"Stagecraft" Essays and Research Papers

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    Figurative language: Use of words in ways they are not normally used in order to create a distinct‚ imaginative effect or impression. For example‚ in the expression “He sang at the top of his lungs‚” the suggested meaning of the words is understood—not their literal meaning. Hyperbole: A figure of speech that deliberately exaggerates a description about something or somebody to create a desired effect. Irony: A circumstance in which there is a contra¬diction or difference between what is intended

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    Bertolt Brecht

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    in Chinese Acting" [The following remarks are just a few of B.B.’s many on the "alienation effect" (Verfremdungseffekt) that he sought in the creation of his "epic theatre" and the direction of his plays. We’ll discuss it in connection with the stagecraft of Arturo Ui when we read that play. But try a thought-experiment. Do any of these remarks seem‚ uncannily‚ to apply directly to the character Richard of Gloucester / King Richard when we meet on the page? ]      The following is intended to

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    Scene Three – a pivotal scene * Initially the play was to be called “The Poker Party” Why? * Scene three cements Stanley’s identity as the villain * Scene three highlights the primal nature of Stanley and Stella’s relationship * Scene three illustrates Stanley’s domination over his friends as he makes all the decisions about the game * Scene three illustrates his friends devotion as they look after him tenderly when he is drunk * Scene three is when Stella first chooses

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    Elements of Theater

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    fine art that uses live performers to present the experience of a real or imagined event before a live audience. The performers may communicate this experience to the audience through gestures‚ speech‚ song‚ music or dance. Elements of design and stagecraft are used to enhance the physicality‚ presence and immediacy of the experience. The major elements of theater are: performers‚ audience‚ director‚ theater space‚ design aspects‚ and text. Acting is the most visible element of theater; it personifies

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    the beauty of nature

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    . .would begin with an image so startling and lovely and wondrous that you would stop riffling through the rest of the mail‚ take your jacket off‚ sit down at the table‚ adjust your spectacles‚ tell the dog to lie down‚ tell the kids to make their own sandwiches for heavenssake‚ that’s why god gave you hands‚ and read straight through the piece‚ marveling that you had indeed seen or smelled or heard exactly that‚ but never quite articulated it that way‚ or seen or heard it articulated that way‚ and

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    2. “Plays often feature at least one ghost‚ either on stage or imagined in the form of haunting memories and burdens.” Discuss this statement with reference to Streetcar. (Nov 2010 HL) In the tragedy “Streetcar Named Desire” the author Tennessee Williams brings out a ghost on stage through the haunting memories of Blanche’s past. The Flaws in Blanche which are revealed to the audience by Stanley are rather shocking. It is revealed that Blanche began to take part in cheap forms of entertainment

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    Newton: Butterworth-Heinemann. Sally‚ M. (ed) 1997‚ Practical Theatre. England: Stanley Thornes Publishers Ltd. Sykes‚ J. (ed) 1976. The Concise Oxford Dictionary of Current English. London: Oxford. Kenneth‚ M. and Robert‚ E. 1923. Continental Stagecraft. London: Benn Brothers Limited. Brockett‚ O. and Franklin‚ H. 2003. History of the Theatre. Ninth edition. Boston: Ally and Bacon. Toby‚ C. and Helen‚ K. (eds.) 1953. Directing the Play. London: Vision Press.

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    Natya sastra

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    1 . Theatre Of India The earliest form of the theatre of India was the Sanskrit theatre. It began after the development of Greek and Roman theatre and before the development of theatre in other parts of Asia. It emerged sometime between the 2nd century BCE and the 1st century CE and flourished between the 1st century CE and the 10th In an attempt to re-assert indigenous values and ideas‚ village theatre was encouraged across the subcontinent‚ developing in a large number of regional languages

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    Hamlet and Macbeth and the new King of England The Kings in both Hamlet and Macbeth represents good and the men that want to destroy the monarchy‚ are evil. Hamlet ’s father‚ King Hamlet‚ and Duncan‚ King of Scotland in Macbeth‚ are both killed‚ but avenged for the good of country. King Hamlet was a good‚ brave ruler‚ yet Claudius is a shrewd politician and manipulator‚ only interested in the throne. Just like Hamlet‚ we are somewhat uncertain as to whether or not Claudius has killed the King

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    character in An inspector calls and Priestley manipulates the personality and actions of this particular character as the perfect citizen who doubles up as a driving force to change the ways of stereotypical upper/middle class people. The language and stagecraft Priestley uses reinforce the importance of the inspector and make us understand that this inspector‚ Police or not‚ is one to be taken seriously. Right from the moment he is introduced‚ Inspector Goole is commanding of the situation and already

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