her multiple attempts of saving Sheilas life as she “nods off”‚ Bridie hits her with her shoe-horn‚ as Sheila describes “whack‚ whack‚ whack” and “tap‚ tap‚ tap”. Through the use of repetitive hyperbolized onomatopoeia and the heroic symbolism of the shoe-horn‚ Misto has cleverly juxtaposed these characters to show such heroism as Bridie realistically saves Sheila by such an emblematic item being the shoe horn. Also to create realism throughout the moments of this scene the use of distant sounds of
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Shoe Horn Sonata Essay – Raquel Russo Distinctively visual explores how we see and or visualize images in a way that allows us to become aware of various aspects in society. The play‚ The Shoe Horn Sonata written by John Misto and the film clip Stupid Girls by Pink‚ use distinctively visual elements to create a sense of awareness about women. Misto’s script pays tribute to the Australian female nurses in WWII‚ revealing the realities of war through the strength and resilience of Bridie and Sheila
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Connecting to others past experiences through distinctively visual elements allows the responder to mentally visualise images evoking an emotional and historical connection with the story‚ as they’re brought to life. “The Shoe Horn Sonata”‚ a play by John Misto establishes these experiences through the eye witnesses of the Australian nurses. In addition to Angelina Jolie’s film “Unbroken”‚ both exemplify dramatic visual elements to convey their survival experiences onto the audience. As the play
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distinctively visual? People and their experiences in their life are based throughout the challenges and difficulties they face. They may either experience friendship‚ war‚ love or even death. These ideas are shown visually within John Misto’s “The Shoe Horn Sonata” and Bob Dylan’s “Masters of War”. Both texts depict the experiences evident through people‚ places and communities worldwide. Through the portrayal of friendship‚ Sheila and Bridie show a strong connection through support and commitment. In
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different techniques used in the play “The Shoe Horn Sonata” that enable the text to be distinctively visual in conveying a point of view. Dramatic effects such as music‚ dialogue and flashbacks create the perspective of two women looking back on their memories and experiences of World War 2. Similarly‚ Kenneth Slessor uses distinctively visual elements to aid the description of mateship and death in the poem “Beach Burial”. The Shoe Horn Sonata‚ written by John Misto‚ recounts the experiences
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‘The Shoe-Horn Sonata’ The play ‘The Shoe-Horn Sonata’ composed by John Misto‚ is primarily focused on the incarceration of women and children in P.O.W (Prisoner Of War) camps located in the jungles of Japan in World War Two‚ rather than the most common factors of the male soldier wartime stories and other masculine hardships dealt with at the time. As the play unfolds Misto presents the audience with various theatrical components to convey the relationship of two women being interviewed to reminisce
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Imagine being mentally tortured‚ beaten and starved to death? Imagine you were taken away from your family and raped till death? Shoe Horn Sonata is an impressive story of courage‚ hope‚ horror and friendship. This play is a tribute to commemorate the bravery of the women and to make their story of survival widely known. The historical context that the story has enables us to learn about the past events and to understand the true meaning of war and its consequences. The play draws on real events
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what gives them purpose‚ comfort and strength to carry on. Though after fifty years of the War and of being separated they have no ill feelings toward the Japs but are emotionally torn by their separation. This is the story of The Shoe Horn Sonata. The Shoe-Horn Sonata is characterised by having a two act structure‚ two main time frames‚ two settings and two main characters. The two sets are: the television studio and the motel room. These are visually presented depersonalised and simple‚ allowing
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Distinctively visual texts use a variety of techniques to convey the experiences during the war. In John Misto’s 1996 play ‘The Shoe-Horn Sonata’ which is about women nurses enduring Japanese POW camps‚ such distinctive experiences as power and survival are shown through techniques like lighting‚ projecting image‚ sound‚ symbols‚ dialogue and body language. In Kenneth Slessor’s 1942 poem ‘Beach Burial’ he also comments about survival in war and the power in distinctively visual ways
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women’s suffering during the war‚ allowing the responder to acknowledge the women‚ which will convince society to pay tribute to the women. He uses a variety of techniques which involve many senses of the responder in The Shoe-Horn Sonata to achieve this goal. The Shoe-Horn Sonata is based on two women who helped each other through hardships during World War II; they are reunited after fifty years to film a television documentary which unravels many secrets. The involvement of more than one sense
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