The famous films‚ Psycho and Rear Window‚ by Alfred Hitchcock use editing and color differently‚ yet have similar base plots. While both films are justly considered suspenseful masterpieces‚ they each achieve this differently. In the film Rear Window‚ the point of view was always set as the main character‚ Jeff. Jeff was stuck in his apartment room due to a broken leg; therefore the camera only showed shots from looking out of his window or in his own room. Hitchcock chose to do this as a way to
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In Alfred Hitchcock’s The Rear Window‚ we’re introduced to L.B. Jefferies‚ a middle-aged man‚ injured in a photo-shoot accident. Because of his limited mobility‚ he passes time observing his neighbors through a window‚ overlooking his apartment lot. Through L.B.J.’s lens‚ the audience is introduced to a recently moved in‚ newly-wed couple. One day‚ L.B.J. sees the husband peering out of his window‚ wearing a white tank-top‚ with a cigarette in one hand‚ smoke already in his mouth. He appears to
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stand out are the thrillers Rear Window and Psycho. These films capture the viewer and create an atmosphere so unique and fresh that you feel as though you personally know the characters; sometimes you even feel like you’re becoming the characters. Although the films have many similarities they both have completely different moods and themes. Most importantly the films can still hold up against today’s incredibly high-budget Hollywood movies. A main theme in Rear Window is voyeurism‚ exhibited by
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ESSAY – EXTENSION ENGLISH Anil’s Ghost‚ Rear Window and 2 ORTS: crime fiction genre‚ texts‚ contexts‚ values and techniques “While the genre of crime writing covers a wide diversity of texts‚ these texts all engage with investigating a crime and associated social and moral issues” Conventions shape a text and are adopted to suit a specific audience or contextual purpose. The genre of crime writing covers a wide diversity of texts that through the composer’s contextual influences and intentions
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After watching Rear Window for a second time I’ve come to realize that not only is Alfred Hitchcock a great director‚ but also a great movie watcher. What I’m trying to say is that he knows exactly what people want to see in certain movies. Voyeurism captures the attention of anyone‚ viewers want to “spy” on the characters without being seen‚ and they want to be in positions that reality doesn’t allow them to be in. Hitchcock knows this feeling all too well‚ making one of the greatest movies of all
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Alfred Hitchcock’s film Rear Window released in 1954 portrays the power shift between the fictional couple‚ L.B Jeffries and Lisa Freemont. In the beginning of the film the viewers see Lisa as a perfect‚ high maintenance‚ wealthy woman who did everything to grasp Jeffries attention and prove to him that she is a worthy wife‚ but Jeffries believes "she’s too perfect‚ she’s too talented‚ she’s too beautiful‚ she’s too sophisticated‚ she’s too everything". Despite Jeffries being in a cast‚ sitting in
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Firstly I would like to say that Rear window is a true classic film. The film is a is the mother of all suspense thriller film and the director Alfred Hitchcock is the father of the genre. The predictability of the film proof its originality ‚pioneered and innocence compared to the films of its genre today. Films today has matured from its roots which is Rear Window but have not lost its core elements. The only difference between films today of the same genre and Rear Window is that movies nowadays forcefully
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Alfred Hitchcock’s Rear Window continues and expands on traditional themes of the Detective Fiction Genre. In 1841‚ Murder in the Rue Morgue by Edgar Allan Poe broke the traditional character constraints of the Crime Fiction Genre‚ by introducing a new type of lead detective figure. The ideal detective figure encompassed traits of superiority‚ intelligence‚ wit and a keen sense for observation. The lead detective figure is a sophisticated character that is not bound to the constrictions and limitations
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crime fiction they should be re-evaluated as the times have changed. Women have fought relentlessly to attain rights and equality which should be represented within this film. I feel my character was merely a device for Hitchcock to exemplify his themes of voyeurism and women being the subject of the male gaze. As even her name is characterised after her body it highlights the stereotype that women are simply at appease the male counterparts. My part within the film is that of being a doppelganger
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The scene begins when Lisa comes to Jeff’s apartment with dinner. After the waiter leaves the dinner‚ Lisa and Jeff have a drink next to the window discussing Lisa’s day and Jeff’s future plans. Lisa is sitting on the right side of the window and Jeff is on the left side. In the middle of the window‚ there is a beam that splits the window into two halves. People in the background can clearly be seen in the opposing side of the apartment complex. Alfred Hitchcock uses this scene to get the movie watcher
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