my talk today is about Koro (pai’s grandfather‚ the village chief). This oral presentation will discuss the cultural issues which Koro had with his community as he was a chief who faced many issues and I will compare them to my own situation. Issue 1 As Koro was getting older he became worried about his community and the fact it might collapse. For this reason he discussed this issue with Porourangi (Pai’s father) before he headed to Germany as an artist. As Porourangi refused to become the next
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about. I then decided that I wanted to take on a more challenging film‚ one that I had never heard of‚ and one that I would really have to study to understand its full meaning. After looking into a few of the listed movies‚ I ended up choosing Whale Rider‚ a drama filmed in New Zealand in 2002. After watching the movie two times‚ I feel that I now understand some of the more drastic cultural and gender based problems that are occurring today. The film’s plot follows the story of Paikea Apirana
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Whale Rider The “Whale Rider”‚ filmed in New Zealand and directed by Niki Caro‚ is a film based on the novel of the same name‚ by Witi Ihimaera. Many of the extras in the film were actual residents of the town Whangara. The film is about a girl‚ Paikea Apirana‚ played by Keisha Castle-Hughes in her debut role‚ who battles to gain her grandfather’s respect‚ and to become the chief of the tribe. By tradition‚ the leader of the tribe should be the first son‚ however Pai’s twin brother had died at
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Niki Caro’s film The Whale Rider‚ conveys the importance of rebelling in order to progress through depicting the stage of finding the boon of success in the Heroine’s Journey. After Koro’s young‚ male students fail to retrieve Koro’s rei puta to determine who would become the next chief‚ Paikea secretly retrieves his rei puta. In this scene‚ Caro alternates between shots of Paikea diving into the ocean and shots of the rei puta lying on the ocean floor with seaweed surrounding it. Through the portrayal
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A Whale of a Ride! Film Analysis Paper The film “Whale Rider” took me on a whale of an emotional ride. Though there is a recurrent and overarching feeling of “great-whale-in-the-sea” calm‚ strength and beauty‚ there is a strong undercurrent of emotional turmoil‚ with which each of the main characters struggle. Each experiences an Eriksonian/Psychosocial crisis: At 12 years old‚ the main character‚ Paikea “Pai‚” has successfully navigated through Erikson’s first four stages
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Atsuki Yamamoto (David) Empathic response on the Whale Rider You are Kahu at the end of the concert when Koro didn’t show up. Write your thoughts. Paka didn’t show up to the concert today. That speech that I gave at the end was for him. I wrote it because I wanted him to know how much I love and admire him‚ but the seat that was reserved for him was empty throughout the whole concert. If only I was a boy‚ Koro would have loved me more than he does. At the beginning of the concert I thought
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Whale Rider: Inner Strength and Determination The film Whale Rider opens with a man‚ Porourangi‚ standing next to his wife as she gives birth to twins. Unfortunately‚ the mother and the son do not survive leaving only the girl who is named Paikea. This greatly upsets Koro‚ Porourangi’s father. As the reigning chief of the Maori people‚ he would have taught Porourangi’s first born son in the ways of their ancestors to become the next chief (Wald 2006). After experiencing such a devastating loss
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Throughout history‚ men have been more respected than women The Whale Rider directed by Niki Caro and written by Witi Ihimaera and the story of Antigone by Sophocles reflect this statement. Though written in two different eras and cultures both stories have elements of gender inequality. Both show that women have to to put in more effort for what they want than most men. In both Antigone and Whale Rider‚ the gender roles reveal that women are lesser beings than males. In Antigone‚ Creon‚ the king
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one or the other. This is also evident throughout the movie Whale Rider‚ directed by Niki Caro. The authors express this notion of belonging through a variety of themes including culture‚ family and schooling. These themes are particularly apparent within the poems “Feliks Skyrznecki” and “10 Mary Street”. A significant phase within the journey towards finding belonging is resisting. This is particularly shown in the film ‘Whale Rider’. Pai‚ as the female protagonist does not want to belong‚ as
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In Witi Ihimaera’s novel "Whale Rider" we follow Rawiri as he goes through his life watching the growth‚ incidents and magic of his niece Kahu. Kahu is destined to be the next chief of the Maori in Whangara‚ New Zealand‚ a tribe that has descended from the legendary "whale rider." However‚ Kahu is‚ as Nanny Flowers says‚ "Hungry for [her grandfather’s] love‚" (Ihimaera 34) and struggles to receive it because she is a girl. The author presents this story through Kahu’s Uncle Rawiri’s point of view
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