1 Lesson 1 Study Guide 1.1 Dancing: Chapter 1: The Power of Dance: This chapter takes a broad look at the relationship between human movement‚ framed as dance‚ and important identities such as religion‚ ethnicity‚ gender‚ and social status. While not specifically focused on issues of identity in America‚ this chapter will provide an important foundation in understanding the broader scope of how dance can be seen as a representation of cultural values‚ which will underlie the remainder of our coursework
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Nobody cares if you can’t dance well. Just get up and dance” by Dave Berry. To me as an art student and a person who grew up performing theatrical dances‚ dance is a way to express oneself and find life within the beat of music. With dance you are telling a story to your audience members and captivate them with freedom of one’s expression. Dance is moving rhythmically to music‚ typically following a set sequence of steps‚ or a person who is moving quick in a lively way. Dance is an art form in which
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Dance is a dangerous and rigorous profession. In some cases it can cause bruises‚ broken bones‚ and pulled muscles. In the worst cases it can lead to bulimia‚ anorexia‚ constant fatigue‚ low self esteem‚ and depression. The History of Dance The Italian princess Catherine de Medici married the French Henri II and introduced ballet de cour‚ or "court ballet" to the Court of France in the sixteenth century. In the 1600’s‚ King Louis XIV especially loved dancing and starring in court productions. When
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location for the professionalization of American performance art‚ understanding the complicated negotiation of gendered and racial identities on the Broadway stage provides important background to the development of an American identity in concert dance through the rest of the century. As you watch these videos notice how musicals come to represent American ideals such as abundance‚ opportunity‚ pluralism‚ optimism. 2.1 Give My Regards to Broadway: 2.1.1 Some of the images from the Follies look like
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perspectives on bodily movements in contemporary dances. Some of the famous works the author focuses on are that of Bill Jones‚ David Dorfman‚ Jawole Zollar‚ among others. A key aspect of contemporary dance which the author focuses on is the notion that the body‚ when dancing‚ is a source of cultural identity. The author investigates different choreographic concepts and determines how cultural representation becomes a part of the body’s movement when performing a dance. The author later on concluded that dancing
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Bangarra Dance Theatre – Ochres 1995 Co-Choreographers: Stephen Page and Bernadette Walong Composer: David Page Cultural Consultant: Djakapurra Munyarryun Lighting Design: Joseph Mercurio Set Designer: Peter England A Passion for Dance “For me‚ I think the importance of going back to the traditional style of dance was that I was able to observe and watch our traditional teachers‚ not just for the dance steps but to be aware of what environment they came from‚ what their landscape
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City Contemporary Dance Company (CCDC) was founded in 1979 and become one of the most famous dance companies in Hong Kong. It is a pleasure to get the opportunity to watch the dance performance ‘Eureka’. Having status in the arts and dance field in Hong Kong‚ or even representing Hong Kong around the world‚ the capability of CCDC should not be neglected. Apart from the superb performance of their dancers and choreographers‚ management of the organizers also plays an indispensable role on the smooth
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Different kinds of Folk Dances The following are examples of popular Philippine folk dances : Binasuan - Originated in Pangasinan Province “meaning with the use of drinking glasses”‚ this vibrant dance basically shows off balancing skill of the performers. Glasses filled with rice wine are placed on the head and on each hand carefully maneuvered with graceful movements. This dance is common in weddings‚ fiestas and special occasions. Rigodon - Originated from Spain‚ this dance is commonly performed
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Dance: Is it a mating ritual or an art form? The dictionary defines dance as “an artistic form of nonverbal communication” (“dance”). As Christians we have always heard that dancing is immoral; that dancing only led to one thing- sex. Although this is the general belief‚ many people find the art of ballet‚ such as The Nutcracker to be tasteful. Dancing embodies passion‚ grace and poise. Dancing is not just a mating ritual as we have been told; it is a story that is too good for words. Dancing
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She has left a huge imprint in the dance world. Despite her parents dismay‚ she continued to chase her dreams which led her to become one of the most important dancers of the 20th century and the mother of modern dance. Her name‚ Martha Graham. Born in Allegheny‚ Pennsylvania on May 11th 1894‚ she was the daughter of a psychiatrist‚ born into a Presbyterian family. Graham had first discovered her interest in dance after her family moved to Santa Barbara‚ California in 1909. In 1911 Martha Graham
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