Aristotle’s Theory of Poetics Research Assignment Aristotle bases his theory of poetics on greek tragedy. He defines tragedy as "the imitation of an action that is serious and also as having magnitude‚ complete in itself." (Melani‚ 2009) He views that‚ "Tragedy is a form of drama exciting the emotions of pity and fear. Its action should be single and complete‚ presenting a reversal of fortune‚ involving persons renowned and of superior attainments‚and it should be written in poetry embellished
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An Analysis of Aristotle’s Poetics A square may be a rectangle‚ but a rectangle may never be a square. This idea is not complex‚ however when it is applies in Aristotle’s Poetics to the Greek Epics and Tragedies‚ it is suddenly not only applicable in an arithmetic context‚ but it gives a relevant and true breakdown of the commonalities and different components within these genres of literature. Within these poetics‚ Aristotle explicates the difference between an Epic and a Tragedy and defines
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Poetic Elements in Sande¿ak¡vyas Introduction Sanskrit is the vast and rich treasure house of various branches of knowledge. It has produced magnificent and sublime poetry since time immemorial. Ancient Indian thinkers thought a lot on the various aspects of poetry from different angles and consequently criticism of poetry developed here. New views emerged‚ several literary principles were explored and a series of schools of poetics came into existence. Sanskrit poetics is remarkably rich. Inasmuch
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THE OUTCAST Sadie Jones He put his hand onto the cold glass pane. He felt far away from himself. He imagined putting his fist through it and the jagged hole in the pane and the points of the glass still attached to the wood. He imagined dragging his wrist and his arm against them so they would cut into him. He didn’t think he would feel it. He pictured putting his face through the glass and wondered if he would feel all the pieces cut him. He closed his eyes to stop imagining it‚ but it was
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John Doe Dr. Paula Radisich ART 206‚ TR 11:00-12:20 Spatial Devices The Piazzetta‚ Venice‚ Looking North (Early 1730s‚ Oil on Canvas) It is blaringly obvious after just a glance that Canaletto is a master painter and has a particular gift when it comes to creating an illusion of the third-dimension through the spatial devices he employs when painting. First and foremost everything in the piece is appropriately set to scale this can be seen on the right side of the work in the front where
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‘The Poetic Vision of Saint Tukaram’ Bharat R. Gugane‚ Asst Professor in English‚ Bhonsala Military College‚ Rambhoomi‚Nashik. bharatgugane@gmail.com Abstract: Tukaram has been considered across the world as one of the greatest poet saints of our country. He has been the source of inspiration to many students and researchers. There is ample literature discussing literary and other aspects of his poetry. His poetry has great political‚ economical‚ religious and cultural significance.
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The Poetic Structure of “Frumsceaft” “Frumsceaft” is a song that is written by an uneducated cow-herder who amazingly sang a song in Old English. The cow-herder’s name was Caedmon. He produced “Frumsceaft” after he had left a place where everyone was singing songs. He left the place because he was disappointed in himself because he had not thought of a song to sing. Caedmon was lying in hay in a barn when he had a dream of an angel. The angel gave him a song to sing and told him to go back there
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Indiana Jones film series‚ Jones is always on the hunt for some mystical artifact. In Raiders of the Lost Ark‚ he is trying to retrieve the Ark of the Covenant; in Indiana Jones and the Last Crusade‚ Jones is on a search for the Holy Grail. This plot device dates back to the medieval Arabian Nights tale of "The City of Brass"‚ in which a group of travellers on an archaeological expedition[2] journey across the Sahara to find a brass vessel that Solomon once used to trap a jinn.[3] Several books in the
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A Frequent Misconception A frequent misconception of poetic language is that a poet always seeks the most beautiful or noble sounding words. What they really seek are the most meaningful words‚ and these vary from one context to another. Language has many levels and verities‚ and poets may choose from all of them. Their words may be grandiose or humble‚ fanciful or matter-of-fact‚ romantic or realistic‚ archaic or modern‚ technical or conventional‚ monosyllabic or polysyllabic
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ambiguity of manner. 8. Anachronism – Something or someone that is not in its correct historical or chronological time‚ esp. a thing or person that belongs to an earlier time: The sword in an anachronism in modern warfare. 9. Anaphora – A rhetorical device in which a word or phrase is repeated at the beginnings of successive phrases or sentences. Compare this to epistrophe‚ where such repetitions occur at the ends. (lesson 10. Analogy – A similarity between like features of two things‚ on which a
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