Edna Once upon a time‚ not that long ago a little lady with the name of Edna sat in her large vacant home. She felt as if the home represented her because the house was full of many useless trinkets such as humidifiers‚ books‚ and old pink flamingos. Edna was a quirky young lady‚ many people didn’t understand her or her ideas. Edna was a very pessimistic person‚ she tended to have negative thoughts about anything that came her way and she was never nice. Most people that saw her just assumed that
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What were the causes and consequences of the Great Awakening? Discuss key people who influenced the Great Awakening and the differences between old and new lights. Info: • The Great Awakening was a spiritual renewal that swept the American Colonies‚ particularly New England‚ during the first half of the 18th Century. Causes: • Glorious Revolution of 1688: fighting between religious and political groups came to a halt with the Church of England was made the reigning church of the country.
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A religion is a set of beliefs concerning the cause‚ nature‚ and purpose of the universe‚ especially when considered as the creation of a supernatural agency or agencies‚ usually involving devotional and ritual observances‚ and often containing a moral code governing the conduct of human affairs. Confucianism is a Chinese ethical and philosophical system developed from the teachings of the Chinese philosopher Confucius. It is a complex system of moral‚ social‚ political‚ philosophical‚ and quasi-religious
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In Kate Chopin’s The Awakening‚ the author frames the notions of freedom and responsibility by contrasting them within an opposing dichotomy portrayed through the main character‚ Edna Pontellier‚ and through her subconscious denial of Creole responsibility while attaining freedom for her body‚ mind‚ and soul. Within this dichotomy the notions change inversely: the more freedom that is exercised by Edna because of unknown‚ and undisclosed‚ subconscious analysis deep in her mind‚ her sense of Creole
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“Compare how the women in black and the awakening use conventions of the gothic horror” This essay will entail a comparison of the conventions of gothic horror apparent in the films Women in Black and The Awakening‚ both films have created a gothic horror by using the conventions in similar and different ways. Firstly the characters have been portrayed in a certain way in both films to fit gothic horror‚ the characters are extremely vulnerable which is often present in gothic horrors‚ this is so
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Crude Awakening: The Oil Crash Who Killed the Electric Car directed by Chris Paine and A Crude Awakening: The Oil Crash directed by Basil Gelpke and Ray McCormack are similar documentary films in several aspects including their target audiences and viewpoints. Both documentaries choose to approach their messages differently concerning their use(s) of pathos‚ logos‚ and ethos. Who Killed the Electric Car relies much more on the use of pathos to relay its argument‚ while A Crude Awakening: The
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The Crusades were wars between Christians and Muslims‚ fought in Palestine. In 1071‚ Turkish Muslims captured Jerusalem. The Muslims stopped the Christians from visiting the holy places in Palestine. Naturally‚ Christian rulers in Europe were very angry about this. The Byzantine emperor in Constantinople asked the Pope to help him drive the Turks from the Holy Land. Peter the Hermit and the Pope started the first Crusade. Pope Urban II said that he would forgive the sins of all people who went and
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Kate Chopin’s “The Awakening”‚ her most famous novella‚ was written in 1899 and is widely regarded as one of the earliest American works that earnestly focuses on women’s issues and ideals. Chopin’s novel captures the essence of the struggle for freedom‚ equality‚ and independence in which women have been formally engaged for almost 150 years. In Edna Pontellier we find a woman that goes beyond being a symbol for freedom and the pursuit of female independence‚ but a complex individual coming to terms
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actions an individual takes to fit into or be excluded from these communities. Arthur Miller’s dramatisation The Crucible (TC) depicts the chaos and hysteria in 17th century Salem‚ created from a series of accusations. Kate Chopin’s short story The Awakening (TA) addresses a similar sense of chaos through the eyes of a Creole woman restricted by the harsh conducts that the patriarchal society she is in has set. Both Miller and Chopin provide an insight to the audience of societies’ morals‚ beliefs and
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Two texts‚ The Awakening‚ from the Buddhist Setsuwa‚ and A Long Tale for an Autumn Night‚ oddly run parallel to each other. Both texts include a protagonist who fails to live up to his religious ideal‚ a god that adopts a human form for the purpose of communication‚ and a god who ultimately reveals him/herself within a dream. Furthermore‚ one could argue that the gods use deception in both texts as a tool to instill piety. Yet‚ this outlook encourages a negative understanding of the nature of religious
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