. A Reader’s Guide to Contemporary Literary Theory Fifth edition RAMAN SELDEN PETER WIDDOWSON PETER BROOKER . A Reader’s Guide to Contemporary Literary Theory . . A Reader’s Guide to Contemporary Literary Theory FIFTH EDITION Raman Selden Peter Widdowson Peter Brooker . PEARSON EDUCATION LIMITED Edinburgh Gate Harlow CM20 2JE United Kingdom Tel: +44 (0)1279 623623 Fax: +44 (0)1279 431059 Website: www.pearsoned.co.uk Fifth edition published in Great Britain in
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Symbolism and Naturalism in Edward Albee’s The Zoo Story Author(s): Rose A. Zimbardo Reviewed work(s): Source: Twentieth Century Literature‚ Vol. 8‚ No. 1 (Apr.‚ 1962)‚ pp. 10-17 Published by: Hofstra University Stable URL: http://www.jstor.org/stable/440743 . Accessed: 03/02/2013 22:44 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use‚ available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps
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GHENT UNIVERSITY FACULTY OF ARTS AND PHILOSOPHY Master‘s Dissertation: Musical Elements in Edgar Allan Poe‘s ―The Raven‖: A Literary Study EVIE HEMERIJCKX MASTER OF COMPARATIVE MODERN LITERATURE PROMOTOR: PROF. DR. Vander Motten DEPARTMENT OF ENGLISH LITERATURE ACADEMIC YEAR 2008 - 2009 2 TABLE OF CONTENTS Preface ....................................................................................................................................... 3 1. Introduction .......
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Faculty of Language Studies A210B: The Romantic Period Course Guide & Course Support Materials Prepared for the course team by Nora Tomlinson and Sue Asbee‚ and Adapted & enlarged by Jessica Davies and Ibrahim Dawood © Copyright Arab Open University 2008 A210B Course Kit [6 Items] The following list totalling 6 items show the learning/teaching materials required for A210B: The Romantic Period. Make sure you receive all items upon registering in the course:
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The Allusions in T. S. Eliot’s The Waste Land The Waste Land is an important poem. It has something important to say and it should have an important effect on the reader. But it is not easy. In Eliot’s own words: "We can say that it appears likely that poets in our civilization as it exists at present‚ must be difficult. Our civilization comprehends great variety and complexity‚ and this variety and complexity‚ playing upon a refined sensibility‚ must produce various and complex results. The
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words. -- PAUL ENGLE Poetry involves the mysteries of the irrational perceived through rational words. – VLADIMIR NABOKOV All poetry is putting the infinite within the finite. – ROBERT BROWNING Always be a poet‚ even in prose. -- CHARLES BAUDELAIRE Poetry is what gets lost in translation. – ROBERT FROST If…it makes my whole body so cold no fire can ever warm me‚ I know that it is poetry. – EMILY DICKINSON The poet is liar who always speaks the truth. – JEAN COCTEAU A poem should not mean
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1. ALLEGORY: - A story or visual image with a second distinct meaning partially hidden behind its literal or visible meaning. -This word origins in Middle English allegorie‚ from Latin allegoria‚ from Greek allegoria‚ from allegorein to speak figuratively‚ from allos ‘other’ + egorein ‘to speak publicly’. -A short example of this literary device can be the poem ‘Epigram’ by Langston Hughes: Oh‚ God of dust and rainbow‚ help us see That without dust the rainbow would not be. in which
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wHAT IS ART? Art is that which brings life in harmony with the beauty of the beauty of the world. – Plato Art is the medium by which the artist communicates with his fellow. – Van Dyke Art is anything made or done by man that affects or moves us so that we see or feel the beauty in it. – Collins and Riley Art is taken from the Italian word “artis”‚ which means craftsmanship‚ skill‚ mastery of form and ideas‚ between materials and techniques. – A. Tan Art is a reflection or a mirror of beauty
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An Introduction to the Structural Analysis of Narrative* Roland Barthes T HERE ARE COUNTLESS FORMS of narrative in the world. First of all‚ there is a prodigious variety of genres‚ each of which branches out into a variety of media‚ as if all substances could be relied upon to accommodate man’s stories. Among the vehicles of narrative are articulated language‚ whether oral or written‚ pictures‚ still or moving‚ gestures‚ and an ordered mixture of all those substances; narrative is present in myth
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COURSE BOURDIEU AND BECKER THE TWO MAIN (COMPETING) CONTEMPORARY THEORETICAL FRAMEWORK FOR ART - the field theory (Bourdieu) and the art worlds theory (Becker) are the two theoretical frameworks scholars (economists‚ sociologists but also art historians) most often refer - both Bourdieu and Becker are widely cited across the world‚ even artists refer to their theoretical explanations of the socio-economic organization for art - the two theories share some common intuitions: 1. Both theories
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