a tragicomedy Shakespeare’s ’The Merchant of Venice’ is a comedy with a difference. It was written almost certainly between 1596 & 1598. The play is classed as one of the 16 comedy plays but it is also a ’problem’ play due to the tragic elements woven throughout the intricate plot. The play concludes with a harmonious ending but all through the plot‚ reoccurring themes of sadness and tragedy are included. In terms of dramatic structure‚ "The Merchant of Venice" is undoubtedly a comedy. It follows
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The Merchant of Venice: A Tragic Play In my opinion the play The Merchant of Venice is a tragic one which is discised as being comic. Many factors of this play are derived from the current voice of situation. The Merchant of Venice could be looked at as more tragic because of the negative intents from some of the characters in the play. Greed and deception are just a couple of the main features from where many of the decisions are derived. For example‚ revenge was an intent that Sylock had
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Wheadon 1 English 3205 Dr. Lois Sherlow Matthew Wheadon Oct. 23‚ 2012 Justice and Mercy in The Merchant of Venice In the court room scene of The Merchant of Venice‚ justice is handed back and forth between the Christians and Shylock‚ unlike mercy. Shylock is unable to feel any remorse for Antonio and the Christians because of the hate he has for them. Stubbornness and hatred can cause misfortune; the morally superior have a right to justice. As the trial scene begins‚ the Duke speaks
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of The Merchant of Venice’ is apparently fanciful but in reality exactingly structured.</b></center> <br> <br>"The Merchant of Venice is a fairy tale. There is no more reality in Shylock’s bond and the Lord of Belmont’s will than in Jack and the Beanstalk." <br>H. Granville-Barker‚ in Prefaces to Shakespeare. <br> <br>This is one way of looking at the play‚ reading it or enjoying the performance. But it can be a contradiction to our actual feelings about this complex play. The Merchant of Venice’
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and emotionally compelling plays‚ sonnets‚ and poetry. Two of his finest pieces of work‚ Othello and The Merchant of Venice feature dynamic characters‚ and insights into the chivalry and the xenophobic disposition of the English people at the time. Throughout these two stories‚ three primary female characters emerge‚ Desdemona from Othello‚ and Portia and Jessica from The Merchant of Venice. The female leads in each of these stories share many things in common such as their devotion to their mate
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suspenseful play‚ “The Merchant of Venice”‚ the character of Shylock may evoke complex feelings within the reader. Shylock is clearly a villain in the sense that he repeatedly takes advantage of people in vulnerable economic situations and makes a handsome living in this way. He is not a likeable character throughout “The Merchant of Venice” by Shakespeare; he avoids friendships‚ he is cranky‚ and he is steadfast in his beliefs to the point of being rigid. Shylock in “The Merchant of Venice” shows his tendency
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tragedies‚ while others are more ambiguous. The Merchant of Venice is a play that falls under the latter type‚ and it has been hotly contested whether this literary work should be classified a comedy or a tragedy. However‚ since the majority of the characters received a happy ending‚ the abundance of comic relief scenes and characters‚ and lightheartedness of the plot relative to other Shakespearean works leads me to conclude that The Merchant of Venice is indeed a comedy. One of the
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Written sometime between 1596 to 1598‚ The Merchant Of Venice is classified as both and early Shakespearean comedy and as one of the Shakespeare’s problem plays. Scene 1 introduces one of the major plot points as well as several key characters. When Antonio‚ Solanio and Salarino enter at the beginning of the play‚ they are in the middle of the discussion about why Antonio is so sad. This “Sadness” of which Antonio claims not to know source of‚ becomes clear when he reveals to Bassanio that all of
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A Discussion Guide for Educators A Publication of the Anti-Defamation League Anti- Semitism and The Merchant of Venice: A Discussion Guide for Educators Barbara Balser‚ National Chair Abraham H. Foxman‚ National Director Kenneth Jacobson‚ Deputy National Director Caryl M. Stern‚ Senior Associate National Director/ Chief Operating Officer Marshall S. Levin‚ Senior Associate National Director/ Director‚ National Development Michael Salberg‚ Associate National Director/ Director‚ International Affairs
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throughout history. In "The Merchant of Venice"‚ religion‚ the three caskets‚ and the pound of flesh are the main ideas that can be used with mythological criticism to help show connections with other legends or stories that have a similar meaning. The main connection in the novel portrays to the three caskets that Portia uses to select her future husband. This symbolism can be connected to other myths and legends. Sigmund Freud also connected "The Merchant of Venice" to the ageless tale of Gesta
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