Through exploring connections between Shakespeare’s Richard III and Al Pacino’s Looking for Richard the values of the era are often a product of the context of the text. However‚ through studying the theatricality of man and the pursuit of power‚ it is clear these notions transcend time and context. Shakespeare valued the way an actor could act within a play and theatre was valued in this context. Shakespeare also demonstrated how Richard pursued political power‚ whilst Shakespeare himself pursued
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The Use of Humor in Richard III There is no doubt that Shakespeare was the author of great pieces of literature during an interesting time period. Given the circumstances‚ he was indeed mastering his craft during a very tumultuous juncture in British history. When one reads Richard III‚ they don’t necessarily have to know a great deal about the War of Roses to understand that there is some serious strife going on. However‚ if the reader takes some time to understand this fascinating string of
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Richard III is a play by William Shakespeare‚ that tells the story of the ill minded King Richard whose lust for power ultimately led to his unfortunate demise. Richard III seems to be very self conscious and depressed about his deformities. Richard is willing to commit murder and treachery without a second thought. He is a skilled manipulator and can convince almost anyone to do his will. Richard III seems to be very self conscious and ashamed about his deformity‚ and feels that he is being punished
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Good morning/afternoon Throughout my comparative study of texts and context‚ I have explored various connections shared between William Shakespeare’s ‘Richard the 3rd’ and Al Pacino’s ‘Looking for Richard’. As both of these items are based on the same character‚ King Richard the 3rd‚ they share a lot in common. The connection that I have chosen to concentrate on though is the idea of power‚ and how both texts explore this theme. William Shakespeare is an extremely famous English
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Loncraine’s 1995 film of Shakespeare’s Richard III play‚ while considerably altered to fit in with the context of the industrial 1930’s timeframe‚ still retains the values and themes of Shakespeare’s Richard III play such as Richard’s rampant thirst for power‚ the familiar good versus evil theme and influence of persuasive language‚ otherwise known as propaganda. Richard is portrayed as a Hitler figure in the film using similar colours and uniform to the Nazis. The key distinction between the
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Evil - Richard III appears to be almost the personification of evil - physically deformed and with no redeeming qualities. He is very intelligent‚ but outrageous and‚ at times‚ amusing to read. He is a classic villain‚ mocking traditions‚ sadistic‚ untrustworthy and with a lack of conscience. Ambition - again‚ mainly seen in Richard as he sacrifices and kills without mercy in order to gain the throne. He also proposes to marry Lady Anne in the hope of producing heirs and building his dynasty‚ making
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about Richard III as a person and the Richard III as a killer. He is honestly one of those people I love to hate but also hate to love. But like I said I honestly really do love him even if he is as vile and horrible as he can be. I guess I have a thing for loving some of the worst people in literature. But Shakespeare really does a great job making a character you feel that you should absolutely despise but gives him traits that make you question it. As a person I honestly pity Richard because
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ways to control a society‚ yet it impacts the society in a negative way when it comes to distributing rights and opportunities. That is‚ since it involves the worst issues within the government known as corruption. In William Shakespeare’s play‚ Richard III‚ and Aristophanes’ play‚ Lysistrata‚ both authors employ the major role and concept of power. Both Shakespeare’s and Aristophanes’ approach to power has influenced the understanding of power and through their examples; one can employ their ideas
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Henry V and Richard III depicted how two very different men rose to power and assumed the throne of England. Henry was an intelligent‚ driven young man who sought to reconstruct the civil war ravaged kingdom after the death of his father. Shakespeare presented Richard as a corrupt‚ sadistic villain who cared nothing for the English people except that they knew and feared his absolute authority. Both men‚ though‚ possessed the same focus and determination‚ which made the comparison and contrast of
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CONCERNING THE USE OF THE SUPERNATURAL IN FURTHERING THE PLOT OF RICHARD III On a technical level‚ Richard III is considered a historical play; it relates the events‚ if dramatized and romanticized‚ following the War of the Roses and the birth of the Tudor dynasty. However‚ Shakespeare’s use of supernatural themes and motifs in furthering the plot is somewhat out of character in its use in such a type of play; usually such themes and motifs form an unconscious backdrop from which the author
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