The Birth of Venus (1635) ------------------------------------------------- Nicolas Poussin ------------------------------------------------- Sean E. Masih Art History 102 August 25‚ 2013 While the Philadelphia Museum of Art may not house some of the more famous artwork from the Baroque period‚ their acquisition of Poussin’s “Birth of Venus” was nothing short of a savvy purchase. Hungry for Western currency‚ the painting was sold by the Hermitage Museum in St. Petersburg in 1930 under
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in the sunrays and photosynthesizing‚ it lures preys in by secreting sweet nectar. This intriguing eukaryotic plant has a unique anatomical function‚ out of the ordinarily expected geographical location‚ and is something that can be grown. The venus fly trap was studied by Carolus Linnaeus and later by Charles Darwin. To figure out how this plant survived or simply operated with its’ sensory hairs was fascinating to them. Though one may think this plant is found in tropical places‚ its’ location
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"Madonna" and "Venus" From Two Different Periods I have always been intrigued by the many depictions of "Madonna" and "Venus" therefore I chose to compare and contrast Parmigianino’s “Madonna of the Long Neck” from the mannerist style of the later Renaissance and Titian’s “Venus of Urbino” from Venetian Renaissance. First I will tell you a little bit about the historical background of both paintings‚ then I will prove my thesis by talking about exemplifies two artist’s style and the
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measures 172.5 x 278.5cm and is located in the Galleria degli Uffizi in Florence .The Birth of Venus belongs to the renaissance period and is not a representation of a Christian legend but an interpretation of a classical Myth. This painting is one of a series which Botticelli was inspired to paint after the written descriptions by the 2nd century historian Lucian. It depicts the classical goddess Venus emerging from the water on a shell ‚ she is being blown towards shore by the Zephyrs (symbols of
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Sandro Botticelli‚ Birth of Venus. The Birth of Venus painted by Sandro Botticelli from 1484-1486‚ depicts the birth of Venus into the world. The painting shows Venus the goddess of love and beauty coming out of the sea as if she was coming into the human world as a beautiful woman. She is nude in the painting covering one of her breasts with her right hand‚ her left hand holding her long blonde hair‚ which covers her pubic region. The nudity of Venus in this painting shows not the humility of
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nomadic lifestyles.Most female figurines had small size making them compatible with the nomadic lifestyle. The nomads used these figurines to establish communication‚ and once established made it easier. Through this form of communications‚ it is possible that the people in this era used the Venus figurines as a symbol of female interaction and mating. Although the fertility theory is understandable it does not fully apply to all Venus figurines. Some of the figurines have big chests‚ hips‚ and abdomen
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time periods‚ portray the human body: the Venus of Willendorf‚ the Woman from Syros‚ Menkaure and Khamerernebty‚ the Snake Goddess‚ and Weary Herakles. The first work of art that focuses on the human body is from the Paleolithic Age‚ dates from 28‚000 to 25‚000 BCE‚ and is known as the Venus of Willendorf. It was given this name after its discovery in Willendorf‚ Austria. Made of limestone and at a mere four and a half inches high‚ the Venus of Willendorf was thought to have been a talisman
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and that shows originality of it’s planning. First of all you notice is two large oil paintings on the walls. Then you cast a glance at the bookshelves of mahogany with built-in upper lights‚ filled with valuable books‚ metallic statuettes and figurines. There are two globes and a big precious cup on the highest shelves. On the left‚ stands an antiquarian varnished table with carving on legs and dark brown leather working chair. There are two big books‚ a desk lamp with silver legs‚ two wooden
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A Woman from Willendorf - fat lady with penis boobs Venus of Willendorf 25‚000 BCE made of limestone Goddess‚ no face Woman from Willendorf‚ c25000 BCE. oldest sculpture known. anatomical exxageration. possible fertility idol. paleolith representation of women B Lion Human from Germany- 30-000-26000 BCE‚ mammoth ivory‚ tactile (cannot stand on its own) seen from all sides. not life like or found in nature. C Loacoon and His Sons‚ 1st century CE. 2 sculptors‚ Athanadoros‚ Hagesandros
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The objectives of this exercise are to learn to recognize‚ characterize‚ and interpret the Olmec style. Through the exercise you should develop the ability to: 1. Recognize the Olmec style‚ to distinguish it from other Mesoamerican styles‚ and to describe the elements that constitute the style. For example‚ the style is recognizable by its smooth‚ rounded representations; it is unlike the Zapotec style which is much more ornate. 2. Recognize possible meanings of some of themes embodied in the
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