John Fox Slater. Slater has 227 plaster casts of classical and Renaissance sculptures and almost 600 photographs of famous works of Europeans and art and architecture. The museum serves to expose students of Norwich Free Academy and the community to culture and aesthetics outside of their reach. The sculptures are castings of original works that are found in European museums in bullet proof glass. The Greek sculptures are all organized in one section and are from different time periods such
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One of the finest relief sculptures that had been created around 1500 BCE was the The Harvester’s Vase. The vase structure was created out of black steatite and it had an appearance comparatively to an ostrich egg. The low relief vase depicts a group of harvesters in profile view‚ singing and walking with harvesting tools on their shoulders. One particular harvester‚ that was singing and shaking an Egyptian percussion instrument‚ ribs are exaggerated to an extent where scholars have hypothesized
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material for their sculptures. The Kouros is depicted as young man in a stiff‚ upright position with his arms hanging at either side. His body form and facial features make him look very boyish and youthful. This is specifically shown in his small waist and shorter size as a whole. It can be interpreted by the Greeks portrayal of the human figure that they were greatly influenced by the Egyptians. They were also influenced by the Egyptians burial practices‚ which is why this sculpture was used as a grave
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Object Analysis: Bust of Ariadne This terracotta bust depicts Ariadne‚ the daughter of King Minos of Crete‚ who helped Theseus through the labyrinth. It is 61 cm tall‚ hand scuplted‚ and has traces of paint indicating it was once fully painted. It was found in Falerii Novi‚ Italy. The sculpture was done in the Classical Etruscan style‚ being heavily influenced by Greek and Roman art. The bust is made of terracotta‚ which was a common material for the Etruscans. The hair is finely detailed‚
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Formal Analysis of "Relief of a Winged Genius" Yahaira Guzman Art History 09/29/10 Relief of a winged genius is a two-dimensional stone relief sculpture currently located on the first floor of the Museum of Fine Arts Boston‚ in the Ancient Near East Gallery (Accession number: 81.56). It is an Assyrian artifact excavated from the palace walls of the capital of ancient Nimrud‚ dating between 883-859 B.C. The unknown artist’s deliberate use of size‚ material‚ scale‚ style and
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Visual Analysis The two sculptures I chose were The Statue of the Goddess Sakhmet and Monumental Figure. The Sakhmet statue is from the New Kingdom era‚ 18th Dynasty. Dated all the way back to ca. 1390-1352 B.C. in Egypt. It is made out of granodiorite. There are two identical at the museum in New York. The Monumental Figure is from the 9th century. It was found in Mexico‚ it is from the Mayan culture. The statue is classified as a stone-sculpture. You can find the Monumental figure in gallery 358
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He is one of the senior most artists of Ghurni. His age is 80 years. He has his own shop and workshop in Ghurni‚ and he is associated with this clay art since his childhood. He is expertise in all the techniques of making sculptures. He is one among the famous artists of Ghurni clay art industry. He is an asset of Ghurni clay art industry. • What do you think the most important thing in this clay art of Ghurni? Ghurni art is not an art now‚ it has become a craft. If I make a clay model without dice
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back her bow and arrow in preparation for release. Due to its size‚ color‚ and placement this piece is the focal point in the room. Directly across from the statue suspended above the open space and staircase below is Alexander Calder’s Ghost. This sculpture is not well lit and the area on the second floor in which is hangs is an almost empty space that doesn’t have other gallery entrances near it and almost feels closed off. Hung from the ceiling‚ Ghost is a thirty-four foot tall mobile comprised of
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looking towards her left. The cupid/cherub figure also displays good use of contrapposto‚ albeit more dramatically as he bends and twists his body and arms to hold the small whale’s tail over his shoulder. And lastly‚ the statue as a whole is “sculpture in the round”‚ meaning that you can walk around the entire statue
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This piece is called Warrior with Shield by Henry Moore‚ from the mid-twentieth century (1954). This sculpture is composed of form because it is three-dimensional which‚ has height‚width and depth. This form has geometric shapes; the shield that the men is holding is a thin spherical shape with a pointy middle and the head of the man is an oval spherical shape. A strong sense of form has been created by increasing the contrast between highlights and shadow areas. For example the pointy part of
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