“Suicide and Atheism: Camus and The Myth of Sisyphus‚” Richard Barnett describes the existential value of choice: “It is in making choices‚ in asserting our ultimate freedom in the face of an uncaring world‚ that human life can be lived in its fullest and richest sense” (2). This principle can be applied to many literary characters‚ including Jean Anouilh’s modern adaptation of Antigone in the eponymous play‚ Snowman of Margaret Atwood’s novel Oryx and Crake‚ and Albert Camus’ Meursault in The Stranger
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When Albert Camus wrote The Stranger in 1942‚ his intention was to present absurdism and existentialism to the world. The absurdity of life from Camus’s eyes come to life through the main character‚ Meursault. Throughout the novel‚ Meursault doesn’t wish he could live another life nor does he attempt to change his final judgement. Meursault’s inability to feel emotions and express them to others is a primary example of existentialism throughout the novel. From Meursault’s physical descriptions of
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Existentialism is often defined as a philosophical movement or tendency‚ emphasizing individual existence‚ freedom and choice. As a result of the diversity of positions associated with this term it is impossible to define precisely. There are‚ however‚ basic themes common in existentialist beliefs. As is evident through the root of the word‚ exist‚ there is a stress on definite individual existence and freedom of choice. Developed between the nineteenth and twentieth centuries‚ this ideology influenced
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Famous Thinkers: Camus and Sartre Camus and Sartre‚ Nobel Laureates of 1957 and 1964 respectively‚ were both of French descent and were authors of considerable influence during the era of World War II. Creative thinking is the process of generating new ideas that work as well or better as previous ideas‚ and critical thinking skills facilitate the ability to make reasoned judgments about problems and situations. Camus and Sartre are considered to be great thinkers‚ both creatively and critically
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Ruelle1 John Crembleton Professor Jean Warrington English115 March 2014 The Stranger Draft The Stranger by Albert Camus holds a nihilistic theme. Camus‚ being a philosopher‚ wrote a lot about his perspective on life. He discusses how he believes that life has absolutely no meaning besides living in order to inevitably face death. In the story‚ The Stranger‚ Meursault symbolizes Albert Camus’s beliefs through his personality and actions. Neither the
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desperate for love. Thus‚ Camus uses the character of Meursault to present women as shallow and naive to the audience. Camus portraying women this way‚ adds to the theme of the novel that these values of love and attachment that women posses are all absurd. From the outset‚ Camus presents women as naive as these character’s struggle to find meaning in their lives.
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In Albert Camus’s novel The Stranger‚ Camus shows his inherent absurdist perspective of life through commentary and actions Meursault displays as a result of symbolic use through the heat‚ sun‚ and dreams. These symbols dominate Meursaults consciousness controlling him through torment from the inescapable presence the sun and heat governs‚ causing him to act in ways deemed iniquitous to society. Each symbol opposes its usual description of warmth‚ comfort‚ or beauty and instead reflects upon Meursaults
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In the novel The Stranger by Albert Camus‚ the protagonist Meursault is a man who is indifferent to major events in his life which would deserve a "proper" reaction according to society. Also‚ the decisions he makes in his life are done carelessly and without a second thought about whether what he is doing is good or bad. As a result‚ Meursault is a stranger to society because of how differently his view on life is based on how he approaches certain aspects of life. Eventually‚ death is what connects
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Plague’s allegorical and metaphysical narrative. Like most human observations‚ we notice the the obvious first‚ before we pull and prod at the exterior to reveal something more ambiguous and at the same time‚ something rather apparent. In the novel‚ Camus‚ “[juxtaposes] […] the symbolical and the realistic‚” creating a polygonal register where the connotative qualities can be discovered when taking into consideration Camus’s style of narration and metaphorical language (Picon‚ 147). Camus’s novel consists
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In the preface of his essay‚ The Myth of Sisyphus‚ Albert Camus states that the story is “A lucid invitation to live and to create‚ in the very midst of the desert. “ I agree with this statement as I believe that life is meaningless unless we create our own meaning. The world is merely arbitrary effects of causes that manifest and create life as we know it. When Camus says that the myth of Sisyphus is an invitation to live and create‚ he is saying that from this story we can learn to live on although
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