Price Carter English 10 Meredith 5/20/14 The Other Tragic Hero Aristotle’s definition of a tragic hero is a main character that is not so virtuous that the reader feels outraged‚ instead a feeling of pity or fear at his downfall. Also‚ the hero cannot be so evil that for the sake of justice we desire his misfortunes. Instead‚ he is someone who is neither outstanding in virtue and righteousness; nor is it through badness or villainy of his own that he falls into misfortune‚ but rather through some
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ideal prince and other essays in Shakespearean interpretation: Hamlet; Merchant of Venice; Othello; King Lear‚ “In the matter of Othello and Iago‚ it cannot fairly be maintained that Iago was the sole cause of the calamities that befell Othello. In general it must be said that there is no Shakespearean tragedy in which the responsibility for the deed of the hero and the subsequent tragedy can be shifted from him to another person of the play.” (Crawford‚ 2009). Othello’s tragic flaw is clearly illustrated
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Othello as tragic hero. He exposes his tragic flaw‚ which consequently leads to his downfall. Othello conforms to the Aristotelian principles of tragedy‚ of the noble protagonist who undergoes ceaseless manipulation and endures suffering‚ resulting in his ultimate downfall due to hamartia. All of these techniques combine to provide a different perception of the protagonist‚ as more of an atypical victim‚ exposed to the harsh reality of the society he longs to fit into‚ rather than a typical hero. A tragic
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Sophocles‚ contains a very prominent tragic hero: Oedipus. A tragic hero‚ by Aristotle’s definition of one‚ must possess six traits. One of them is that the tragic hero must be of noble stature. Another trait of a tragic hero is a tragic flaw. A third trait defined by Aristotle is that a tragic hero must have a period of recognition of his crimes. Oedipus strongly displays each of the three aforementioned‚ necessary traits; and he is‚ then‚ an obvious tragic hero. Oedipus’ noble stature is immediately
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The genuine tragic hero is Creon‚ as his power‚ actions‚ and flaws are what set the tragedy into a downward position. What Antigone lacks is remorse for her actions. A huge part of being a tragic hero is knowing the wrong-doing and showing remorse for the act weather it be criminal or on an immoral level. Creon is a king‚ a very wealthy and powerful human‚ but he still is a human with flaws nonetheless. His people follow him loyally; this loyalty is shown when they follow his order about Polyneices’
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Creon and Antigone can both be claimed the title of Tragic Hero. Creon was made king when Oedipus Rex fled the kingship. Creon is the brother in law of Oedipus‚ and was giving the kingship only because Oedipus’s sons‚ Eteocles and Polyneices were killed trying to fight for the thrown. Antigone is Oedipus’s daughter and Creon’s niece. When it comes down to who the tragic hero is‚ Creon most definitely walks away with the title. A tragic hero by definition is ordinary person neither good nor bad
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Lucia Chimienti-Castro Mr. Bottos ENG-3UP January 2‚ 2015 Seeing Tragic Heroes Through a Sequence A sequence is a set of related things‚ but obviously some things are more relative than others. Let us say you had two circles and one oval‚ sure an oval could join the sequence since it is spherical with no sharp edges but the other circle is more related
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by the people of Rome until he killed his best friend‚ Caesar‚ thinking it was for the good of Rome. Brutus is the perfect example of a Shakespearean tragic hero. William Shakespeare’s definition of a tragic hero includes traditional elements. These elements are a person usually of noble birth‚ one who suffers a catastrophe‚ and one who has a tragic flaw. In act I‚ Cassius talks about Brutus’s nobility “You and I have heard our fathers talk of another Brutus-your ancestor-who would’ve let the devil
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Hamlet The Tragic Hero The playwright William Shakespeare reveals a tragic hero in his greatest tragedy "Hamlet". This hero is the young prince Hamlet. He fulfills all of Aristotle’s requirements for a tragic hero. Three key events in the play demonstrate these requirements: First‚ when Hamlet does not murder Claudius at his first opportunity after being asked by his father’s ghost‚ Secondly‚ his confrontation with Ophelia regarding her returning his gifts‚ and lastly his reaction to Claudius’s
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Greek tragedy would not be complete with out a tragic hero. Sophocles wrote Antigone with a specific character in mind for this part. Based on Aristotle’s definition‚ Creon is the tragic hero of Antigone. Creon fits Aristotle’s tragic hero traits as a significant person who is faced with difficult decisions. Creon is significant because he is king. This makes him both renowned and prosperous. Creon is not completely good nor completely bad; he is somewhere in-between‚ as humans are. The audience
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