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    Mozart

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    Wolfgang Amadeus Mozart  Wolfgang Amadeus Mozart was not only one of the greatest composers of the Classical period‚ but one of the greatest of all time. Surprisingly‚ he is not identified with radical formal or harmonic innovations‚ or with the profound kind of symbolism heard in some of Bach’s works. Mozart’s best music has a natural flow and irresistible charm‚ and can express humor‚ joy or sorrow with both conviction and mastery. His operas‚ especially his later efforts‚ are brilliant examples

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    Wolfgang Amadeus Mozart (1756–1791) Something miraculous hovers above the music of Mozart. His elegant writing and his rich instrumental colors sound effortless. This deceptive simplicity is the secret of his art. Mozart was born in Salzburg‚ Austria‚ the son of Leopold Mozart‚ an esteemed composer-violinist at the court of the Archbishop of Salzburg. The most extraordinarily gifted child in the history of music‚ he started to compose before he was five‚ and‚ with his talented sister Nannerl

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    and Mozart: Setting the Record Straight By A. Peter Brown "For the respect his works have commanded of musicians‚ and the popularity they have enjoyed among wider audiences‚ he is probably the most admired composer in the history of Western music." With this appraisal the New Grove Dictionary of Music and Musicians‚ published in 1980‚ begins its magisterial article on Beethoven. More than a decade later one might not apply this statement to the Teutonic Goliath but to the David of Mozart. Not

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    Tyler Martin Advanced Orchestration Symphony no. 5 in C minor Beethoven’s intent behind this piece is creating diversity out of unity. The unifying idea of the work is a series of three short notes followed by one long note. The diversity of the simple unifying idea therein is generated by the use of timbral development techniques and expansion of the orchestra; however‚ there are several performance practices and technical issues that impact the work’s total realization. The score referenced

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    Wolfgang Amadeus Mozart Wolfgang Amadeus Mozart was born January 27‚ 1756 as the seventh child of a musical family. Mozart’s mother and father’s names were Anna Maria and Leopold. Leopold was a musician with ambition while Anna Maria has a good sense of humor to balance him out. They had seven children‚ but only 2 lived beyond infancy (Wolfgang and his older sister Maria Anna). He was born in Salzburg‚ or modern day Austria. Mozart’s father was a successful violinist and renowned composer of the

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    Wolfgang Amadeus Mozart Wolfgang Amadeus Mozart‚ born on January 27th‚ 1756‚ was a gifted composer and musician. He’s considered one of the best‚ if not the best‚ composers. Mozart was an influential part of the Classical era. He influenced great composers such as Beethoven and Tchaikovsky. He was based in Europe and hailed from Slazburg‚ Austria. On November 14th‚ 1719‚ Mozart’s father‚ Leopold Mozart‚ was born. He was a greatly known musical pedagogue. Originally‚ Leopold was studying philosophy

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    The joy of leaving Salzburg forVienna seems to have been musically inspiring‚ and the next few years wereprolific‚ not least in the composition of piano concertos: Mozart wrote 12between 1784 and 1786. The influence of J C Bach on Mozartwas significant. The two had met in London in 1764‚ when Mozart was still aboy. In 1772‚ Mozart created his first three piano concertos by rearrangingthree of J C Bach’s sonatas. Beyond the concerto structure‚ the detail ofMozart’s music suggests Bach’s influence

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    Piano Sonata No. 8 in A minor‚ K. 310 Mozart’s Mourning “Music expresses that which cannot be put into words and that which cannot remain silent” – Victor Hugo  The Piano Sonata No. 8 in A minor‚ K. 310‚ composed by Wolfgang Amadeus Mozart‚ is an original piece which stands out even among all of his other works. To fully appreciate this sonata however‚ one must understand the events in Mozart’s life preceding the writing of this piece. Written in the summer of 1778 shortly after the

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    The Houston Symphony is an orchestra from Houston. On May 29th the Houston Symphony performed the third part of their trilogy “The Cosmos” at Jones Hall. The first half of the performance had three movement 1. Intrada: Allegro maestoso‚ 2. Capriccio: Notturno e Arioso: Vivace‚ and 3. Passacaglia‚ Toccata e Corale: Andante con moto-Allegro giusto- Molto Allegro-Presto. For the second movement they performed a four movement piece “Symphony No. 9 in E minor‚ Opus 9 (From New World)”. The first part

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    In Beethoven’s Symphony no. 5 in C minor the first movement is called Allergro con brio and it is in sonata form. This movement is very intense and strong sounding and has a single rhythmic motive that is short-short-short-long. The first theme of this movement is in C minor. Throughout this theme he shifts the motive to different pitches and instruments. The second theme is in E flat major and starts with a varied basic motive of short-short-short-long-long-long. The horns starts a new melody that

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