and tumble to the ground and let the muscles unwind and not speak and not budge until your buddies picked you up and lifted you into the chopper that would roar and dip its nose and carry you off to the world” largely reveal the O’Brien’s phrasing style. Seven “and” is used in this sentence! Each of the several parts is simply and brief‚ but they have profound meaning as a whole. This kind of phrasing perfectly suits the
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Stylistic Devices in Fahrenheit 451 Ray Bradbury ’s 1953 Fahrenheit 451 contains a number of interesting stylistic devices. Robert Reilly praises Bradbury for having a style "like a great organ. ..." (73). David Mogen comments on the novel ’s "vivid style" (110). Peter Sisario applauds the "subtle depth" of Bradbury ’s allusions (201)‚ and Donald Watt pursues Bradbury ’s bipolar "symbolic fire" (197) imagery. In recent articles I discussed Bradbury ’s use of mirror imagery and nature imagery.
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Stylistic Analysis The Great Gatsby By F. Scott Fitzgerald The Great Gatsby is a novel by the American author F. Scott Fitzgerald. Fitzgerald was the most famous chronicler of 1920s America‚ an era that he called “the Jazz Age.” Written in 1925‚ The Great Gatsby is one of the greatest literary documents of this period. In this novel Scott Fitzgerald presents
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attraction to Miss Baker saying her voice "compelled [him] forward breathlessly as [he] listened"(18). The detail shows his immediate attraction right away and some sort of romantic chemistry between them. Chapter Two Fitzgerald uses many stylistic devices in chapter two‚ but the most dominant and important is the syntax. He opens the chapter describing the valley which is about half way between the West Egg and New York in a loose sentence. He says it’s a "valley of ashes" where they take
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Language through Poetry: A Stylistic Analysis of Percy Bysshe Shelley’s “To ---“ A Stylistic Paper Presented to The Faculty of the Department of English Institute of Arts and Sciences Far Eastern University Manila In Partial Fulfillment Of the Requirement for the Course Eng C 31—Introduction to Stylistics Osabel‚ Julla C. Panis‚ Kimberly Nicole S. October‚ 2012 I. Reaction and it’s effects on you II. Summary of the Text Percy Bysshe Shelley’s “To ---“ is
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Lexical stylistic devices Metaphor. Sustained metaphor O Rose‚ thou art sick! The invisible worm That flies in the night‚ In the howling storm‚ Has found out thy bed Of crimson joy‚ And his dark secret love Does thy life destroy. [William Blake “The sick rose” http://www.poetry-archive.com/b/the_sick_rose.html] novel metaphor: Time is jealous of you and wars against your lilies and your roses [Wilde O. The Picture of Dorian Gray. Penguin books. 1994. P.30] Conventional metaphor "If all the world’s
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Stylistic Analysis Of The Advertising Slogan ---------Perfume Introduction Along with the rapid development of society and economy‚ advertisements have penetrated into every stratum of the society‚ becoming the indispensable part of our daily life. Like newspapers‚ magazines‚ television‚ radio‚ films‚ telephone directory‚ art performance‚ the Internet‚ and even the human body‚ advertising makes use of various media to deliver information to the consumer
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"The Escape" by Somerset Maugham I have always believed that if a woman made up her mind to marry a man nothing could save him. I have only once known a man who in such circumstances managed to save himself. His name was Roger Charing. He was no longer young when he fell in love with Ruth Barlow and he had had enough experience to make him careful; but Ruth Barlow had a gift that makes most men defenceless. This was the gift of pathos. Mrs. Barlow was twice a widow. She had splendid dark eyes and
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Rhetorical Strategies and Stylistic Devices Alliteration- the occurrence of the same letter or sound at the beginning of adjacent or closely connected words. Ex. “GOD GRANT ME THE SERENITY TO ACCEPT THE THINGS I CANNOT CHANGE‚ COURAGE TO CHANGE THE THINGS I CAN‚ AND WISDOM ALWAYS TO TELL THE DIFFERENCE.” (Slaughter House-Five‚60) Allusion- a brief and indirect reference to a person‚ place‚ thing or idea of historical‚ cultural‚ literary or political significance. Ex. “Canst thou draw
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Jane Doe Professor Womack ENGL 3306 23 April 2010 The Lovers’ Verse: A Stylistic Analysis Much of the verse in A Midsummer Night’s Dream is written in rhymed couplets. At one point in the dialogue between Lysander and Helena‚ however‚ the couplet form expands to a triplet‚ three rhymes in a row‚ before returning to couplets: HELENA. Yet Hermia still loves you. Then be content. LYSANDER. Content with Hermia? No! I do repent The tedious minutes I with her have spent. Not Hermia‚ but Helena
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