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    venus de milo

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    Alyssa Marchozzi Mary Brown October 23‚ 2014 Art History A Venus de Milo Throughout history‚ we have discovered many amazing art pieces that have changed the world. One that stands out among them is the sculpture Venus de Milo which is known to be Aphrodite‚ the Greek goddess of love and beauty. It is believed to be created by Alexander of Antioch during the Hellenistic Greek time period from 150-125 BCE. Prior to its discovery it is known to have had arms with the left one holding an apple

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    renowned classic in art. The culture the figure is from is ancient Greece. To Socrates and Plato‚ Aphrodite was a real god because she represented the giver of love and life and joy‚ among other things. Further back and in even more ancient times‚ this Venus or Aphrodite was the mother of all mankind‚ and although the roman’s didn’t restrict her to just being an aesthete‚ she also being a goddess who in battle assured victory‚ but this even was by no means a Roman invention‚ and this dates back to the

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    woman President since becoming a free nation. In three of the most iconic works of art‚ Venus of Willdendorf from the Paleolithic era‚ the Bust of Nefertiti from Amarna‚ Egypt and the Venus de Milo from Melos‚ Greece give us insight in the role played by women in each society. Throughout history‚ civilizations have portrayed women as objects of beauty and sensuality‚ all while limiting their natural rights. The Venus of Willdendorf is a world renown prehistoric female figure. The limestone statue stands

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    Venus de Milo is a marble sculpture designed and created by Alexandros of Antioch. The sculpture is believed to resemble Aphrodite‚ the goddess of love. She is presented with a beautiful face‚ wavy pulled back hair and a draped cloth resting at the waist. Venus de Milo is filled with mystery due to her missing arms and where she was found. There are raised questions if Venus de Milo is Aphrodite or if she is the sea goddess‚ Amphitrite. The mysterious sculpture has raised this question. What was

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    period practiced giving their pieces the ability to be viewed from all sides. Also‚ Some artists experimented with the use of transparency of clothing‚ and the flexibility of the poses. notable pieces over that time were Laocoon and His Son’s‚ Venus de Milo‚ and the Winged Victory of Samothrace. The similarity between all these pieces is the incredible amount of movement that is displayed in a motionless sculpture. Not only was this time a great change for sculptures‚ but also potters‚ painters

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    Aphrodite of Melos

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    Aphrodite of Melos (Venus de milo) Greek artists tried to create ideal beauty. Statues were not made to represent real‚ living people‚ but they were carved to show how the human body should look like. The picture in front of you is a sculpture of Aphrodite of Melos (Venus de Milo‚ in Roman mythology). For hundreds of years‚ the statue remained buried in an underground cavern‚ where it had been damaged and discovered in two parts. It was in 1820 AD (anno domini) when a peasant named Yorgos found

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    school. His headmaster called for him and met at his cabin. In the office he has three statues‚ which at that point hadn’t any significant meaning. Boy did not even know what they were. Later on Golding got the knowledge that this statues were Venus of Milo‚ Leopard and The Thinker. The headmaster wanted to make the boy think but he somehow failed. Boy didn’t focus on what a adult said to him‚ but he focused on the statues. This is how a journey connected with thinking begins for Golding. In the

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    the pieces of artwork have been destroyed over the years‚ leaving only a few pieces intact. Listed are the surviving Greek sculptures that are famous to this date. Aphrodite de Milos (Venus De Milo) Alexander Antioch Between 130 and 100 B.C This is a statue of Aphrodite de Milos (Venus De Milo) that is believed to have been by Alexander of Antioch due to the plinth missing they cannot be certain. The statue is regarded as the most beautiful model of a woman’s body (Bermosa 2008

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    Citations: Helen‚ Gardner. Gardner ’s Art Through The Ages: The Western Perspective‚. Neil ‚ Collins. Accessed October 2‚ 2012. http://www.visual-artscork.com/sculpture/venus-de-milo.htm. Accessed October 2‚ 2012. http://en.wikipedia.org/wiki/Riace_bronzes. Bilbography http://www.thenagain.info/webchron/westciv/hellenisticsculpture.html http://www.press.uchicago.edu/Misc/Chicago/301176.html http://digital.films.com/play/J4U632

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    painting. Only as painter fabricates scene‚ so does photographer at the right has used the backdrop for fabricating appearance of the nature. Inclusion of the “Old Master” canvases as well as plaster casts of the classical sculptures such as Venus de Milo in painting in addition concentrates its way in that images can be based on rest of the images for come in being. What has been actual and what has been fabricated‚ here‚ after all? While photographer can trust on the painted backdrop‚ painters

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