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    Cinema of Attractions

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    The cinema of attraction. ‘A matter of making images seen.’ This is what Fernand Léger was writing in 1902 about the new art‚ trying to describe the possible changes in cinema‚ by emphasizing the fact that imitating the movements of nature is not necessarily the best way of defining cinema’s essence. This is only one of the writings concerning this topic which influenced Tom Gunning in characterizing the cinematic period before 1906 as that of the ‘cinema of attractions’. In this essay I am

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    Balkan Cinema

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    propaganda? The movie Underground (1995) directed and produced by the well-known Bosnian/Serbian director Emir Kusturica is one of the most famous Serbian movies internationally. It was nominated for a number of Best Foreign Film Awards as one of the most notable ones is the Golden Palm award at the Cannes International Film Festival in 1995. The script of the movie was developed from a play by Dushan Kovachevich. Unfortunately‚ since the time it was released‚ the movie has been the spotlight

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    Winfrey’s made for TV movie adaptation of Zora Neale Hurston’s Their Eyes Were Watching God‚ and was very disappointed. I admire Ms. Winfrey immensely because of her inspirational rise to fame due to her persistent pursuit of excellence and because of her desire to leave something positive for the world‚ so I hesitate to be critical of her pet project. However‚ her version of this most profound and uplifting novel fell short of capturing Ms. Hurston’s excellence. The movie focused almost entirely

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    Cinema of the Philippines

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    The Philippine cinema is the youngest of the Philippine arts‚ and still is considered as one of the popular forms of entertainment among the Filipinos. It directly employs some 260‚000 Filipinos and generates around PHP 1.5 billion revenues annually.[1] Contents [hide] 1 Overview 2 History 2.1 Origins 2.2 American period 2.3 World War II and Japanese occupation 2.4 1950s 2.5 1960s 2.6 1970s to early 1980s 2.7 Contemporary period 2.7.1 Late 1980s to 1990s 2.7.2 2000 and beyond 3 See also

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    History of Cinema

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    Katrina Farmer Pd.2 History Of Cinema What is cinema? Cinema is a film‚ a story captured as a set of moving pictures to be shown on a screen in a movie theatre or on television. It is a passage of expression and modern science. Cinema is the most tried and true form of storytelling. Cinema is a sequence of moments captured in time‚ to make you feel‚ to make you see and to make you understand. Cinema is theatre made more intimate‚ passion in motion. Cinema built everything that we see on televisions

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    Book and Movie Comparison The general thought of films based off of a novel is negative towards the film‚ in the case of Zora Neale Hurston’s Their Eyes Were Watching God I will have to agree with the general thought. The film adapted for television by Oprah Winfrey does not include many of the important or want to see exciting details from the novel. The novel also exaggerated some parts of the book on psychological level‚ for example the hatred people had for one another. It was a good movie without

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    Indian Cinema

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    In India Cinema has been a very important means of entertainment. Here‚ cinema has seen a century of growth‚ and it has gone very far in the heights of progress. Originally‚ in India the cinema was a movie only and it was called because we could only see the stars acting‚ and there was no sound‚ no talking‚ no dialogue and no songs. The audiences could only see action. As time passed by‚ these movies got converted into talkies and‚ at that time dialogues got introduced in the pictures. This made

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    Easy Cinema

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    Industry Analysis Industry Overview The cinema industry is primarily engaged in operating movie theatres and/or exhibiting videos at film festivals. The major products and services in this industry in the UK are single screen theatres‚ multiplex theatres (8 to 15 screens) and megaplex theatres (more than 16 screens). Cinemas in the UK typically operated at 20% capacity. Admissions in 2001 were at the highest level in decades – 156 million admissions generated £974 million in ticket sales –

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    Chinese Cinema

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    Topic: Hong Kong cinema has been characterized by a strong transnational and global nature. Chinese identity and its relationship with Hollywood. Introduction: In the 1990s of Hong Kong‚ its movies‚ styles‚ stars and filmmakers were exportable to Western market. In the essay I will focus on how Hong Kong cinema become “transnational” and “borderless” in recent years‚ and relying on Hong Kong actors analyse it’s the relationship with Hollywood. Thus Hong Kong cinema in general is a crucial

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    Soviet Cinema

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    Soviet Cinema and the Art of Montage Paul Karpenko CINE 261 11.17.2002 A certain kind of inspiration must be born of a time in which one’s country is heading into a brave new world. Nothing should ever be as it was and the future is as expansive as all of Russia itself. In the time of revolution - the late teens and early twenties - Soviet cinema established itself as a unique entity in the mass of national cinemas. Its innovation was stepping away from common narrative structure and adapting

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