Aristotle University of Thessaloniki School of Fine Arts Department of musical studies Lesson: Introduction to music morphology Teaching: Mrs. Sampson – Nika Evanthia Student: Vlahopoulos Ioannis Morphological analysis of Mozart’s “Fantasia in D minor”‚ KV. 397. Thessaloniki‚ 2005 Preface Although the title ‘fantasia’ if often used as a generic implication for a work where its structural features are secondary to the imagination
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Analysis on Beethoven’s Piano Sonata No 3‚ op. 2‚ Allegro con brio Composers since the early classical era have used sonata form to express through music ideas which are at once complex and unified. This form contains a variety of themes and permutations of these themes‚ but is brought together into a comprehensible whole when these excerpts reappear. Beethoven‚ in the first movement of his Piano Sonata Opus 2 Number 3 utilizes this form to its full potential‚ modifying the typical structure in
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2015 NANM SCHOLARSHIP COMPETITION REPERTOIRE LIST The 2015 NANM Scholarship Competition is in Piano. Contestants must compete on the local and regional levels. Based on these contests‚ each region will send a contestant to compete at the national competition‚ to be held in 2015 at the annual national conference in Washington‚ D.C. The repertoire embraces the genres of European and American composers and highlights the contributions of African American composers. Three works are required‚ one
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AFFECTIVE KEY CHARACTERISTICS from Christian Schubart’s Ideen zu einer Aesthetik der Tonkunst (1806) C Major Completely Pure. Its character is: innocence‚ simplicity‚ na�vety‚ children’s talk. C Minor Declaration of love and at the same time the lament of unhappy love. All languishing‚ longing‚ sighing of the love-sick soul lies in this key. Db Major A leering key‚ degenerating into grief and rapture. It cannot laugh‚ but it can smile; it cannot howl‚ but it can at least grimace its
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Major Media Project: Exposition My project is an original song that I wrote using only the electric guitar. The song begins with three parts singing together. The first of these parts is the echoing bass notes of D and G‚ driving the interval of a perfect fourth. The second is a muted‚ rhythmic line that consists of four notes and repeats on the beat. The third is simply a high F# played using the technique of harmonics and highly effected by reverb. These three parts play together on a loop
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equilibrium moisture is negligible. An experiment showed that the constant drying rate is 4.5 kg/m2-hr and the falling rate begins at 25% moisture. How long is the drying time. What is the % moisture after 1 hour of drying? 3. Hot Air at 90oC and 40% relative humidity is used as heating medium in a tray drier in order to reduce the moisture content of wet sand from 30% to 5%. Weight of dry sand is 5 kg and the tray dimensions are 20 cm by 60 cm by 3 cm. Critical moisture is 15% and equilibrium moisture
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T. Jason Brown Advanced Form and Analysis Spring 1998 An Analysis of Beethoven s Sonata for Cello and Piano in A major‚ Op. 69‚ mvmt. 1 Beethoven’s Sonata for Cello and Piano‚ Op. 69‚ was written in 1808-09‚ just following his Symphony no. 6‚ Op. 68‚ “The Pastoral.” It may have been written with his “immortal beloved” in mind‚ since the dedication is to one of the suspected “beloved’s” brothers-in-law. On one copy‚ Beethoven wrote‚ in Latin‚ the phrase “Between Tears and Sorrow.” In this Romantic
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Lime Juice Tub. The transition ends on the dominant chord of G‚ with a break before starting the second subject‚ which is shown in the score. The second subject; theme B1‚ is a piece called ‘The Lime Juice Tub’ which is written in G major‚ the relative of E minor. The pleasant theme is first played on upper strings‚ playing together in harmony for a thinner sound‚ the melody is then passed on to the oboes‚ playing a variation‚ with a syncopated chordal accompaniment played by lower woodwinds. A
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effects of humidity on eating behavior. It is known that laboratory rats normally eat an average of = 21 grams of food each day. The researcher selects a random sample of n = 16 rats and places them in a controlled atmosphere room in which the relative humidity is maintained at 90%. The daily food consumption scores for the rats are as follows: 14‚ 18‚ 21‚ 15‚ 18‚ 18‚ 21‚ 18‚ 16‚ 20‚ 17‚ 19‚ 20‚ 17‚ 17‚ 19 a. Can the researcher conclude that humidity has a significant effect on eating behavior
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First‚ restrictive and nonrestrictive clauses differ in terms of punctuation and prosodic features. In terms of punctuation‚ nonrestrictive relative clauses accompany short pauses and commas around it whereas restrictive clauses do not. Nonrestrictive ones do so because their role is only to provide additional information about their antecedent regardless of the flow of their main clause‚ so they need to be separated from the main clause. On the other hand‚ restrictive clauses are needed to identify
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