After Susan Wong graduated from State University with a degree in Operations Research‚ she went to work for a computer systems development firm in the Washington‚ D.C.‚ area. As a student at State‚ Susan paid her normal monthly living expenses for apartment rent‚ food‚ and entertainment out of a bank account set up by her parents. Each month they would deposit a specific amount of cash into Susan’s account. Her parents also paid her gas‚ telephone‚ and bank credit card bills‚ which were sent directly
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Shantifiney Franklin English 102 October 19‚ 2009 Critical Essay of Trifles Susan Glaspell Susan Glaspell was born on July 1‚ 1882 in Davenport‚ Iowa. She began her career as am author of short stories of popular magazines such as the Des Moines Daily. She cofounded Provincetown Players‚ a group who worked with experimental drama. Glaspell can best be described as a director‚ feminist‚ author‚ and actress. Glaspell died in 1948 (“Biography” 1). Trifles is based on a true story. …”On
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proposition of the ‘male gaze’ has been applied to feminist studies of the media. “One thing I really envy about men‚ ’ a friend once said to me‚ ’is the right to look ’ (Dyer 1982) Johnathan Schroeder posited ‘...to gaze implies more than to look at- it signifies psychological relationship of power‚ in which the gazer is superior to the object of the gaze.(Schroeder‚ 1998)’ Keeping this in mind‚ in Laura Mulvey’s article ‘Visual pleasure and narrative cinema’‚ she proposes that the male gaze is paramount
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Male-male Compensatory Relationship Theory I. Rationale Among many historical figures‚ some have been recorded as having homosexual relationships which may or may not be exclusive to same sex. It is through constant suppression and negative connotations that many of them have been left to perish. Earliest documented same-sex relationships dates back in Ancient Greece where it was indicated that it was normal for adult males (erastes) to have younger males (eromenos) to take as lovers but does
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Women in the workplace are common. But the ones with triumphant career are extraordinary. This is how people take a look at Susan Packard https://en.wikipedia.org/wiki/Susan_Packard. There is no enough word to describe her well-being‚ because she has done things beyond people’s imagination. Her business instict isn’t a prodigy. Yet‚ she already had a strong desire to get involve with her father’s business by becoming a part-timer. She focused studying for her undergraduate and master degree‚ before
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Susan Sontag‚ in "Against Interpretation‚" takes a very interesting critical standpoint on the idea of literary interpretation. Unlike most literary critics‚ Sontag believes that literary criticism is growing increasingly destructive towards the very works of art that they‚ supposedly‚ so greatly "appreciate" and "respect." Her standpoint could not be more accurate. Reading her work generates numerous questions‚ the most important of which is quite possibly‚ "How are we to take her final statement
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Analysis We see the theory of the male gaze prominently in this scene taken from transformers in which the appealing force is Megan Fox and the character she plays. This is done through the micro-elements in the film and especially the cinematography in this scene. One major area is her style of clothing. We see her in a typical light‚ short skirt and a crop top alongside the tan and curves. This draws the eye of audiences in order to portray her in the light that male audience’s desire. Throughout the
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(cited by Robin Gerber) a famous media activist of raising awareness about the exploitation of women in advertising claims that:" the overwhelming presence of media images of painfully thin women means that the real women’s bodies have become invisible in the mass media"(Bordo‚2002‚pp.379). This statement clearly implies that the constant exposure of images and texts suggesting the idea that the thinner a woman is‚ the better she is has a strong influence on females in particular‚ that contributes
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feelings of anxiety because of the loss of control over one’s own body. In 1999‚ Laura Mulvey builds upon the theory of the gaze in her article “Visual Pleasure and Narrative Cinema” by constructing the concept of a male gaze. Mulvey summarizes the notion of the male gaze as a heterosexual male actively objectifying a passive female recipient. She effectively limits females to being the object of the male gaze and heterosexual males to controlling the gaze‚ stating‚ “According to the principles of
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recent movies. In the chapter‚ the author who is Kenneth Mackinnon talks about ‘masculinity in movies’ by variety ways. He not only considers about the different kinds of movie genres‚ individual movies and those male movie stars in general‚ but also introduces the hard body and soft body contrastively for audience. Moreover‚ Mackinnon mentions about the disadvantages of masculinity in the films and provides three recent illustrations in 2000 to answer the questions of masculinity clearly. The evidence
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