During the film whale rider‚ we see the characters‚ Paka and Pai. Paka‚ growing up the way he did‚ follows every rule that their tradition has‚ whereas Pai‚ being born into the modern world‚ wants the maori people to think more progressively. At first‚ Paka is blind to Pai’s ability to be the chief‚ he is harsh and strict towards Pai. However his intentions are good and everything he does is out of respect and fear for his culture. Paka’s outdated beliefs of his culture‚ place strict expectations
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Rawiri plays an important role in the novel which helped unfolding the events‚ ranging from minor to significant ones. He relates the events in the ‘Whale Rider’ as the role of the narrator‚ allowing the readers to form judgements and learn about things such as the Maori way of life and the characters through his eyes. He also give us his insights as he highlights themes and issues mentioned‚ like racial discrimination. Besides that‚ he is the one who sees the many signs of Kahu’s destiny as the
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prepare herself to become leader‚ even though her grandfather opposed. However something that sets the Whale Rider plot apart from Bend It Like Beckham was the heavy focus on the Maori culture. The Maori culture has a heavy influence in this story which also leads the Paikea into making the necessary decisions about her leadership. Although there were many contrasts‚ Bend It Like Beckham and Whale Rider shared many similarities between their individual plots. One similarity between plots was that both
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language‚ religion‚ social habits‚ traditions‚ stories and music. “A nations culture resides in the heart and soul of its people”- Mahatma Gandi and this culture is kept alive by what they do. The texts we have studied in class “Yolngu Boy” and “Whale Rider” are excellent examples of how important cultural identity and belief are in communities. The other text that I have studied “Bran Nue Dae” is also a good example of this. In this essay I am going to be talking about what the texts have taught me
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How do the elements of ‘belonging’ and ‘return’ operate in Samson and Delilah and Whale Rider? Samson and Delilah and Whale Rider are two films which deal with the conflict that can occur between tradition and modernity at the hand of colonisation. In both of these films‚ within this conflict‚ the elements of belonging and return are dealt with. Samson‚ Delilah and Paikea all have a yearning to belong to their communities‚ families and culture‚ yet find themselves on the outer for various reasons
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Paikea’s Determination to Become the Chief Whale Rider by Niki Caro is a story about a 12 year old girl who is the true heir to be chief of the tribe but her grandfather‚ following Maori traditions‚ believes that the role of chief is to be the first born son of the chief only. Throughout the movie‚ Paikea is determined to prove that she is the true heir and can be the chief of the tribe. This movie shows how she struggles to get her grandfather’s approval due to his beliefs and the tribe’s tradition
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Fall Apart (1958) by Chinua Achebe and the film Whale Rider (2002) by Niki Caro both address the overcoming of emotional boundaries‚ while following the progress of the main characters. Issues such as cultural differences and gender equality are presented by the composers through the clever use of devices appropriate to the medium‚ while using the post-colonial context to accentuate these issues. Similar to Things Fall Apart‚ the film Whale Rider by Niki Caro explores the breakdown of Maori culture
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uses‚ see Whale (disambiguation). Page semi-protected Whale Temporal range: 50–0Ma PreЄ Є O S D C P T J K Pg N Eocene – Recent North Atlantic right whales‚ mother and calf Scientific classification Kingdom: Animalia Phylum: Chordata Class: Mammalia Subclass: Eutheria Order: Cetacea Whale (origin Old English hwæl from Proto-Germanic *hwalaz) is the common name for various marine mammals of the order Cetacea.[1] The term
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Fafnir clearly remembers his chant‚ and to his surprise some of the words are very familiar to him. He knows the words very well‚ but does not want to believe in his doubts. He looks at Orbus as Fafnir struggles to burn the chains. Numerous dark spheres appear out of thin air. The sphere begin to form and take shape as Orbus molds every single one of them using his hands engulfed with his devilish mastery of the dark arts. The rain weakens as small droplets fall instead of a raging downpour. The
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Whale Rider uses narrative structure in many forms to better describe the story to the viewer. It is used to link the plot together mainly using a number of different techniques including point of view‚ which is based on Pai because of her narrations‚ but is linked together with scenes of Koro‚ Nanny Flowers and Porourangi all having the point of view; conflict‚ with disagreements and argument all forming the story to come; and finally the way the story is divided into three main acts‚ which are
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