So far… • General Approach – Universal Grammar (UG) / Language Instinct Phrase Structure • Data – native speakers’ i t iti ti k ’ intuitions ( (acceptability j d t bilit judgments) t ) • Resulting Theory of Grammar – words‚ phrases‚ categories for words and phrases (e.g.‚ Nouns‚ Verbs; Noun Phrases‚ Verb Phrases) (basic concepts any theory of grammar must have in order to capture the data) 1 2 Next: • The internal structure of phrases and how we can represent it. • H How phrases
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CHAPTER I INTRODUCTION CHAPTER II DISCUSSION 1. COLLOCATION and IDIOM A. Collocation Based on Oxford Learner’s Dictionary‚ collocation is a combination of words in a language that happens very often and more frequently than would happen by chance. Collocation is a term to refer to words that tend to appear together or words that tend to keep company. Frequent examples of collocation are onomatopoeic words‚ that is‚ words which are formed by imitating the sounds associated with the thing
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Semantics In programming language theory‚ semantics is the field concerned with the rigorous mathematical study of the meaning of programming languages. It does so by evaluating the meaning of syntactically legal strings defined by a specific programming language‚ showing the computation involved. In such a case that the evaluation would be of syntactically illegal strings‚ the result would be non-computation. Semantics describes the processes a computer follows when executing a program in that
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Decoding Stylistics Stylistics of the author and of the reader. The notions of encoding and decoding Decoding stylistics is the most recent trend in stylistic research that employs theoretical findings in such areas of science as information theory‚ psychology‚ statistical studies in combination with linguistics‚ literary theory‚ history of art‚ literary criticism‚ etc. Decoding stylistics makes an attempt to regard the esthetic value of a text based on the interaction
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Introduction…………………………………………………………………………3-7 Chapter 1. Stylistic peculiarities of D.H. Lawrence and H.W. Longfellow’s poetry…………………………………………………………………….7 1.1. The use of polysemanticism of the word in combination with repetition in poems by D.H. Lawrence and H.W. Longfellow………..7-12 1.2. Lingvo-stylistic potential of D.H. Lawrence’s “Don’ts”…………
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Wednesday‚ February 18‚ 2009 Meeting 1 (What is semantics?) What is Semantics? FOLK NAMES TECHNICAL TERMS CONTENT • Meaning • Wordings (words & structures) • (discourse) semantics • Lexico-grammar EXPRESSION • Sounds/letters • Phonology/graphology A tri-stratal semiotic system of language When the lights are out‚ they are invisible. When the stars are out‚ they are visible. There are three types of context: 1) Situational context what the speakers know about what they can see around
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BMO Internet Security Final Project Paper University of Toronto SCS 2115 Professor: Dr. Ken K. Wong By: Kevin Fernando 13/06/2010 The semantic web is a vision created and promoted by Tim-Berners-Lee and the World Wide Web Consortium. In his article the Semantic Web in Scientific American (2001) Berners-Lee explains that The Semantic Web is not a separate Web but an extension of the current one‚ in which information is given well-defined meaning‚ better enabling computers and people to
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relating to semantic features According to “The Introduction Of Social Studies Vocabulary By Semantics Features Analysis: Using a Microcomputer Database Program” by Michael P. French and Nancy Cook (University of Wisconsin)‚ they conducted the studies on the results of using microcomputer program adapted with semantics features theory. This program was created to study if semantics features help the students learn various words‚ basing on the theory by Johnson and Pearson (1984)‚ Semantic feature
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1. Style and Stylistics. Language‚ speech and text. No one knows for sure what it is. The scope of problems stylistics is to solve‚ its very object and its tasks are open to discussion up to the present day‚ regardless of the fact that it goes back to ancient rhetoric and poetics. According to I.R. Galperin‚ the term STYLE is presumed (by various authors) to apply to the following fields of investigation: the aesthetic function of language; (reference to works of art‚ that is of poetry and
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area of linguistics and became a significant concept in semantics. Later in the 1970s‚ Keenan introduced presupposition to the pragmatics to describe a relation between a speaker and the appropriateness of a sentence in a context (Levinson: 177). Hence‚ presupposition can be distinguished into two categories: semantic presupposition and pragmatic presupposition. This thesis is mainly centered on the exploration of presupposition in semantics from the perspectives of features and problems of presupposition
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