach of ignoring the views and the defending actions of the people whom he met. He writes‚ “Over the years‚ I learned to smother the rage I felt at so often being taken for a criminal” (Staples 397). He even started making some attempts of calming down the people he considered were apt to be afraid of him. He kept distance with the people and moved carefully in order to avoid being mistakenly regarded as a criminal. His strategy was implementing
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In Colored Me Zora Neal Hurston illustrates how similar people really are through the analogy of paper bags‚ and the obstacles she has to face when Zora talks about race. During this time era Zora Neal Hurston had never witnessed racism while living in Eatonville‚ Florida. Only because she was in a town where there were just colored folks. The only time Zora would see white people were when they were passing through or coming from Orlando. It wasn’t until Zora got sent to school in Jacksonville
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apologetic attitude and extreme behavior modification that Brent Staples exercised for the simple purpose of alleviating the fears and suspicions aroused by the presence of a black man. Brent says he smothered the rage that surely would have turned to madness‚ he kept a wide distance from people on subways who appeared to be nervous especially during the wee hours‚ and even moreso if he had changed from professional attire into jeans. Brent‚ in his own words‚ allowed people to walk by so he didn’t
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Wu Hongzu wrote a deeply detailed essay regarding symbolism found in the Zora Neale Hurston book; Their Eyes Were Watching God published in Theory and Practice in Language Studies (2014). This is a summary of those very ideas‚ using many of the same quotes he did in order to explain his points. This essay talks about the development of Janie; a female person of color‚ through specific symbols. They talked about the use of a pear tree‚ hair‚ and most importantly‚ the mule. It focused primarily on
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Zora Neale Hurston was an American folklorist and author during the time of the Harlem Renaissance‚ best known for the novel Their Eyes Were Watching God. Hurston began her undergraduate studies at Howard University but left after a few years‚ unable to support herself. She was later offered a scholarship to Barnard College where she received her B.A. in anthropology in 1927. While at Barnard‚ she conducted ethnographic research under her advisor‚ the noted anthropologist Franz Boas of Columbia
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Through Toni Morrison’s short story “Recitatif” and Brent Staples’ essay “Black Men and Public Spaces”‚ we see the similar topics of nonverbal communication and stereotypes. Through his use of a cowbell metaphor‚ and her use of handshake imagery Staples and Morrison explore the theme that nonverbal communication and stereotypes can affect how people act and are viewed in society. After living in New York for a few years‚ Staples learned to take precautions‚ so as not to seem threatening. He would
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Between Cape jasmine bushes and chinaberry trees‚ Zora Neale Hurston’s childhood‚ was a warm sweet memory illustrated in an extract of Dust Tracks on a Road: An Autobiography. In this excerpt‚ diction and point of view jump from the page to give the reader a lucid and realistic view of life "down there" in the farm‚ sheltered from society to protect the plentiful love‚ food and company of the Hurston home‚ compared to "way up north" where "rare" apples are abundant and gardenias are sold for a dollar
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Public Space‚” Brent Staples discusses the development of standard stereotypes that can not just affect the actions of the victim‚ but the suspect. Throughout the essay‚ Staples describes himself in a sequence of events‚ and proceeds to tell the readers how people around him react. Brent Staples was a tall black man and always faced the same reaction when walking the streets during his late night strolls. People that were walking late as well especially white women would avoid Staples either by crossing
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