The Taming of the Shrew Some would agree that since the first chronicle of time‚ men have felt‚ in fact embraced their illusion of dominance over their women. This is distinguished constantly throughout history in many forms; through spoken word‚ imagery‚ and literature. The character Petruccio‚ from William Shakespeare’s The Taming of the Shrew‚ is one such example. As referred to in his soliloquy at the end of Act IV scene I‚ Petruccio speaks on his method towards taming young Katherine into
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KATHERINE (THE TAMING OF THE SHREW) From the shrew to the obedient wife Katherine is one of the main characters in The Taming of the Shrew‚ one of the earlier comedies of William Shakespeare‚ which was “probably penned in 1593 or 1594” (Wikipedia: 2007). Her role in it is essential since‚ together with Petruchio‚ she is the protagonist of this play. Katherine is not a plain character; she suffers a process of transformation through the play. In the beginning‚ we have a woman who does not allow
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many theatrical productions of Shakespeare’s The Taming of the Shrew. Even providing a brief synopsis of this drama completely depends on an individual’s
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The Taming of a Shrew is the alternate ending for The Taming of the Shrew. They both have similar concepts‚ but we find the major difference in Kate’s speech at the end. The ending of both plays bring about a satisfying feeling that a shrew‚ even so bad as Kate‚ could be tamed. She realises the faults of her ways and goes on to explain‚ differently in both‚ why women should be tamed. In the original The Taming of the Shrew‚ “Katherine explains the relationship of husband and wife by analogy to
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The Taming of the Shrews’ Power Relationships The theme of Power has been used for many‚ many years. Power has been used from the olden days up until now and will continue being used into the future. Power isn’t always just used; it is also abused quite often. People who are abused by another’s power typically tend to have the desire to have power over others. In the play The Taming of the Shrew‚ William Shakespeare uses the theme of power relationships amongst many characters. The theme of power
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During the play The Taming of The Shrew Katherine’s behavior attributes the struggles of being a victim of problems. The way she copes is allowing herself to be easily influenced by her father‚ manipulated by Petruchio. The possibility of a mental illness hinders her to be submissive when women shouldn’t be submissive to their husbands. Katherine from the play The Taming of The Shrew is embodying all of the traits of a feminist but consequently in the play the traits of being a feminist aren’t important
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Meghan Healey Rebekah Greene ENG 251-0001 6 April 2011 Disguise and Trickery in The Taming of the Shrew Disguise plays a fundamental role in the sixteenth century play William Shakespeare’s The Taming of the Shrew. The characters disguise themselves not only through physical costumes‚ but also by masking their feelings and emotions”. The masking of feelings is much more effective than any form of physical costume‚ because a costume is merely another layer of clothing. The man under the
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Figure of speech From Wikipedia‚ the free encyclopedia "Figures of speech" redirects here. For the hip hop group‚ see Figures of Speech. A figure of speech is the use of a word or words diverging from its usual meaning. It can also be a special repetition‚ arrangement or omission of words with literal meaning‚ or a phrase with a specialized meaning not based on the literal meaning of the words in it‚ as in idiom‚ metaphor‚ simile‚ hyperbole‚ or personification. Figures of speech often provide
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Katharina is debatably the most multifarious characters in Shakespeare’s Taming of the Shrew‚ due to her development throughout the course of the play. This essay will show how Katherina develops and changes throughout the play as well as discussing whether Katharina was tamed or simply began to understand how to present herself to society. Upon the commencement of Act I‚ we see that Katharina is instated in the character of a shrew. Katarina is forceful‚ petulant and unmanageable by the societal standards
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question that all writers contemplate. Directors and writers have subjected William Shakespeare’s plays to new interpretations for decades‚ and The Taming of the Shrew is no exception to the trend. These interpretations pose no threat to the originals and do justice to them‚ but character exaggeration can be their downfall. The 1967 movie of The Taming of the Shrew‚ starring Elizabeth Taylor and Richard Burton‚ converts the play into a movie‚ amplifying the humor and characters to another level than in the
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