society decides what is moral and what is not. Everyone has their own values‚ beliefs‚ and right-action‚ but society gets to accept whether they agree with your opinions are valid (Sparksnotes). This is the ultimate driving force for the novel The Stranger. The final argument to condemn Meursault to death is his lack
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often in the book‚ The Stranger. By definition existentialism means‚ “A philosophical theory or approach which emphasizes the existence of the individual person as a free and responsible agent determining their own development through acts of the will.” (Oxford Dictionary) Something that was also very relevant in The Stranger was absurdism‚ which by definition means‚ “The belief that human beings exist in a purposeless‚ chaotic universe.” (Oxford Dictionary) The Stranger has a
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delve into the life of the accused and determine if he is a hazard to society. Occasionally‚ the judge and jury are too concerned with the accused’s past that they become too biased and give an unfair conviction and sentencing. In his novel‚ The Stranger‚ Albert Camus uses the courtroom as a symbol to represent society that judges the main character‚ Meursalt‚ unfairly to illustrate how society forms opinions based on one’s past. Meursalt faces a jury and a tough prosecutor when he is on trial
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Meursault is characterized as a detached and emotionless character‚ which reflects the idea of existentialism in The Stranger by Albert Camus. Existentialism is a philosophy that emphasizes freedom to choose‚ and make choices without outside influences. This can be shown throughout the novel‚ as Meursault makes choices in his everyday life. An existentialist must accept the consequences to their decisions. Meursault is an example of an existentialist. He has a fervor for truth‚ because of this he
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Discussion Questions for The Stranger (1946); translated by Matthew Ward‚ 1988. Part One Chapter 1. 1. How does Camus set up Meursault’s personality -- how does Meursault respond to others’ conversation‚ to ordinary social situations‚ and to the death of his mother? 2. On page 10‚ Meursault says that at the viewing of his mother‚ he felt as if the elderly people there were judging him. Offer a conjecture about why he might have had that feeling. (It is worth paying attention to such references to
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THE STRANGER and THE ALCHEMIST Belief and Response Essay As one would make it through The Alchemist or The Stranger they would start to notice a clear separation of what each of these books portray. On one side you have The Alchemist which represents more of a positive outlook on life and following your dreams. On the other you have The Stranger which depicts more of a negative connotation on life. Although these two accounts seem far from each other‚ they present themes throughout the text that
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the film’s Strangers on a Train‚ directed by Alfred Hitchcock and The Spanish Prisoner directed by David Mamet‚ two suspenseful mysteries unfold. In this essay I will compare both directors use of themes‚ tones‚ and camera effects to convey the thrilling story of a confused and tortured protagonist. While they are different plotlines‚ both stories overlap in many ways. Perhaps Mamet may have even made an homage to Hitchcock’s Strangers on a Train by mirroring various scenes and themes in The Spanish
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1) How does Meursault explain to the lawyer how his “physical needs” relate to his “feelings”? How is this significant to our understanding of Meursault? Throughout the entire novel‚ Meursault constantly suppresses his emotions by directing his focus towards his physical annoyances‚ whether he is tired‚ has a headache‚ or is irritated by someone else. He explained to the lawyer that‚ “[his] physical needs often got in the way of [his] emotions”. For example‚ Meursault justifies his absence of sadness
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An obvious yet very effective theme in Hitchcock’s Strangers on a Train is that of “criss-cross” and doubles. The list could be endless with mentions of double crossing‚ and criss-crossing‚ however each example is very effective and important to the film. One double that truly sticks out is that of Bruno and Guy. “Doubled” together in the film‚ they constantly are double crossing each other‚ and yet are completely opposite personalities shown in the film. One could argue that this is shown in the
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The kindness on strangers Blanche is a fading‚ but nevertheless attractive Southern belle‚ whose pretensions to virtue and culture only thinly mask her alcoholism and delusions of grandeur. Her poise is an illusion she presents to shield others‚ and most of all herself‚ from reality to try to make herself still attractive to new male suitors. Blanche arrives from her hometown of Auriol‚ Mississippi at the apartment of her sister‚ Stella Kowalski (Kim Hunter)‚ in the French Quarter of New Orleans
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