Office Art Memo Rodolfo J. Nodal Prof. R. Henry HUM112 11/11/13 Abstract The following essay will identify three examples of each‚ 19th century Impressionist and Post-Impressionist paintings and seeks to explain how these works fall into the two distinct styles. I we will explain to my boss‚ who has assigned me the task of managing the art budget and selecting six works to be displayed at the new corporate office‚ the historical significance of each piece‚ a
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paintings that have an anarchic and rebellious feel. There is tension and high drama in their composition. Jackson Pollock Mark Tobey Color Field Color field paintings are characterized by large‚ solid colors on a flat plane. The colors are the subjects themselves‚ and they are normally painted on large canvas material. Compared to abstract expressionism‚ color field painters aim to present their paintings as one cohesive image. Mark Rothko Robert Motherwell Barnett Newman Hans Hoffman Lyrical
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final girl ’ theory. The history of horror should be able to explain what the fascination is about concerning monsters ’ and the possibilities of our fears becoming real. The name horror according to Jean Renoir " describes the very effects intended to have on their spectators" Jean Renoir goes on to say that the earliest form of horror is rooted in the Gothic literature where the landscape was ornate with castles and houses‚ populated by clearly recognized monsters (1). However the next major
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with waves crashing against two fishing boats. According to Hokusai: Genius of the Japanese Ukiyo-e (Nagata‚ 1999)‚ Hokusai’s artistic influence has stretched to have affected the Art Nouveau style in Europe‚ including Claude Monet‚ Pierre-Auguste Renoir‚ and Hermann Obrist‚ all of whom have themes similar to Hokusai’s. Without having background knowledge on the artists or artwork it may be easy to overlook the fact that this particular work contains documentation of a historical event that also
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I was inspired by the French artist Auguste Renoir‚ who painted mainly women and children of the nineteenth century‚ I chose him because I like the clothes of XIX century because they princesses shape. On my mood board‚ we can see two of his works. Namely‚ the image titled "Dance at Bougival" and Portrait of the Actress Jeanne Samara. Also‚ making my final project I was inspired by the dress Jeanne Samara‚ namely the upper part of the dress. Description dresses Generally speaking‚ my dress is
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impressive and extensive collection of post impression and early modernists paintings. Dr. Albert Barnes created his foundation as a school of art and that housed his private collection of art with paintings from the likes of Cezanne‚ Matisse‚ Degas‚ Renoir and Van Gogh‚ African sculptures‚ prints from Asia‚ and such. Upon Dr. Barnes death his will clearly laid out a plan for a trust and explicit directions for how it should be run to maintain the foundation. He intended for his property to remain
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A road trip‚ an ex-girlfriend‚ a recently unemployed man‚ a dead body‚ and experimental sound design. What’s going on in Jean-Luc Godard’s 1965 film Pierrot le Fou? Godard is known for his contribution to the French film “New Wave” movement‚ and this film is no different. Through the use of a nontraditional narrative style‚ in combination with an experimental film form‚ it is insanely difficult to keep this plot straight. Then again‚ what is a plot? Does the plot even matter? In Pierrot le Fou it
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interpersonal‚ intrapersonal‚ small group communication and mass communication. It is a way of connecting with yourself‚ it is a way of connecting with someone else‚ It can be shared at a small scale‚ on personal display‚ or it can be disclosed on a large scale as in a museum. Art is the most versatile and expressive form of communication. While the famous composer Johann Sebastian Bach spoke only German‚ people all over the world are able to enjoy his music. Although the painter‚ Claude Monet was
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Ned Hillsborough 24th September Analysis of Manet’s Dejeuner Sur l’herbe commenting on: composition and relationship between the figure and setting‚ depiction of space and depth‚ light and shadow‚ use of colour Manet composes the painting in such a way that the subject matter and general acquisition of mood are addressed immediately. The mood seems controversially relaxed at once due to the casual seating of the men despite their formal wear‚ as well as being sat with a nude woman
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Chagall avait découvert la technique de la gravure en 1923‚ à Berlin‚ où il avait illustré la version allemande de son autobiographie Ma Vie‚ pour l’éditeur Cassirer. A Paris‚ Blaise Cendrars présente Chagall à Ambroise Vollard‚ pour lequel Cézanne‚ Renoir‚ Toulouse-Lautrec‚ Bonnard‚ Picasso et Braque ont
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