The Human Situation on Stage: Merce Cunningham‚ Theodor Adorno‚ and the Category of Expression Carrie Noland Dance Research Journal‚ Volume 42‚ Number 1‚ Summer 2010‚ pp. 46-60 (Article) Published by University of Illinois Press DOI: 10.1353/drj.0.0063 For additional information about this article http://muse.jhu.edu/journals/drj/summary/v042/42.1.noland.html Access Provided by University of Manchester at 07/08/10 10:18PM GMT Photo 1. Merce Cunningham in his Sixteen Dances for Soloist
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The Wish Image and the Romantic/Capitalist Artist As I noted in Chap.ter 3Two‚ the conflict between technology and artist is a capitalist conflict‚ and accordingly will not be satisfactorily resolved except outside of capitalism‚ through substantial social reorganization. But what can Gaddis’s discussion of the outmoded player piano finally tell us about the relationship between new music technologies and musicians? Agapē Agape suggests that we should not ignore or underestimate the extent to which
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essay‚ I will be attempting to critically analyze how one important historical figure‚ Joan of Arc‚ has been represented in film from two different periods in the last century. The two films I have chosen in order to achieve such an analysis are Carl Theodor Dreyer’s The Passion of Joan of Arc (1928)‚ and Luc Besson’s The Messenger: the Story of Joan of Arc (1999)‚ or simply Jeanne D’Arc as it is known in France. Firstly‚ in order to
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part of the culture that led to many of the political events in the 1960’s. Both Theodor Adorno and Max Horkheimer proposed the culture industry and mass marketing concept in their The Dialectic of Enlightenment essay.They argue that one could never escape from the influences of the media.The protest music of the 60’s left a huge impact on the american people as well as the music industry from years to come. Theodor Adorno and Max Horkheimer explored the American culture.Adorno had fled from germany
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guaranteed). Kid‚ you’ll move mountains‚” is the title of The Places You’ll Go by the famous children’s book author‚ Dr. Seuss (Seuss). Theodor Seuss Geisel‚ better known as Dr. Seuss‚ was born on March 2‚ 1904. His parents were Theodor Robert Geisel‚ a hard working man‚ and Henrietta Seuss‚ a loving mother. Dr. Seuss changed the way young kids learned how to read. Theodor Seuss Geisel‚ better known as Dr. Seuss‚ was a very famous author of children’s books. He made an enormous change in the way young
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I. THEORY Negative Knowledge Model by Theodor Wiesengrund Adorno Adorno’s own view is that art and reality stand at a distance from each other and that this distance gives ‘the work of art a vantage-point from which it can criticize actuality’ (Adorno 1977:160). He said‚ this critical distance comes from the fact that literature has its own ‘formal laws’. The first law is the ‘procedure and techniques’ which in modern art ‘dissolve the subject matter and reorganize it’ (1977:153). Second
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In this essay I am going to analyse of Adorno and Horkheimer ’s Dialectic of Enlightenment‚ I will use various texts and ideas including George Orwell ’s 1984 and Weber ’s theory of Disenchantment‚ to criticise the extract and outline the relationship between film/literary representation and the real world. Adorno and Horkheimer ’s view on art within the extract can be interpreted as both positive and negative‚ they use words which are open to interpretation such as ’enchantment ’‚ ’magic ’
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Bresson and Others Bresson and Others: Spiritual Style in the Cinema by Bert Cardullo Bresson and Others: Spiritual Style in the Cinema‚ by Bert Cardullo This book first published 2009 Cambridge Scholars Publishing 12 Back Chapman Street‚ Newcastle upon Tyne‚ NE6 2XX‚ UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2009 by Bert Cardullo All rights for this book reserved. No part of this
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Author Theodor Seuss Geisel created a writing style that has metamorphosed into its own separate category of unique vivacity coupled with a manipulation of everyday words and names to achieve rhymes or desired beats per line. The verse style found throughout most of Seuss ’s work was the anapestic tetrameter (Fenkl‚ 2002). This style involved using words consisting of two short syllables followed by one long syllable or using words consisting of two unstressed syllables followed by one stressed syllable
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symbols - effective in both colour and monotone b/w symbols that have changed their meaning why do the symbols change their meaning? notion of communication communication theory idea began as a cause and effect behaviour silver bullet theory inject the idea of something into somebody else Propaganda lord hitcher - original transmission model linear process Shannon and Weaver - more of a mathematical approach message from point A to point B with minimal distortion eg more so on
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