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    Media Text

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    MEDIA CULTURAL AND SOCIETY: MEDIA TEXT: In media studies‚ the word ‘text’ is used to describe any media product such as TV programmes‚ photographs‚ films ‚ either on video or in the cinema ‚ newspaper articles ‚ radio programmes ‚ advertisements‚ video games or web pages. ‘Text’ are therefore the main point of our study in understanding how media languages create meaning. * One of the keys to understanding the meanings in the texts in the use of codes. CODES: * Rules or conventions by

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    Man on Fire

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    WRT 204: Popular Culture Paper Three Assignment: Film Semiotics For the Annotated Bibliography: Workshop Drafts Due: Monday‚ 3 December 2012 (I will keep a copy to review since I will not get a final copy until the paper is submitted.) Final Drafts Due: with the paper. Requirements: No more than 3 Pages/Typed/Double-spaced/ Proofread/Style of your choice. One substantial paragraph with 4-6 sources (each source should have a paragraph of annotation) for this stage. You should have two more

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    References: Chandler‚ D. (2008). Semiotics for beginners. Retrieved on September 26‚ 2012 from http://www.aber.ac.uk/media/Documents/S4B/sem06.html Clarke‚ R. (n.d.). Roland Barthes myth today. Retrieved on September 26‚ 2012 from http://www.rlwclarke.net/courses/LITS3304/2004-2005/04BBarthesMythToday.pdf Cosmopolitan (2012). Ford‚ go further. Cosmopolitan. Oct2012‚ vol. 253‚ Issue 4‚ p. 123. Gruyter‚ W. (2002). Persuasive signs: Approaches to applied semiotics. Mouton de Gruyter‚ Berlin Germany

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    Narrative and Media Studies

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    LANGUAGE AND DISCOURSE 6 CONCLUSIONS SELF-ASSESSMENT AND SELF-REFLECTION SOURCES CONSULTED 1 INTRODUCTION This portfolio assignment will focus on one of many things. Firstly we will discuss communication and media semiotics‚ particularly focusing on the six functions of a sign‚ paying particular attention to the listed signs; referential‚ expressive‚ poetic‚ metalinguistic‚ conative and phatic. We will make particular use of a visual example to discuss the six functions

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    Choose a particular media and cultural form or practice. Explain how you might locate your chosen example within a circuit of culture‚ and identify the sort of issues you might raise at each point on the circuit‚ drawing on your knowledge of the questions‚ problems and approaches explored on the module during the year. This illustrative example works around the material explored in the very first session on this module‚ and is designed to provide you with some ideas about how to approach this

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    Roland Barthes

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    through using the third person when (conventionally) referring to himself‚ as if he reveals the profundities of life. His ‘personalized’ style of literary art confirmed the semiotician and literary critic as a writer in his own right. What is semiotic? According to the founders of this literary theory it is fundamental distinction in the sign between the signifier and the signified‚ that is‚ between the aural or written form of the sign and the meaning it embodies. One of his literary work met

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    within the show’s cinematography‚ signifying different connotations‚ specifically towards different sects and doctrines; straying into the darkest regions of ideology. To dissect it’s meanings the use of textual analysis is required with support from semiotic

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    Representation Art

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    other abstract concepts (Hall 1997). In order to interpret the representation the social‚ cultural and political meaning of Propped (2002)‚ as shown in Figure 1‚ theories of representation will be used. One of the representation theories include semiotics written by Ferdinand De Saussure. Under this theory‚ meaning is constructed by the creation and interpretation of signs (Bolt 2004). Signs are made up of signifiers such as (objects‚ words and arts) and the signified which is the meaning it creates

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    different contexts. There are two competing theories regarding what the principle functions of communication are. The first views communication as a process through which information is transmitted and is known as the process theory‚ whereas the semiotic approach perceives communication as the generation and sharing of meaning. To put this in context‚ if a friend tells us they are depressed‚ from the viewpoint of the process school we are solely being informed that they are depressed and that was

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    communication

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    The phenomenological tradition has a different focus than that of the semiotic. Its focus is more on the individual interpreter rather than the function and symbolic nature of the sign itself. People interpret messages and experiences by filtering the comprehension through their own values and understanding and therefore deciphering the world through this. An individual comes to know the world as they participate and engage within it and how they relate to an object is how they assess the meaning

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