paper with notes for this midterm. It can be double-sided. Multiple choice terms (worth one point each) Open-ended questions vs. closed-ended questions Open-ended vs. closed-ended materials Parallel talk Scaffolding Play characteristics Reggio Emilia Approach Encouragement vs. praise Child-initiated vs. teacher-initiated activities KWHL charts Self-correcting materials Impact of High-density or crowding in classrooms Phonemic awareness Social-arbitrary knowledge Short answer (worth 5 points each)
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provision and practice is influenced by the work of the early year’s educators and approaches to practice. There are a number of different approaches to work with children in early years settings. These include: Reggio Emilia‚ HighScope‚ Steiner‚ Montessori and Forest Schools. The Steiner approach believed in a unity of spirit‚ soul‚ and body‚ and that good education restores the balance between thinking‚ willing‚ and feeling. His theory of child development showed three cycles of seven-year stages
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Emergent Curriculum Children between the ages of one and five do not learn because they are taught. They learn as a result of their own doing…through Loris Malaguzzi actions‚ relationships‚ inquiries‚ opportunities‚ Founder of the Reggio Emilia Schools‚ Italy and repetition. This knowledge is the foundation of SFLC’s emergent curriculum. Our teachers become research partners with children‚ seeking answers to questions and supporting investigation. Our school is their laboratory‚ offering the materials
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Forests School The forest school approach embraces the outdoors as a learning environment for children to explore. It first originated in Denmark and was introduced to the UK in the 1950’s. This approach is important as it helps to raise a child’s self-esteem‚ confidence and also enable problem solving. Forest school provides a challenging environment for children as it allows children to take risks and accomplish various tasks using their own inactive and problem solving skills. Whereas the natural
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Reading 7 Hertzog‚ N. B. (2001). Reflections and impressions from Reggio Emilia: “It’s not about art!”. Early Childhood Research & Practice‚ 3(1). Retrieved from http://ecrp.uiuc.edu/v3n1/hertzog.html ECRP. Spring 2001. Reflections and Impressions from Reggio Emilia: "It’s Not about ... Page 1 of 9 Reflections and Impressions from Reggio Emilia: "It’s Not about Art!" Nancy B. Hertzog University of Illinois at Urbana-Champaign Abstract This article discusses an early childhood program administrator’s
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Reggio Emilia Reggio Emilia is a place in Italy. After the war the local women decided to use the rubble of old houses destroyed during the war and build schools for their young people. Loris Malaguzzi was the first creative director and believed that children were competent‚ creative learners from birth. This type of schooling in Reggio Emilia started in 1945 but hasn’t been recognised worldwide until recently. Reggio Emilia is in the northern regions of Italy. They have an approach which
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Observation Paper #2 On 02/14/2018‚ I observed a toddler classroom at Eden Palms‚ Kidango. At nine thirty‚ there are four children at the table with two teachers. Jesus puts both his hand into a basket of Legos‚ he touches and looks at different colors of Legos. He does not communicate with his peer. Litzy stands next to him‚ and she gets one by one Lego to stack them on the top of another Lego. Santiago sits on the chair next to table that has Legos‚ he positions his hands on the table. He holds
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16 billion Net Profit‚ to EUR 55‚1 million Aggregate turnover of the Group: 1‚166 MLD € MISION Shapes‚ colours and fabrics: over 50 years of ideas and dreams that have become reality. The company location; Max Mara Via Fratelli Cervi‚ 66 42100 Reggio Emilia Tel: +39-0522-799 Fax: +39-0522-382639 The company ownership: Today the company is run by son and chairman Luigi Maramotti‚ and its design director is Laura Lusuardi‚ who consists Max Mara classic style. Maramotti’s brother Ignazio and sister Maria
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Character of Emilia in Othello Emilia is a character in the tragedy Othello by William Shakespeare. The character’s origin is traced to the 1565 tale‚ "Un capitano Moro" from Giovanni Battista Giraldi Cinthio’s Gli Hecatommithi. There‚ the character is described as young and virtuous‚ is referred to simply as the ensign’s wife‚ and becomes Desdemona’s companion in Cyprus. In Shakespeare‚ she is named Emilia‚ is the wife of Othello’s ensign‚ Iago‚ and is an attendant to Othello’s wife‚ Desdemona
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and Dramatic Purposes of Emilia In Shakespeare’s “Othello”‚ Emilia is considered one of the minor characters. She is the wife of Iago and the lady in waiting to Desdemona. Emilia makes a crucial contribution to the play as a whole. She contributes to the characterization of a couple of key characters and adds to the dramatic irony of the play. She plays an essential role in the escalation of the dramatic action. She also adds to some of the themes of the play. Emilia contributes to the characterization
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