"The code noir" Essays and Research Papers

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    Double indemnity was made just after the war‚ during a period of time where men felt insecure‚ as women had become more powerful and independent. This is represented in the film by a negative portrayal of Phyllis. A common type of woman featuring in noir films is the femme fatale‚ which challenges the most traditional role of the woman and the nuclear family. She refuses to play the role of devoted wife and loving mother that society prescribes for women. She finds marriage to be confining‚ loveless

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    The Dark Knight and The Matrix neo-noir characteristics Both movies show neo-noir characteristics though both production and story elements. Production elements such as the dark scenes throughout the movie are used to show the contrasting sides to the story. Within both movies it also shows that a friend of the main character dies‚ and it shows how this may be devastating to the character however they avoid showing emotion or grief as they are determined to finish their quest and do what is right

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    Ladybug  and Cat Noir were back and better than ever they didn’t let their love for each other in their other life get in the way of fighting the evil of Paris. Hawkmoth knew he had to call in some old friends after the news of their return filled Paris. One day after a defeat the two were stopped by Volpina and Queen Bee. " Who are you outside Superhero Form" Ladybug then took off her earrings revealing herself to be Marinette under the mask. Volpina screamed then took off her necklace revealing

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    Contrastingly‚ the idea of the ‘eternal feminine’ suggests that men and women have different essence at the core. In Vertigo and film noir in general male and female relationships often appear as a decoy sustained by a fear of death. ‘Woman‚ for man‚ is death’ (Cixious). As an illustration‚ the mis-en-scene of Vertigo could be seen as linking the character of Madeline/Judy to death with the flowers and the church yard. Nevertheless‚ with the presence of the mirror shot in which we see Madeline twice

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    LA Confidential and Film Noir One of the most influential film movements in the 1940’s was a genre that is known today as film noir. Film noir was a recognizable style of filmmaking‚ which was created in response to the rising cost of typical Hollywood movies (Buss 67). Film noir movies were often low budget films; they used on location shoots‚ small casts‚ and black and white film. The use of black and white film stock not only lowered production costs‚ but also displayed a out of place

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    animals. How does Orson Welles update these classical Greek elements and put them into his film? Why does he make use of these figures from classical mythology in order to tell a story set in the modern world? The lady From Shanghai movie is a film noir. The movie is a commercial Hollywood film and at the same time an “art film”. One of the aspects of the “art film” is symbolism. Welles forced us into it is symbolic subtext in order to understand it is logic. He updated classical Greek elements and

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    Chapter 2 REVIEW OF RELATED LITERATURE This chapter states the different literature and studies that were conducted for the research to gain familiarity that are relevant and similar to the present study. Related Literature Ralph M. Stair (1999) emphasized that the development of technology through the years have enabled us to do more with less effort. From the orientation of the light bulb to the industrial revolution and beyond‚ we have continuously tried to in a more efficient means of doing

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    LCC-3254 | The Third Man: | Historical Realities of Film Noir | | Mykhail Chambers | 12/11/2010 | | Throughout history‚ time has shown the world that its various art forms are influenced by the current events of the era. The world of cinema is no exception to this statement‚ for some of history’s greatest films have been inspired by the happenings of man. Whether it is political struggle‚ social strife‚ a cultural movement‚ or cultural unrest‚ cinema has found ways to manipulate

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    Code Meshing and Code Switching Code Meshing is a strategy for blending many varieties with privileged standard language‚ it combines the ordinary language with non-formal conversations. Code Switching is the practice of alternating between two or more languages or varieties of language in conversation. When people switch codes they do not have to make the same cognitive effort as when they try to integrate communitive devices for code meshing. Many people use both code switching and code meshing

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    The Key Conventions Of Film Noir In L.A Confidential L.A Confidential (Curtis Hanson‚ 1997) is a neo-noir film about a shooting at an all night diner and the three Las Angeles policeman who investigate in their own unique ways. It is based on the book by James Ellroy and after a very well adapted screenplay‚ won nine academy awards. It starred actors with big names like Russell Crowe‚ Guy Pearce and Danny Devito‚ which made it a very high earning film. The Narrative or storyline is much

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