Figurative Language Figurative language was used by Margaret Atwood‚ through the persona of Offred‚ to illustrate The Handmaid’s Tale. Figurative Language consists of similes‚ metaphors‚ personification‚ alliteration‚ onomatopoeia‚ hyperbole and idioms. First‚ figurative language can be used to describe different settings. 1. Offred’s experience at night in her bedroom “The heat at night is worse than the heat in daytime. Even with the fan on‚ nothing moves‚ and the walls store up warmth
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lanuage in paragraph two is very effective. It shows a chain reaction‚ where the person starts drinking alcohol to combat a problem in their live‚ but then the alcohol eventually leads to more difficult problems. 3: In Paragraph 4‚ Orwell uses a simile to compare "phrases tacked together" to "sections of a prefabricated henhouse". That shows how prose consists of words that aren’t necessarily chosen for their meaning‚ but instead just because it’s easy. In Paragraph 12‚ Orwell uses a similie to
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Maestro is written in the first person with an adult Paul‚ the main character‚ reflecting back over his life. It begins with Paul and Keller’s first meeting and they are both presented to us as rather arrogant and insensitive. However‚ when the adult Paul then interjects into his story about how he can understand that it might be incredible to believe that he came to ‘love this man’‚ his gruff music teacher the reader is brought to the realisation that there is a lot more depth to those characters
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1.In paragraphs two‚ ten‚ and twelve of "Once More to the Lake‚" White’s brilliant use of metaphors‚ similes‚ and personification illustrates a lucid image of the speaker’s intertwining past and present for the reader. White starts paragraph ten with a fragment‚ "Peace and goodness and jollity‚" and creates a great emphasis on his past and current feelings. He continues to illustrate his past memories with a personification of the vocal senses as he explains the sound of the motorboats; "the one-lungers
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structure of the poem is 4 lines long within 4 stanzas‚ apart from the last which contains only 2‚ perhaps to draw attention to the fact that people wish that they could see less of the clown. ‘Medusa’ however uses a lot of figurative language – using similes and metaphors to emphasise the fact that Medusa is a character the reader must fear but also pity‚ similar to the ‘Clown Punk’ Emotive
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for Doomed Youth are both written by Wilfred Owen. Owen’s main idea was to expose the true horrors of war and to challenge the romanticised view of war that poets such as Rupert Brooke held. To achieve this‚ Owen used familiar imagery techniques of similes and assonance‚ and sound devices such as onomatopoeia and alliteration. ‘Anthem for Doomed Youth’ aims to give a clear reference to the audience‚ a glimpse of the awful realities of life and death in the trenches. Wilfred Owen helps us visualise
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The curious incident of the dog in the night-time Mark Haddon Chapter 2-31 1. What characters do we meet in the first chapters of the book? He is brave‚ calm and logical‚ just like an adult. But he is also curious‚ innocent and honest‚ just like a kid. 2. Why don’t the chapters have numbers from 1 to 10 etc. Because he would like to use prime numbers. 3. Page 1: Re-read the opening paragraph. Discuss the length of the sentences. How does the length
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Critical Essay-Poetry "Mid-Term Break" Darren Parker Séamus Heaney’s "Mid-Term Break" is among the few poems that have emotionally moved me. The writer uses many techniques including similes‚ metaphors and beautiful lexical choice to convey the sombre and miserable situation of his brother’s death. In this essay I am going to analyse the language of the poem and discuss‚ in more detail‚ the techniques used to convey the real sadness of the situation. "Mid-Term Break" is a very emotive poem in
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warmth. Just beneath the sparkling surface of the water‚ minnows shoot from rock to rock like silver darts thrust like scattershot by some unseen hand. The simile: like a mother’s enfolding arms reaching out to caress her sleeping child No further clarity of image is provided in the second sentence by the last phrase. In fact‚ the simile of the "mother and child" is so powerful emotionally as to shift the entire focus from a description of nature to one of the most sentimental images in the world--the
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