In Twelfth Night there are many disguises five of which are found in Act One alone. These disguises are played by the characters of Orcino‚ Viola‚ Sir Toby‚ Olivia and Malvolio. Eash and every disguise functions on its own way in the plot development. the first disguise is that of Orsion’s. He is the wealthy Duke who has become love sick over Olivia. He says‚ ’If music be the food of love‚ play on.’ He is the supposingly most deep or poetic lover . Despite this strong love he seems to be more in
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Even though Feste role is to be a licensed fool‚ his main role is to play the wise man in the play the Twelfth Night‚ which makes him a wise fool. Feste makes the personalities and secrets of the characters oblivious. People would assume that he is a fool because of his title‚ yet it made it oblivious to everyone that he is very wise and that he used this potential throughout the story. Furthermore‚ he sees traits in characters that the audience and the characters cannot see during the play. He
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Critique on Twelfth Night- Trevor Nunn/ Shakespeare In this essay I will be reviewing two versions of the famous play ’Twelfth Night’ and comparing the differences and similarities of them. Originally‚ it was written by William Shakespeare in around 1601-2 but a more recent version of this play was turned into a movie‚ directed and written by Trevor Nunn these are the two versions that will be reviewed. Many aspects from the original are kept the same in Trevor Nunn’s film however there are
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Soliloquy Analysis Twelfth Night by William Shakespeare is a comedy of love and betrayal. This play was written in verse which adds a metrical pattern which consists of lines of unrhymed iambic pentameter (blank verse). At the start of the trumpets Duke Orsino enters wanting to be loved by Countess Olivia. However‚ she refuses to be seen for seven years because she misses her father and brother. Meanwhile‚ after a shipwreck‚ Viola is found a survivor. Viola disguises herself as a man with the name
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TWELFTH NIGHT: SCENE QUESTIONS ACT 1‚ SCENE i 1. Where does the play open? 2. Imagine you are the director of a Twelfth Night production. What kind of music would you have played for this scene? 3. The Duke has a very famous speech‚ in the beginning of the play‚ about love. How is the Duke feeling about love as the play opens? 4. What news does Valentine bring the Duke? How does the Duke take this news? 5. Even though we haven’t met Olivia yet‚ what do we know about her? ACT I‚
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Shakespeare was a man that established his name in history books as a great writer. One of Shakespeare’s many sparks of innovative genius which laminated these pages was his use of masks. Masks are used throughout Shakespeare’s “Twelfth Night” as a character would choose to wear their selected mask to fit in to the particular situation. Shakespeare uses this imagery of a mask in many of the characters in his play‚ but mostly in two: Viola and Feste. These masks are used throughout
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Shakespeare’s point about love; one expressing the lengths some will go to achieve happiness through love‚ the fluidity of love overall‚ as well as some motives that engender certain action- in the pursuit of love or happiness. Shakespeare does the audience a favor and informs them of love; with a message- love isn’t all love towards each other‚ nor that love’s ambiguity could ever be single in concept. Shakespeare places special emphasis on genuine love‚ love of love‚ and false love. All there‚ becoming
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During the “willow cabin” passage in Twelfth Night‚ hyperbole and polysyndeton are used to exaggerate the tone of Viola’s irritation and desperation. The entire speech is an amplification of how Viola feels and what she would really do in this kind of situation. The speech speaks highly of the love that Viola has for Orsino and the extent of what she would do to get it. Not only is she desperate for his love‚ but he is gunning after Oliva‚ someone who will never want him back. Viola tells Olivia
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The overall ending of Twelfth Night is subversive‚ from Malvolio’s uncomfortable promises of revenge to Viola still in her Cesario attire after the grand unveiling of her identity. Feste’s song highlights these ambiguities: it is the only epilogue song with the exception of Love’s Labours Lost which is not celebratory (the latter being overshadowed by death). Feste’s lyrics emphasise the uselessness of material possessions when faced with the onslaught of time‚ and comes directly after Orsino’s professed
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Man Behind the Costume: Feste the Fool A fool‚ is defined as a person who acts unwisely or imprudently; a silly person. In Shakespeare’s Twelfth Night ‚ Feste‚ the fool‚ plays an important role in the play. Aside from adding humour to the play‚ Feste has shown on more than one occasion the true personalities of characters‚ which helps the reader further understand the play and characters. Feste in some ways is also deceiving and though he was not seen making profound remarks‚ F
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