Architect Eero Saarinen TWA Terminal‚ JFK Airport‚ New York Architect Eero Saarinen(1910-1961)‚ classified as a Neo-Expressionist‚ brought a sculptor’s sensibility to his buildings. Neo-Expressionism architecture is modernist and abstract‚ but with romantic imagery and the intuitive shapes. Saarinen is best known for the TWA Terminal‚ JFK Airport‚ New York‚ where he captured the excitement of flight with giant wings of concrete. Other examples of the Neo-Expressionism style of architecture are
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the church to be stronger and more functional for the use of the people. I have heard a famous architect that has built many buildings before. Maybe we can seek for his professional idea in building the new church for us. SKETCH 3 Assistant : Villa Savoye is a very-very great architecture‚ I have to admit sir. Le Corbusier : Oh yeah..tq..i want to do more than that Assistant : Owhh.. i would like to know what is your ideology in your design sir..? Le Corbusier :Well..actually I want to create
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Logan Thornton ARCH3110-001 Carla Keyvanian March 21‚ 2013 Henri Labrouste and Claude Ledoux were French architects during the 18th and 19th centuries and are pioneers of modern architecture. Henri Labrouste was born in 1801 and was the product of the renowned École des Beaux Arts School of Architecture. He believed that architecture should reflect society‚ and his work reflects the rationalism and technical aspects of industrial society. His work also embodies the ideals of writer Victor Hugo
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Arch 8011 Research Methods 2013 Jonathan Jordan‚ 1361176 ARCHITECTURE: WORDS OR SHAPES Introduction Architecture can be viewed with two different types of properties. Properties that can be seen like shapes‚ their composition‚ the spaces they create and‚ the colours and textures that make up their appearance. These properties are considered to be visual while other properties are considered to be abstract
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MODERNISM Question: To what extent did the ideology of Modernism reflect new sets of values in architecture and design in the period between 1919 and 1960? Answer this question with examination of works of 3 architects/designers of the time analyzing how Modernism was manifested in their works. ANSWER Bauhaus’ Walter Gropius said in Germany‚ 1919‚ “Today’s artist lives in an era of dissolution without guidance. He stands alone. The old forms are in ruins‚ the benumbed world is shaken up‚
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mainly notes‚ needs a little work but ideas are all there and has great opening - What impact has technology had on architecture of the 20th century? Throughout the nineteenth century‚ architecture refused to have anything to do with industry; it had been concerned solely with monumental projects glorifying the state and giant civic structures expressing the pride of its people. This however‚ all changed with the dawn of the twentieth century. Industrial production became an integral part of modern
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French Architecture France is a country rich in architecture. You can spend all your days day walking through the streets of Paris‚ or any other region‚ visiting the museums‚ and taking pictures next to one of the many impressive monuments. France has many old monuments and some of them they are in well good condition like the Maison Carrée and the Pont du Gard near Nîmes. The Carolingian dynasty of Charlemagne was a period of innovative buildings‚ using the Romanesque architecture‚ which gave
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Andre Derain‚ Mountains at Colioure‚ 1905-exemplifeis so called mixed technique. Favism in which short strokes of pure color derived fom the work of van goh and Seurat are combined with curvilinear planes of flat color inspired by by gaugunis paintings and are nouvau decorative arts. The assertive colors‚ which he likened to sticks of dynamite do not record what he actually saw in the landscape by rather generate their own purely artistic energy as they express the artists intense feeling about what
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Le Corbusier (born October 6‚ 1887‚ La Chaux-de-Fonds‚ Switzerland—died August 27‚ 1965‚ Cap Martin‚ France) internationally influential Swiss architect and city planner‚ whose designs combine the functionalism of the modern movement with a bold‚ sculptural expressionism. He belonged to the first generation of the so-called International school of architecture and was their most able propagandist in his numerous writings. In his architecture he joined the functionalist aspirations of his generation
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The Vanna Venturi House Essay Robert Venturi’s early design; the Vanna Venturi House‚ has been a reference for contemporary architecture. His domestic masterpiece challenged the definition of modern architecture.1 It seems the Vanna Venturi House contradicted many of the rules that modern architects were expected to follow. This essay will discuss the architectural qualities of the Vanna Venturi House and the precedents which influenced its design. Robert Venturi was only thirty-four when he
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